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Record Review – Rob Bailey – Sept 2017

 

Record Review – Rob Bailey – Sept 2017

KING MOJO – IRONSTONED

 


Four-piece Hammond driven Garage-Punk band from Middlesbrough team up with Medway’s finest Graham Day, at Ranscombe Studios on the banks of the Medway for a hard-hitting EP. Four strong originals with ‘5th Time Around’ being my personal favorite. Available on CD and Vinyl with more to come from King Mojo.
www.facebook.com/kingmojo.uk


LET THE MUSIC PLAY – GENE PITNEY/ REVIEWING THE SITUATION – JACKIE BOND

 

Another fine release from Spoke Records. The Gene Pitney ‘She’s A Heartbreaker’ era track is a great slab of Blue-Eyed Soul restored and remastered from a battered Emi-Disc acetate. The highlight however is a superb version of Lionel Bart’s ‘Reviewing the Situation’ from the musical ‘Oliver’. This is every bit as good as the better-known Sandie Shaw version. It was due for release on Strike or subsidiary GO in 1967 originally before they went bust, only to find its way on the ‘Dream Babes’ CD in 2003. Now finally available on 45 grab one quick folks.
spokerecords.co.uk


INTRODUCING – THE DEEP SIX

Brand new album on Heavy Soul records features Mark McGounden of MAKIN’ TIME and UPPER FIFTH and Paul Hooper-Keeley of the THREADS together with the multi-talented Tony Barbados banging the drums and Niall Keohane on bass. There is no re-working or covers here, just fourteen strong MODern soulful tracks.
www.facebook.com/TheDeepSixOfficial/


FOGBOUND – LP

 

A masterpiece beautifully packaged from one of our favourite 21st century bands also available on a limited red vinyl edition. Ten strong originals from a band that are growing in confidence with every gig and release. This album will no doubt become as revered as some of those sixties classic in years to come. Grab your copy now before they sell out and start going for silly money like some of the early singles from the link below.
www.johncolbysect.com


PIAGGIO SOUL COMBINATION – ITALIAN BOOGALOO

 

The first album by this Pisa Soul-Jazz collective is limited to just 300 copies. These five faces clearly have a love for the Vespa as well as great music. Three covers from Brian Auger, William Bell and Eddie Harris shows you the bag this band are in. Three is the reoccurring theme here with guest vocalists Irene Mori, Sara Piaggesi and Marina Mulopulos. More to come from the PSC.
www.sanantonio42.it


REBECCA DRY & RADEK AZUL BAND – BRING BACK SOUL

 

An English singer living in Paris who possesses a wide and powerful voice in a Northern and Deep Soul style. Her debut album ‘Rebecca Dry Sings Soul’ was a hit. And her second ‘Bring Back Soul’ with the ‘Radek Azul Band’ again is another triumph from the excellent Q-Sounds stable. Do yourself a favor and purchase a copy of this album from the link below. www.qsoundsrecording.com/


SUNBURST – THE MEN

 

The Men have had some favorable reviews on NUTSMAG from Graham in the past. ‘Sunburst’ is a change of musical direction partly down to a change of drummers and the recording process with a more organic approach. Band members played new musical instruments and adopted a more soulful approach, reminiscent of late era Beatles in some places. This album gives The Men another dimension to their energetic live shows.
www.themen.se


LITTLE BARRIE – DEATH EXPRESS

 

Having followed the band from the very early days and done countless gigs with them it’s always a joy to hear the new material which always takes a fresh approach. ‘Death Express’ is a sonic album of clever Psychedelic Garage Rock riffs from singer, songwriter and demon guitarist Barrie Cadogan. It’s amazing what sounds this trio can produce with Virgil’s tight break beat drumming and Lewis Soulful bass lines. The result a double album with twenty tracks, go grab a copy of this future classic before it’s too late.
www.littlebarrie.com


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 7, 2017 By : Category : Bands Front Page General Music Reviews Tags:, , , , , , , , , , , ,
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Newbreed – The Wheels

This entry is part 7 of 7 in the series Newbreed5

NUTsMag recent caught up with The Wheels, who hail from Mallorca, Balearic Islands for a quick chat.

1. How long have you been active and how did you get together?

Three of us started playing music together when we were around 14, it was then that we decided to make The Wheels something more serious. The years have seen members change, some leave and come back but finally we’ve got the final lineup and we’re stoked.

2. What influences do the band members have in common?

A list that no one has time to read. But we began being influenced by music from the 60s when we were starting up, purely because we couldn’t find anything contemporary to relate to then, artists like Kevin Ayers, The Beatles. We also love jazz and Brazilian music. Now there’s loads of great music out there, we think perhaps that the people making it went through a similar experience to us in that they delved back into history to find music that inspired them and when making their own, these influences were exhibited. Artists like The Lemon Twigs, Connan Mockasin, Mild High Club and Mac Demarco have had us pretty hooked recently.

3. Are there any bands you’d recommend in your area?

Definitely, good friends of our, los Nastys are a band people should check out, they’ve come from the underground garage scene in Madrid along with The Parrots and Hinds. All those bands have great songs and a lot of energy.

4. Tell us about the 60s/underground scene from Spain?

We don’t know all that much about what was going on in the rest of Spain during that time but we do know that Mallorca was a melting pot for artists from abroad. Deia was home to people like Kevin Ayers who founded The Soft Machine and later went solo, it also saw Robert Wyatt spend some time there and Yoko Ono is said to have visited as well. Hendrix even played in Palma in the 60s

5. How would you describe the style you play?

Hypnotizing psychedelia with a nostalgic flash from the 60s and a freshness that encapsulates the new wave of psychedelic pop

6. What are your live shows like?

In a way they’re like bringing a sonic painting to life. Having the songs performed widens perception and awakens different senses and emotions.

7. What are your main influences in music? Who do/would you play covers by? Who do you despise?

That’s like asking a poet to pick their favorite word, apart from the influences we adopted as teenagers we’re constantly discovering new music and forever going through phases of obsession with different artists. We don’t play covers but we’d probably do something by Kevin Ayers. Who do we despise? There are so many artists we love and probably more we have a more negative opinion of. But we’re not here to insult anyone… although we hate that fucking song ‘Despasito ‘that’s out at the moment. And Ed Sheeran is a pain in the arse too.

8. What are your main influences outside of music?

We read a lot of books, Siddhartha by Herman Hesse was actually an influence on our last album. We’re really into film and also get very inspired by painters like Matti Klarwein (who also lived in Deia), who was one of the psychedelic legends.

9. Who writes your songs and what subjects do you deal with?

In everything released until now, Guille has been the main songwriter but the whole band was involved in the process and Tomi even wrote a song for the last album too.

10. What is your favorite song in your repertoire currently? What’s your favorite song by another artist?

Dream On – Nó by O Terno

11. How would you describe the underground scene? Do you participate?

The current underground scene is thriving at the moment. And yes, more than participate, we live in it currently. There is brilliant music being made, you just need to look for it.

12. What has your biggest challenge been up to date?

This year it’s been finding time to work on new material because we’ve been on the road so much.

13. How often do you Rehearse? Play Live? Record?

Rehearsing depends on whether there’s a tour or important gig coming up, in those cases its every day. We play live a lot. And we record when we get off tour.

14. What do you think of music coverage in the media?

We think there’s plenty of room for more coverage, especially in mainstream media, it’s embarrassing how little time is devoted to culture. It’s up to the independent magazines, blogs etc. at the moment. Although platforms like Pitchfork and Red Bull are pretty cool.

15. Do you rate any current mainstream or underground bands?

All the ones mentioned above and more, we’d be here for days.

16. Who/Where would you most like to record with and why?

We were very happy with Paco Loco and his studio was a wonderful place to record an album, we’d definitely work with him again. At the moment we’d love to record with Jonathan Rado from Foxygen and the location… I dunno Brazil?

17. What should we expect from you in the future? What are your plans and ambitions? What interesting dates have you got coming up?

We’re already writing new material and we may release a single before the year is out, an album will follow sometime in the future. We’re busy in September with festivals like Ebrovision, Zaragoza Psych Fest, Monkey Week. We’re looking to get more dates in Europe as we toured Mexico before trying to sort out something in our continent. And we’ll be hoping to play more great festivals next summer.

Main Site: thewheels.band/

Social Networks:
Facebook: facebook.com/TheWheels.proj
Instagram: www.instagram.com/thewheelsband/

Band Members: Guille Borrás (Guitar and vocals), Tomi Solbas (Drums and vocals), Rick Sena (Guitar), Toni Sánchez (Keyboard, Synths), Andrés Alcover (Bass and vocals).

Discography: Great Frustrations EP (2014), Born to Fly LP (2015) The Year of the Monkey LP (2017)


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 19, 2017 By : Category : Articles Europe Interviews Music News Tags:, , , ,
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Hey! Mr DJ Irish Greg

NUTsMag looks back at a piece about Irish Greg for a chat about his passion for music.

01. How and when did you get into music and what were you listening to then?

I got into Soul through friends in Ireland back in the 80’s, just classic stuff like Kent albums etc. I always liked the blues and used to go and buy albums every week with my pocket-money. Obviously I was into the Specials etc and my all-time favorites The Style Council. When I moved to London in the mid 80’s I got seriously into Ska/Reggae and Northern Soul.

02.Where was your first DJ slot?

My first proper DJ set came from Alan H who was doing Sunday afternoons in the Dublin Castle in Camden (late 80’s). From there we were always involved djing all round London.

03. What was your most memorable DJ spot?

Blimey! Ahh I would have to say for Primal Scream or when I DJ’d for Coldplay, who by the way I thought were shite! Shows what I know about pop music.

04. What so far, has been your worst DJ experience?

I remember playing one night at the 100 Club and there must have been only 30 people in the place, no matter what you played no one was dancing. I just played the tunes and carried on, you could smoke then so it wasn’t too bad on the nerves.

05. Your favourite scene DJ’s and why?

To be honest there’s not many as most copy each other. Let’s face it there’s no real BIG individual DJ anymore. Wasn’t like this back in the day, Alan H was very important to me as he was ahead of most people in the 80’s. Carl Fortnum, Ian Clark, Ady C.

06. What has shaped your DJ sound and why?

I like uplifting music, something with a bit of passion and punch all at the
same time.

07. What was your best ever find/discovery?

Helen Troy – I think I love you – Kapp, covered it up for ages as Little Helen and the Ladies.

08. Who was your biggest influence musically and your favourite artist(s)?

Paul Weller, Joe Strummer, Small Faces, Who and all of the Sex Pistols.

09. Do you collect specific labels/artists/genres?

I collect all kinds of stuff from Punk to Blues.

10. Where can folks currently catch your DJ set?

Nowhere these days, I’m a professional Goalkeeping coach for QPR, so don’t get out much I’m afraid. My weekends are dominated with football and coaching.

11. What is the record you would most like to own?

Magnetics – Lady in green – Bonnie

12. Please give us a top 10 all time favourites and a current top 5 spins?

Current Top 5 Tracks:

Judy Freeman – Hold on (unissued extended version) – RCA Acetate.
Unknown artist – I feel good – test pressing
Betty Boothe – Just a little bit of true love – Enjoy
Harvey Averne Dozen – Never learned to dance – Fania
Tina Roberts – One way or the other – Security

Top 10 Tracks of All Time:

Gwen Owens – Just say your wanted and needed – Velgo
Sonatas – Going on down the road – Hot Line
Flash McKinley – I’ll Rescue you – Bombay
New Wanderers – Ain’t gonna do you no harm – Ready
Jimmy Ricks – Oh what a feeling – Festival
Pat Lewis – No one to love – Solid Hit
Jimmy Burns – I really love you – Erica
Bobby Bland – Shoes – Duke
Parliaments – Don’t be sore at me – Revilot
Darrell Banks – Open the door to your heart – Revilot

Reference: Co-Founder of Capitol Soul Club, 100 Club Allnighter resident in the 90’s.

Social Networks: Don’t do them, things like Facebook… full of people talking about themselves and their ego. Oh look at me! No one really cares anymore.

Next Club Spots: Crossfire  for NUTs, London.


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : DJs Front Page Interviews Music Tags:,
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Val Palmer – Hey! Ms DJ

This entry is part 8 of 19 in the series Hey! Mr DJ 3

We caught up with DJ Val Palmer. Here is what she had to say about her passion for Music, DJing and rare records prior to her next Crossfire slot in London.

1. How and when did you get into music and what were you listening to then?

Being the youngest of seven kids I grew up listening to the Beatles, Stones, Kinks and Chuck Berry, so have always been into music and was buying records from the age of about nine. I caught the best of the 1970s from Roxy Music to punk, and gradually discovered the soul scene via the re-issues that came out of the ’79 mod revival. I just carried on buying records as usual.

2. Where was your first DJ slot?

The er… glamorous Crown & Sceptre pub in Great Titchfield Street. A local new year’s eve bash run by my neighbour, Ady Croasdell.

3. What was your most memorable DJ spot?

Definitely the first time I DJ’d at the 100 Club all-nighter in the mid-80s – I’d arrived! Talk about a challenge – I heard some guy say ‘F*ck me – it’s a bird DJing…’ More recently, playing at the Subway Soul Club in New York is always a blast, there’s something very satisfying about playing those records back on their home turf.

4. What so far, has been your worst DJ experience?

An excruciating ‘soul’ night at Whitechapel Art Gallery, of all places. It was the bad idea of some trendy arty types, so virtually zero punters. Me, Keb and Jo Wallace DJ’d to each other all night and there were no middles/spindles, so records were sliding all over the decks, we had to be creative with chewing gum. There were also no wages.

5. Your favourite scene DJ’s and why?

Ian Clarke, Ady C, Bob Jones and the London mob were a huge influence, and I’ve always really rated people like Dean Rudland who can play across any genre, any time. I admire DJs who’ll throw in a few £5 records along with all the uber-rare expensive stuff, there’s so much that is overlooked because it’s not obscure enough.

6. What has shaped your DJ sound and why?

Well, I’d like to think that good taste has something to do with it? I tend to ‘shape my sound’ depending on what kind of gig it is – from northern to 70s / crossover, or with a smidgen of r&b and funky stuff thrown in, as necessary. I think I’m fairly adaptable, so long as I get my cab fare home.

7. What was your best ever find/discovery?

Stumbling across three mint copies of John & the Weirdest (Can’t get over these memories / No time) in a well picked-over record store in Los Angeles. (They were filed next to Elton John…) I flogged them all eventually, and am probably the only person to get a begging letter from Butch.

8. Who was your biggest influence musically and your favourite artist(s)?

I guess it would have to be Curtis Mayfield, which may sound predictable, but the guy has shaped entire generations of music and political awareness. I saw him play a gig at the Town & Country Club in the 90s, just him on guitar plus bass and drums. It was incredible, yet he didn’t even have a record deal at the time.

9. Do you collect specific labels/artists/genres?

Not particularly, if you obsess over collecting labels, you end up having to buy the rubbish tunes too. In general I’m partial to mid-tempo, which seems to be rather unfashionable at the moment. However, these days I tend to rummage around the bargain bins for classic stuff that I missed the first time around.

10. Where can folks currently catch your DJ set?

The next slot is New York’s Subway Soul club on October 3rd, and then back to London for Crossfire the following weekend, Sat the 10th of October.

11. What is the record you would most like to own?

Right this minute, it would be Charlene & the Soul Serenaders – Can you win. Everyone seems to have one except me, which is really irritating, and it’s not bloody cheap.

12. Please give us a top 10 all time favourites and a current top 5 spins?

Impossible to answer of course, but off the top ‘o’ my head, these are some of my all time faves.

Top 10 Tracks of All Time:

1. Gambrells – You better move (Carla)
2. Tony Hestor – Watch yourself (Karate)
3. Larry Atkins – Ain’t that love enough (Highland)
4. Johnny Robinson – Gone but not forgotten (Okeh)
5. Sharon McMann – Got to find another guy (Karen)
6. Edwin Starr – Just my kind of woman (Ric Tic)
7. Carol Anderson – Taking my mind off love (Whip)
8. Willie Tee – First taste of hurt (Gatur)
9. Vows – Tell me (VIP)
10. Trends – Thanks for a little lovin’ (ABC)

Current Top 5 Tracks:

1. Rhetta Hughes – You’re doing it with her (Tetragrammaton)
2. Tommie Young – That’s all a part of loving him (Contempo)
3. Limitations – I’m lonely, I’m troubled (Bacone)
4. Brenda George – I can’t stand it (Kent)
5. Claude Huey – Why would you blow it (Galaxy)

Next Club Spots: Crossfire  for NUTs, London.


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : DJs Front Page Interviews Music Tags:, , ,
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Ady Croasdell – Hey! Mr DJ

This entry is part 10 of 20 in the series Hey! Mr DJ

Ady is a living ‘Soul Scene’ legend running the 6TS Rhythm & Soul Club at the 100 Club Northern Soul All Nighters and co-running the Crossfire Allnighters.

1. How and when did you get into music and what were you listening to then?

The Animals. While living in Derby 1964.

2. Where was your first DJ slot?

The Last Chance 6TS allnighter, 21 Oxford St in 1982.

3. What was your most memorable DJ spot?

Every closing Sunday night at the Cleethorpes weekender.

4. Your favourite scene DJ’s and why?

Butch for new sounds, Mick Smith for the old ones.

5. What has shaped your DJ sound and why?

Randy Cozens showing me there was more than Northern to soul dancing.

6. What was your best ever find/discovery?

Sharon Scott – Putting My Heart under Lock and Key, most famous ones are Melba Moore – The Magic Touch and Frankie & Johnny – I’ll Hold You.

7. Biggest influence musically and your favourite artist(s)?

Impressions, Lou Johnson & Maxine Brown.

8. Where can folks currently catch your DJ set?

Crossfire – The next night is on Saturday Oct 21st 2017.

9. What is the record you would most like to own?

That one that hasn’t been discovered yet.

10. Please give us a top 10 all time favourite’s and a current top 5 spins?

Top 10 Tracks of All Time:

1. Kim Weston – Helpless
2. Carla Thomas – I’ll Never Stop Loving You
3. Four Tops – Baby I Need Your Loving
4. The Parliaments – This Is My Rainy Day
5. The Sensations – Demanding Man
6. Spellbinders – Help Me
7. Ben E King – Getting’ To Me (Atco acetate)
8. Sharon Scott – I’m Not Afraid (acetate)
9. Barbara Lynn – This Is the Thanks I Get
10. Luther Ingram – Oh Baby Don’t You Weep

Current Top 5 Tracks: 

1. Nancy Wilcox – He’ll Be Leaving You – Pied Piper
2. September Jones – Voo Doo Mademoiselle – Pied Piper
3. Magic Night – If You and I Had Never Met – Roulette
4. Melvin Parker – If I Had My Way (acetate)
5. O C Tolbert – Marriage Is Just a State Of Mind (Dave Hamilton acetate)

DJ Promo Links
www.6ts.info
facebook.com/pages/6Ts-Rhythm-and-Soul-Society/6320844642

 


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : Clubs DJs Front Page Interviews Music Scene UK Tags:, ,
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Pid – Hey! Mr DJ

This entry is part 13 of 20 in the series Hey! Mr DJ

Pid is one of Birmingham and the UK Scenes’ most respected and longest serving DJs, who has appeared at nearly every Modernist Type Event there is on offer over many years. We asked him a few questions recently and here is his replies.

01. How and when did you get into music and what were you listening to then?

As a kid I used to get dragged along to watch bands at various working men’s clubs by my Parents, mostly Jazz stuff, then in the late 70’s my mate played me The Jam LP, All Mod Cons and that got me into the mod thing.

02. Where was your first DJ slot?

I think it was upstairs at the Upper Grounds Pub (nick name The Rat Pan) in Witton, Birmingham.

03. What was your most memorable DJ spot?

The Isle of Wight rallies, probably when the Action played.

04. What so far, has been your worst DJ experience?

Ronnie Scotts in Brum a few years back, it was the August Bank Holiday Monday after one of the rallies – I was knackered. They’d asked me to DJ at a soul all-dayer in between these soul bands that were doing all this Blues Brothers stuff, they were shit. It finished about 2.30am, they didn’t give me a cent and I had to be up for work at 5am.

05. Your favourite scene DJ’s and why?

Any DJ who can keep folk on the dance floor.

06. What has shaped your DJ sound and why?

The variety of sounds, anything from early R&B to 60s beat and psych.

07. What was your best ever find/discovery?

It was an over the phone auction and I won a track called Love is in the Air by The Liberation Street Singers.

08. Who was your biggest influence musically and your favourite artist(s)?

Biggest influence was definitely all the early Jam songs,  I haven’t any favourite artists in particular.

09. Where can folks currently catch your DJ set?

The Moseley Arms, Digbeth, Birmingham and some of the NUTS rallies/events.

10. Please give us a top 10 all time favourites and a current top 5 spins?

Blimey, tough one, it will probably be completely different tomorrow.

All time Top Ten:

  1. Howlin’ Wolf – Smokestack Lightning
  2. Danny Owens – You’re a little too late
  3. Billy Hawks – Oh baby, I believe I’m losing you
  4. The Contours – First you look at the purse
  5. Jackie Wilson – Soul Galore
  6. The Action – Lonely Room
  7. Tintern Abbey – Vacuum Cleaner
  8. Tito Puente – Hit the Bongo
  9. Jimmy Smith – The Cat
  10. Mose Allison – Baby Please Don’t Go

Current Top 5 Tracks:

  1. Evil Eve – Tommy Youngblood.
  2. Jolly Jax – Preciate’ it.
  3. Silas Hogan – I’m in love with you baby.
  4. Lloyd Nolan – I don’t know about you.
  5. Liberation street singers – Love is in the air.

Next Club Spots: Nuts 20th Anniversary at Orleans, London – Sat November 18th 2017


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

More Posts - Website - Twitter - Facebook

September 6, 2017 By : Category : Club Soul DJs Front Page Interviews ModJazz Music RnB UK Tags:, , ,
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Callum Simpson – Hey! Mr DJ

This entry is part 6 of 20 in the series Hey! Mr DJ

1. How and when did you get into music and what were you listening to then?

I got into the mod/scooter scene at 15 years old. I bought my first scooter, a Vespa 50cc Special and joined a scooter club called High Moderation. I had an older brother and cousins who were into the Mod scene so I started to hang around with some Mods who were a year above me at school. Once into the fashion it was only a matter of time before I started to get into the music. I started listening to bands such as Paul Weller, The Jam, Small Faces and The Who. My brother had a big part to play in my musical taste progressing, as he was listening to bands like The Specials, Madness and was listening to lots of soul and Motown compilations, which exposed me to artists like Marvin Gaye, Aretha Franklin, The Four Tops and Martha Reeves.

At 16, looking slightly older than my age (not the case now), I was able to start going to clubs like Brighton Beach, local soul nights and the occasional scooter rally. This is where I was exposed to lots of new sounds. I was hearing records like Mel Torme – Coming Home, Sandi Sheldon – Gonna make me love you and Sam Dees – Lonely for my baby. As you can imagine I was blown away by these sounds and the exposure made me delve a little deeper into the music and vinyl records. I bought my first record from Boogaloo Records in Leicester when I was 17 for 6UKP and it was Ray Charles – Go on home.

2. Where was your first DJ slot?

My First DJ set was in Birmingham; by this time I lived for the weekends and was travelling up and down the country regularly attending mod/soul nights. Through attending nights on a regular basis Pid asked me to DJ along with a couple of mates Soggy and Gibbo. Dudley Steve was also on at the same night. I remember playing records like Joe Tex – You better believe it baby, JJ Jackson – Oh Ma Liddi and The Artistics – hope we have. I also remember playing a reissue, but this was before I was aware of the OVO policy! A couple of people looked amazed that they saw a young 17 year old lad behind the decks playing Bobby Adams & Betty Lou – Dr True Love…quite funny thinking about it now!

3. What was your most memorable DJ spot?

My most memorable DJ set has to be in Barcelona at the Boiler club. The city is amazing enough but the Boiler Club is how clubs should be, exciting, vibrant and a full on party from start to finish. I was deliberating weeks before about what I should play and selecting records for my play-box! I was pleased with my sets and judging by the dance floor so were the dancers, it was packed from start to finish… I even played a B-side by mistake and the dancers liked it, thankfully it was a very good B-side!

4. What so far, has been your worst DJ experience?

If ever you get asked to DJ at a wedding DON’T DO IT! I was asked off the back of running a club called ‘Shoutin the Blues’. One of the bar men liked the music and asked me to play at his wedding. At the time I was about 18 or 19 and thought that I could make a few quid. I made it clear that I only had Soul, Mod, R&B, Latin records and that he wouldn’t be getting the usual type wedding DJ playing music like ABBA, The Village People etc. He was adamant that he wanted something a bit different and that his guests would enjoy the music. I agreed to do it and for a price of £150, which I thought wasn’t bad for a few hours work! How wrong could I have been!

I was conscious not to play rare stuff, so I took more mainstream (to me) records which consisted of lots of Motown and dance floor friendly classics. Anyway to cut a long story short only 1 person danced throughout the whole night and that was towards the end of the night… funnily enough it was probably the rarest record I played all night ‘Billy Hawkes – Oh Baby’. Towards the end there were a group of lads who were sat at the back of the room, one of them came to ask me if I would play ‘You’ll never walk alone’, me being a Man United fan replied “I don’t play that stuff”, every record I played then was drowned out by a chant of “Who the f hell are you”. Shortly after that I decided to call it a night. I got my wages and left. Looking back now it’s pretty funny but at the time it was a nightmare!

5. Your favourite scene DJ’s and why?

Mik Parry – Forward thinking and so ahead of the game it’s unreal. It’s only now other DJ’s have been able to acquire records he was playing years ago. A) because the records are pure quality and B) they have seen his playlists. Check out his You tube channel ‘POW WOW MIK’

Karl Heard – Is what I call a proper DJ! This man has the ability to create an atmosphere like no other. Karl had a record collection to die for, but has now sold most of them off…not that I’m complaining! You think of all the big tunes – Volumes, Charles Johnson, Judy Stokes, Notations, Magicians, Harvey Averne, Johnny McCall AND Karl had or has these and loads more of this calibre.

Gav Arno – I always say it but it’s true, he’s a dark horse! Every time I hear him behind the decks and also when I have a look through his playbox he surprises me with what he has. Gav has a passion for unearthing quality unknown records, he finds tomorrow’s big records today!

6. What has shaped your DJ sound and why?

The three DJ’s I have mentioned in question 5 have helped me shape my taste, especially Karl Heard, over the last few years. Another is by regularly attending club nights and hearing DJ’s spinning new (to me) interesting records. The thing I love about Mod nights is you get such a varied taste of music from Soul right through to Jazz.

The internet is also a great way to hear new records and other DJ’s from around the world. Shows such as Jester Wild and YouTube channels are a great way to hear new stuff. Over the years I have collected all sorts but now I am much more selective about what records I buy.

7. What was your best ever find/discovery?

Tough question…my best discoveries are records I have recently posted on YouTube, Lil Archie & The Majestics, Leave my Girl Alone & Victor Lane, There’s Something About You. I have had them for about 4/5 years now and have been searching hard since but have never come across other copies. That is the reason why I have put them on YouTube to give them more exposure but also to see if other DJ’s/collectors can unearth copies…good luck!

8. Who was your biggest influence musically and your favourite artist(s)?

I honestly don’t have a favourite artist, I really like Marvin Gaye but not sure I could call him my favourite. I would relate this back again to question 5 and say that in my time as a resident at The Pow Wow Club, Mik and Gav were massive influences over me musically. The stuff these guys were playing was unreal! Imagine being 19/20 and hearing The Jokers, Jonathan Capree, The Fads, Young Jessie etc. Both well ahead of their time and two great DJ’s.

9. Do you collect specific labels/artists/genres?

Not in the slightest, if it’s good and I like it I’ll have bid/buy it. I don’t just buy records for DJ-ing with though. If I hear a record that I like but is not right for playing out, depending on cost, I will still by it for Sunday afternoons relaxing at home, listening to a few records.

Although I do like the Soul Brother Records label. It can be found here.

10. Where can folks currently catch your DJ set?

I am not currently a resident or running any club nights but I get asked to guest DJ quite a bit, so if you keep your eyes peeled I’m sure you will my see my name on one or two flyers. In terms of running my own night… watch this space! Callum will be playing at The Nutty New Year Event in London, see all the details HERE!

11. What is the record you would most like to own?

Another tough one, it would have to be either Eddie Parker, I’m Gone on Awake or The Hopkins Bros, Shake Cherri on Magnetik. I can remember when I first heard both of these records for the first time and thinking Holy smoke!

I first heard Eddie Parker in Sweden at the Soulastic All-nighter when Ginger Taylor was playing. When the first few notes came in the atmosphere was something I had not experienced before at a soul all-nighter and something I will never forget. That night we all went onto an after party and one of my friends had what I thought was a copy of ‘I’m Gone’ and the only difference between his copy and Ginger’s was that my mate’s was a boot (the look-a-like boot). I wasn’t aware of the value of the record at this point and I thought he had a copy, he then explained it was worth in the region of between 5-7K, needless to say, it was hammered that night and played probably about 30 times at the after party… oh what good times!

I first heard Andy Dyson play The Hopkins Bros at Lifeline a few years back and again the place went crazy. Only a handful of DJ’s had it at the time, all the big boys such as Dyson, Butch, Ian Wright… I’m not even sure if Mick H had one at that time!? Shame that it has been booted now! It’s still record of the night every time I hear it out, but I hate that I can now go online and buy a boot of it for £10, it has to be OVO!

12.  Please give us a top 10 all time favourite’s and a current top 5 spins?

Top Ten Favourites:

1. Eddie Parker – I’m gone

2. Hopkins Bros – Shake Cherri

3. Jonathan Capree – I’m gonna build me a mountain

4. Carol Anderson – Taking my mind off love

5. Ray Agee – I’m losing again

6. Billy Hawkes – Oh baby

7. Volumes – I ain’t gonna give you up

8. Otis Lee – Hard Row to Hoe

9. Parisians – Twinkle little star

10. Tobi Lark – Sweep it out in the shed

Top Five Spins:

1. The Sacred Four – Somebody watching you

2. Ray Agee – I’m Losing again

3. J T Parker – If you want to hold on

4. Judy Stokes – Real Man

5. Charles Simmons – Save the World

Next Club Spots: Nuts 20th Anniversary at Orleans, London – Sat November 18th 2017


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : Articles Clubs DJs Events Front Page Interviews Music Scene UK Tags:, ,
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Chris Dale – Hey! Mr DJ

This entry is part 9 of 20 in the series Hey! Mr DJ 2

Chris Dale took some time out recently to talk to Dr. Robert @Nutsmag.

01. How and when did you get into music and what were you listening to then?

New Wave, Mod Revival and Two-tone, but my first ever gig in Dec 1979 at Lewisham Odeon, The Specials, Selector and Dexy’s on the same bill, and my future was sealed.

02. Where was your first DJ slot?

St Johns Tavern 1990, I can still remember how nervous I was. This was one of Alan Hanscombe’s many soul and reggae ventures, and still helping him out with RnB123 in 2014, should be due my pension soon.

03. What was your most memorable DJ spot?

Sunday night Brighton 2011, something really clicked and is up there as one of the best. I can’t go without mentioning my few 6Ts 100 Club experiences, The Boiler and the Hideaway Manchester, especially after a particular memorable football match. The Rimini Italian Jobs throughout the 90’s and early 2000’s were very special, and finally Scenesville at the Notre Dame hall, great nights and an awesome venue.

04. What, so far, has been your worst DJ experience?

I’ve been lucky to have DJ’d at some great clubs and nothing really stands out as a bad experience.

05. Your favourite DJ and why?

The whole 6T’s team at the 100 Club past and present, Colin Law at Shotts (he was untouchable around this time), Roger Banks and Mark Bicknell, Gary Spencer & Carl Fortnum and not forgetting Terry Jones at the Village.

06. What has shaped your DJ sound and why?

Travelling around the country to various all-nighters and clubs, hearing fantastic music, taking a little bit from each experience, mixing in a little Ska, Reggae and Jazz, trying to mould this into my own style, hoping people don’t realise I’ve pinched it.

07. What was your best ever find/ discovery?

Laying claim to any find this day and age is a very rocky road, always someone out there to trip you up, but Manny Corchado – Pow Wow at the Mousetrap in the late 1990’s, would be a tough one to beat.

08. Who was your biggest influence musically and your favourite artist(s)?

The Motown stable, as it directs you to everything else, Curtis Mayfield, Marvin Gaye, The Temptations. I also have a great love for Ska & Reggae, which stems from the Two-tone era.

09. Do you collect specific labels/ artist/ genres?

Yes, Yes, Yes and Yes – Tamla, Sue, Studio One, Blue Beat the list is too long…

10. Where can folks currently catch your DJ set?

Mousetrap
RnB123
Brighton\NYE London
I’m also very fortunate to be asked to do fantastic clubs like VaVaVoom
(25th Oct 2014), Inner City Soul and The Boiler Barcelona.

11. What record you would most like to own?

George Pepp – The feeling is real – Coleman
Jimmy Bo Horne – I can’t speak – Dade
Ray Gee – I’m losing again – Soultown
The Wailers – Diamond baby – Coxsone

12. Please give us a top 10 all time favourites and a current top 5 spins?

Top 10 tracks of all time:

1. George Pepp – The feeling is real – Coleman
2. Paris – Sleepless nights – Doc
3. Flash Mckinley – I’ll rescue you – Bombay
4. Gene Toones – What more do you want – SimCo
5. George Lemons – Fascinating girl – Gold Soul
6. Cleveland Robinson – Love is a trap – Nosnibor
7. Prince Buster – Linger on – Prince Buster
8. Tommy McCook – Goldfinger – Treasure Isle
9. Little John – Just wait and see – Gogate
10. John Harris – Hangin’ in – Kerston

Current Top 5 Tracks:

1. Charles Sheffield – Got my voodoo working – Excello
2. Judy Hughes – Fine Fine Fine – Vault
3. Constellations – I don’t know about you – Gemini
4. Marvin Gaye – Loved starved heart – Tamla
5. Tan Geers – Let my heart and soul be free – Okeh

Next Club Spots: Nuts 20th Anniversary at Orleans, London – Sat November 18th 2017


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : DJs Front Page Interviews Music News UK Tags:, , ,
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Newbreed – Las Munjitas del Fuzz

1. How long have you been active for and how did you get together?

We started together as Doctor Explosion in the springtime of 1989. We were the first original line up under this name and we did hundreds of shows and five albums plus some singles and eps till 2001 when the original line up splits up, although i decide to keep going with different members as Dr Explosion after that date till nowadays. In 1993 after reading an article about obscure Spanish bands in the 60s, i discovered about Las Monjitas del Jeep, a group of real nuns who consider themselves as “ye yes”, “we are YE YEs but of the type that don’t get in troubles”. They were living in a convent and done their shopping in a Jeep. Fascinated by the idea of this group of religious devoted nuns who had such a cool gear (seen in pics such as Gibson 335, Grestch guitar, etc).

It was after that that I proposed to Felix and Varo to start a parallel band under the name of Las Monjitas del Surf to play spontaneously at our local temple, the music bar La Foli, a year after in 1994 we rescued the idea to play with another guitarist (Marcos Montoto, who we did at least two shows with) under the name of Las Monjitas del Fuzz. After that we did a tour in Spain with Lightning Beat Man in 1996 as his backing band.

We were very busy as Dr Explosion that time during the 90s so we used las Monjitas to do punctual shows randomly. After that, in 2001 with the new members of Dr Explosion we played at the Wild Weekend in Benidorm under the name of Las Munjitas. I think it was a mistake by Josh Collins to change the name of the band, the O for the U, but maybe not and it was only genius from Josh!! Bravo!! so when Varo last year (2016) proposed we get back together with Felix (the original line up of dr explosion) under las Monjitas del fuzz name I rescued the U in MUNJITAS from Josh’s idea, cause it sounds like MOON-hittas, in English and esthetically the name looks better with the same U as FUZZ.

As Las Munjitas del Fuzz we have been active since Varo called me in April of 2016.

2. What influences do the band members have in common?

We have lots of music influences in common, all the fuzzy mid 60s garage, and late 60s acid Pysch garage with raw strident guitar tones, but also all British 60s bands, 50s Rhythm and Blues, good Rock and Roll, Soul music and jazz and obviously much more. We know that Las Munjitas del fuzz land is the territory for the most extreme fuzzy and pysch garage sounds with creepy Spanish lyrics from the vision of a tormented nun who lives in these crazy modern times

3. Are there any other bands you’d recommend from your area? Why?

Around Gijon, Bobkat 65 cause although they are still in the process of learning to find their own way and self-confidence there is a real truth and love in what they do that you can feel in the spirit of their songs that makes them more real and special than other “professional” musicians. Check them out, they have a new album on Get Hip Records! I also spend part of my time in Austin, Texas that I consider also my area so, there I could mention hundreds of examples of good music like The Black Angels, Amplified Heat, Mike Flannigin (best hammond organ combo in town) Sweet Spirit, The Ripe, The Uglybeats, The Bellfuries, A Giant Dog, Sweet Spirit,The Thunderchiefs and many more.

4. What’s the 60’s/underground scene like where you’re from?

Here in Gijon it is quite boring I might say, lots of no talented and pedant shit over polished and enhanced by music business media, some indie rock song writers with pretentious political intentions but nothing really exciting except some real talented people like Fee Reega, Captains and a few others like Bobkat 65, Las Potras and Peralta.

In Austin is an amazing community of talented musicians with hundreds of good bands around.

5. How would you describe the style you play?

Fuzzy Psych Garage Punk

6. What are your live shows like?

Mystic Ecstasy, Out of Control, Tremors and Levitation, Religious Fervor and Mass Mess

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

My influences in Music are very wide, as somebody said once, I like all the good music and a bit of the bad stuff. Las Munjitas only play covers for now but I write my own lyrics in Spanish that gives the songs a new vision. We have the intention of writing our own material for the next records. it is very interesting and fun to see from a language point of view how changing that affects the final result. Even though I respect all the accents of the melody by just changing the meaning of the lyrics and the sounds of the words you can export a song to a new dimension, where that recording means something totally different to a new group of people. I love playing with that, it’s a in joke for us to transform the songs we have always loved into something really stupid to laugh about, we don’t respect anything.

8. What are your main influences outside of music?

God

9. Who writes your songs and what subjects do you deal with?

I write the lyrics. As I said above we play covers, golden Garage hits from the mid-60s, that we used to play in our setlist in the 90s, plus some other new. When Varo asked me to get the band back together again I thought it was a good idea to do it under the name of Las Munjitas. It made no sense to play those songs again with their original lyrics, so as long as we were now Las Munjitas del Fuzz and not Dr Explosion I started to write new lyrics with the vision of a real catholic nun.

Catholicism has been a huge part of our education since we are all coming from deep Catholic families, Varo and I were both in Catholic schools. So, in most of the lyrics I want to sound like a real nun with an ancient conservative traditional mindset trying to understand and describe today’s World. Trying to understand today’s young people and the music scene, and at the same time trying to be part of it, but with her own spirit. Like a Christian rock band but with Garage Punk tunes, sometimes I go a bit wild with the lyrics like “Let’s go in 69” where i describe the sexual act of a 69 between two nuns. but aren’t we all sinners? “And you know that temptation and the devil is always there. And well, the attitude of the lyrics is surprising, like…”Oh my god!! it is a 69!!” Although there are also explicit descriptions of oral sex. it is real as life itself where tragedy and comedy walk together hand in hand.”

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

I like a lot “Satan sal de mi” which is our first single and the new video we’ll put on youtube soon. A song by another artist it could mention hundreds but I am gonna say “I am a lover not a fighter” by Lazy Lester because I met him last Saturday after his show and had a beer with him, and because I love that single!

11. How would you describe the current underground scene? Do you participate?

I think the underground scene is in a very interesting, there is a lot of cool bands all around the World, and more important, there is a new generation of fans interested in today’s scene with festivals like Levitation in Austin, Liverpool and Angers. I participate as much as I can, producing and recording bands. I have been working with Boogarins, Golden Animals, Dallas Acid, Amplified Heat, The Ripe and Sean Lennon.

12. What has been the biggest challenge to date?

Not being arrested by the border patrol when we were shooting our videoclip of “Satan sal de mi” near the Mexican border dressing like nuns. the officer asked us: “Are you guys roman Catholics?”

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Well, Varo lives in Valencia (800 km away) so every time he comes over to Gijon we try to do as much practice and recording as we can. Actually the records we have been putting out are first takes of the first rehearsal we did after 16 years. A large part of our set are songs we used to play in the 90s. We practice at my studio Circo Perrotti where I put mics and record the rehearsal with the intention of hearing the possible mistakes and work on the songs after that. The truth is that we liked the way the songs came out with their imperfections, and we love that fact as important part of the footprint of real music. We have a new single on Slovenly/Shit on the Milk records, with a hidden surprise at the end of the 1st cut. we also have one more single coming up on Groovie Records. We have a recorded lots of hits like “No la van a Bautizar”, “Aun soy Virgen”, “Frivola” or “El Twist de la Genuflexion” that will be included in the Munjitas album.

14. What do you think of the music coverage in the media?

It is like in any other business, people follow the mainstream, most of the times just a matter of investing money and time, there is a parallel World of talented people doing the most interesting things in the underground and occasionally the massive media discovers one or two of them and gives them bigger exposure

15. Do you rate any current mainstream or underground bands?

The Black Angels are my friends, I play with Jake Garcia in The Ripe and he invited me to join them for their show at Primavera Sound, and although I saw them many times before in Austin, that night was special for me. To see Jake my brother on stage having a massive success in my own country, made me feel very proud of him and of the hard work they have been putting into this new record. I also produced the last album of Boogarins “Manual”, great Psych rock with Brazilian roots. I love that band and to work with them in my studio in Spain was an amazing experience. The album was a nominee in the Latin Grammys last year. I am currently working on the production of Micky’s new album in Gijon. Micky from Micky y Los Tonys had some number one hits in Spain and Germany in the 70s and 60s and he is very well known all around Spain.

16. Who/Where would you most like to record with and why?

We are lucky in the that sense as I have my own studio. Apart from Circo Perrotti I’d love to record again with Liam Watson, he is a good old friend and I love what he does, and he recorded us for the first time in 1994

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

Well we will play at Euroyeye fest in Gijon this summer and I want to complete our first album. I also want to do our own material for a conceptual psychedelic album based in texts of Santa Teresa de Jesus and the Spanish mystics of the XVI century…

 
Band Members: Sor Alvaro Coalla (Bateria), Sor Felix A. (Asuncion) Dominguez (Bajo, Teclado y Voces), Sor Jorge Munozz Cobo (Voz y Guitarra)

Discography: 2016 Single “Satan Sal de Mi” (Funtastic Dracula Records), 2017 Single “Es el 69” (I shit on the Milk Records), 2017 Single “Pecado” (Groovy Records)

Main Site: CLICK HERE!

Social Networks: FACEBOOK HERE!

Tour Info: CLICK HERE!


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Articles Bands Beat Europe Front Page Fuzz Garage Interviews Picks Psych Tags:, , ,
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Newbreed – Men Of North Country

We recently caught up with the Men Of North Country (from Tel Aviv) for a nice chat for NUTSMAG, here is what they had to say…

1. How long have you been active for and how did you get together?

We’ve been recording proper since 2011, performing since 2012. Back in 2007 Yashiv was heard singing along the tunes he was spinning at a party and from there it slowly developed into MONC.

2. influences do the band members have in common?

Soul music.

3. Are there any other bands you’d recommend from your area? Why?

Our bass player, Jonathan, is also in a band called Taani Esther, which is a brilliant psychedelic pop band that sings in Hebrew.

4. What’s the 60’s/underground scene like where you’re from?

Tel Aviv is a great city but compared to other cultural Meccas it’s pretty small. So the 60’s scene isn’t big. There’s the Tel Aviv Soul Club, there are some lovely surf bands and retro nights.

5. How would you describe the style you play?

One of the streaming sites (Pandora or Last FM I think) described our music as basically Soul with influences of Mod 79 sounds and Punk 77 music. We’re pretty happy with that. We’d add post punk to the mix as well, especially The Cure.

6. What are your live shows like?

Loud and brassy.

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

First of all Northern Soul, Dexy’s and The Cure. After that it’s the usual suspects: The Jam, Motown, Stax, etc. We love doing covers. We did Human League’s Mirror Man in the first album (it’s basically a Motown tune), The Who’s The Seeker for our Magic EP, Lou Pride’s I’m Com’un Home for the second album and we do some more live – Kinks, Standells, Joe Jackson, Solomon Burke and more. I really do despise Radiohead…

8. What are your main influences outside of music?

Probably film if we’re talking art.

9. Who writes your songs and what subjects do you deal with?

Doron writes most of the music, and I (Yashiv) write the lyrics. Subjects are mostly personal stuff I go through and some political stuff as well. Coming from where we come from, you can’t really escape that sadly.

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

Personally I’d have to say that I dig Running the most now. I call it Northern Soul for The Cure kids. I’m blown away by the string arrangement Boaz has come up with for this one every time I hear it (he’s our drummer and arranger). Fav song by another artist? That’s too tough a question. Just listening to John Bowie now, so let’s go with that ok?

11. How would you describe the current underground scene?  Do you participate?

I run the Tel Aviv Soul Club so I guess I do. And whenever I’m abroad I try to get to a party or a gig. And we perform of course. From the last event I’ve been to in London I think I can describe it as a bit too fuzzy, and too rare. Still the best scene around though.

12. What has been the biggest challenge to date?

I guess the Madness House of Fun Weekender last November was a big thing for us, although once you’re on stage you just do your thing…

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Rehearsals depend on live gigs. We do more of them before gigs naturally. We have a couple of European tours a year (I still count the UK as European for that if you don’t mind…) and we also play in Tel Aviv and the rest of the country every few weeks/months. We’ve just recorded a version of The Jam’s Circus for the Specialized project which is supposed to come out this summer so that’s pretty exciting. I think The Jam would approve with our take. And in August just before the NUT gigs we’re releasing a new single which is always an exciting event for us.

14. What do you think of the music coverage in the media?

Well, it looks like the world is heading to a click-bate era which isn’t so promising, and so is the music coverage. On the bright side, everything is so accessible these days that you can easily find a place to your liking, musically and media-wise as well.

15. Do you rate any current mainstream or underground bands?

I love The Coral. And BJM too. And a lot of other stuff as well. Too many to mention.

16. Who/Where would you most like to record with and why?

We’ve recorded our Magic EP at the all-analogue Yeah Yeah Yeah studios in Hamburg. Great experience. Wouldn’t mind doing that again. And would love to record with the Skeleton Key guys from Liverpool. Or Andy Lewis in London. He’s our godfather. Or Bob Stanley from St Etienne! Now that would be really something!

17. What should we expect from you in the future?  What are your plans and ambitions? What interesting gig dates have you got coming up?

More gigs and more records. More. Looking forward to our first Brighton visit. Heard so much about it. Gonna comb the beach for rockers!


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Articles Bands Beat Front Page Interviews Picks RnB Scene Tags:, ,
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Hey! Mr DJ – Felix

This entry is part 3 of 7 in the series Hey! Mr DJ 6

NUTSMAG recently caught up with DJ Felix in for a nice chat about music.

1. How and when did you get into music and what were you listening to then?

I got into 70’s and 80’s soul, funk & jazz in the early to mid-eighties when I was a teenager (I also listened to the old school hip hop and punk), the popularity of house music made me rush back and look for 60’s Soul. The football terrace and my 60’s punk band got me into the Mod scene. From then I have stuck with it, I don’t know why… (30 years now?) well, I have to say I enjoy life and not only mod things…

2. Where was your first DJ slot?

I had a radio show in the mid to late 80’s with soul, funk and jazz music. First soul nights were in a drug-dealer club every Tuesday night in early 90’s. Life taught me hard… and cheap hahaha!

3. What was your most memorable DJ spot?

I can’t remember.

4. What so far, has been your worst DJ experience?

I can’t remember a “worst” but I’ve had a few, usually related to technical stuff. Last week I was djing at the Euro Lambretta Rally in Italy and one of the decks stopped to function. No start, no stop. The owner of the equipment who had skipped the step of plugging and connecting both records players and balancing both arms (cartridge and stuff aside) when I was about to begin blamed me for that so I laughed a lot cos I thought he was joking. But no, then my mood changed.

5. Your favorite scene DJ’s and why?

More than DJs, I love sets, right songs in the right moment and this doesn’t depend only on the records, if you know what I mean. I admire many DJs for their taste in music and their know how, technically and dancefloor-wise.

6. What has shaped your DJ sound and why?

It comes from inside me, I play the music I like, even if the disc is a $5 buck vg+ original. Mod means individuality and I don’t really like DJs that play the already well known in demand records, cos this only shows they have money (something that I don’t usually have). I prefer DJs who take the risks and don’t mind throwing in a few lesser known classics together with “newies” and always following their own style.

7. What was your best ever find/discovery?

My penis, not long ago. A Jet 200 in a barn in 1998 that was sold to me for 90eur. Mod Jazz music, my fave music. The “Churn the Butter” song I still can’t stop dancing after all these years and soooo many others… “Tell the world we’re not in” by the Peddlers” is a cheapie that nobody played at the time. I also discovered in New Zealand Chase “Get it On” and in Verona the Remo Four, uff I spend my life trying to discover new sensation and the day I give up, I’ll be dead.

8. Who was your biggest influence musically and your favorite artist(s)?

When you own 1000’s of records you simply cannot choose one and now I’m not tempted to throw the rarest artist name in to be given a badge. I LOVE modjazz, souljazz, Motown, vintage funk, underground disco sometimes when I’m high and in the right weekender… and dig garage, punk, and r&b in the same circumstances…

9. Do you collect specific labels/artists/genres?

I collect Playboy magazines from 1965 to 1970 (I only miss 5 numbers now) I collect Spanish Tamla Motown from 1966 to 1973 (our first series) I only miss two 45’s. And I try to collect Lambrettas but my vivid zest for life and the pursuit of happiness sometimes makes me sell them instead of buying them… currently I think I have 12. And BASICALLY I love music, regardless the label, artist or genres, so I buy what I can afford (and a bit more than that). Obviously, there are a few labels that make me stop instantly while whizzing through record boxes in fairs.

10. Where can folks currently catch your DJ set?

At Barbaro Chico Club in Gijón and Euroyeye, Check my facebook

11. What is the record you would most like to own?

After all these years, I’ve learned that no record is worth the distress. Recently, I’ve had to sell a few expensive records from my Collection, cos I needed money to travel (to the USA and the Balkans on my Lambretta) and no pain at all, in the end it’s just music. One friend told me last year “our collections can be our pensions when we are older”, and he might be right. Anyway, I must admit once I get hung up with a tune I first try to buy the original but if it’s way toooooo expensive I assume I am poor and listen to it in youtube.

12. Please give us a top 10 all time favorites and a current top 5 spins?

Top 10 Tracks of All Time:
1. Duffin’ Around – Brother Jack Mc Duff & David Newman
2. It Was A Very Good year – Della Reese
3. It’s My Thang – Marva Whitney & the JB’s (live)
4. The Cat – Organ Summit with Paul Shaffer, Joey DeFrancesco, Doug Riley and Dr. Lonnie Smith (live)
5. What’s Going On – Marvin Gaye
6. I Want A Love I Can See – the Temptations
7. What Becomes Of The Broken Hearted – Jimmy Ruffin
8. Pow Wow – Many Corchado… (simply second to none)
9. Own Up Time – Small Faces
10. Harmonica – Graham Bond Org.
11. She Needs Company – Manfred Mann
12. Maybe Tomorrow – The Chords
13. Walls Come Tumblin’ Down – The Style Council
14. From Now On – Magnus Carlson & The Moon Ray Quintet

Current Top 5 Tracks:
1. Roy Thompson Band – I Don’t Need You Anymore
2. Eddie Buster & Jr Robinson – Churn the Butter
3. Machito – Green Onions
4. Otis Leavhill – Boomerang
5. Ray Pettis – Don’t Use Me

Main WebSite: www.euroyeye.es

Social Networks:
FACEBOOK HERE


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Beat Club Soul DJs Europe Front Page ModJazz Music RnB Tags:, , ,
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Newbreed – Les Darlings

We recently caught up with the Les Darlings (from Paris, London, Copenhagen, & Bordeaux) for a nice chat for NUTSMAG, here is what they had to say…

1. How long have you been active for and how did you get together?

Well, we started the band in March 2016. Kitty runs a record label, Lust Record, originally created to re-issue 60’s obscurity. At the time, I was too shy to ask those talented guys to form a band when we met during concerts and festivals but Kitty cheered us up to play together so we finally met in Hamburg for songwriting and created more songs than expected. Originally the idea was to make a 45, but we got enough material to release an LP.

2. What influences do the band members have in common?

I think we all deeply love all kind of 50’s/60 music, from BlueBeat, crude R&B and naturally ’66 garage and Mod sound.

3. Are there any other bands you’d recommend from your area? Why?

As I live in London now, I can tell that the Cavemen are just one of the most outrageously good band I’ve seen recently! The Embrooks, King Salami, etc, etc! From Paris, French Boutik, The Wave Chargers….

4. What’s the 60’s/underground scene like where you’re from?

I think the whole 60’s scene is held by a handful but deeply passionate people. It’s an endless story, every decade you got a bunch of young lions who discover and embrace that style. Les Gry Gry, The Arrogants, all in their glorious 20’s… I wish we had more bands like this. Now synth punk is back yet again… I hope they get quickly tired of all that 80’s Kawai keyboards (ha! ha!)

5. How would you describe the style you play?

I think we got one boot in the 60’s, another one in the present. Makes no sense for me to be a tribute band or so, but it doesn’t mean that we are untrue to our influences. All the great bands I loved always added a little something on top of the rest. Just to be different. Who wants to listen to another cover of ‘Shapes of things’? The best example for me is The Youth, The Urges or The Jackets. Our main goal is to create some heavily influenced ’66 moody garage songs that you can really dance along to.

6. What are your live shows like?

It can get really sweaty, especially when you play in a 3 pieces wool suit! Thomas is a Christic frontman, he totally gives himself on stage. We actually have to try to protect him from the action. We love to play together, and the public feels it.

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

Everything from the Peebles comp, Back from the Grave or High in the Mid Sixties… We play a couple covers that Kitty threw on the table, especially ‘Lily’ from an obscure Californian band called Drusalee & The Dead… In fact, we play live the records we cannot afford to buy haha. Rob also suggested us to play a French cover and it was definitely a good idea. The goal is to create our own thing of course.

8. What are your main influences outside of music?

Aside from 60’s culture, we got our secret garden…

9. Who writes your songs and what subjects do you deal with?

Allah wrote them for us. We just need to listen to Allah, and then the songs pop out by themselves. Seriously it’s a collective work, Thomas takes care of the lyrics as he’s writing poetry too.

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

My favorite is ‘Hey Baby’, ‘I know David Peter really likes ‘Make her mine’. If we don’t like a song anymore we just throw it out and write another one that’s as simple as that. I love too many songs to choose only one. My favorite song changes every day or so.

11. How would you describe the current underground scene? Do you participate?

We go to gigs or festivals as often as we can. It is like an International Brotherhood.

12. What has been the biggest challenge to date?

Bringing back Dorian alive from Hamburg.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

As we live far away from each other, we can only rehearse one or two hours before each gig. Of course, it’s always a disaster, to begin with. But something magic always happens when we hit the stage, thanks to the hundreds of gigs we each did with our previous bands!

14. What do you think of the music coverage in the media?

I think it’s really bad in the so-called ‘Mass Media’. We can only pay homage to the few passionate people like you to shed a light on this very sharp scene.

15. Do you rate any current mainstream or underground bands?

I really love The Wrong Society, they released a couple of singles that really nailed it. Of course The Youth, The Jackets… The Teamsters, The Urges too.

16. Who/Where would you most like to record with and why?

We started the thing with Dennis Rux as a producer and we gonna continue with him. His studio is located in front of a 24/7 gas station loaded with the greatest German lager. Decent döner round the corner too. Beside of this Dennis is perfect gentlemen who own one of the best analog studios between planet Earth and Dagoba system. Apart from Toe Rag and Circo Perrotti, i don’t know where we could have recorded it. It was absolutely normal to do it in Mono from the start for him ha! ha!

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

We need to work together to finish our LP which is almost completed! We’re also gonna have an organ player with us, Mr Dècheman, a great entertainer too, so you can expect some more action on stage. We still are a fresh new band but people look interested in our work, we got a lot of contacts to play all across Europe. As we say in France, ‘Bientôt dans une épicerie près de chez vous’ (soon at the juke joint near you).

Band Members: Thomas (vox) Dorian (drums) Pascal (guitar) David Peter (bass)

Discography: 2016 – Single: ‘Le Tourbillon / Hey Baby’ –  Lust Records

Social Networks: FACEBOOK HERE


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Articles Bands Beat Front Page Garage Interviews Picks RnB Scene Tags:, , ,
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Newbreed – Melange

We recently caught up with the Melange (from Spain) for a nice chat for NUTSMAG, here is what they had to say…

1. How long have you been active for and how did you get together

We have been playing in different bands the last 20 years in many groups like Lüger, Rip Kc, Bucles, Magic Bus, Los Imposibles, Cachalote… We started to play together as Melange two years ago. Miguel was the one who connected all of us. He had a bunch of songs and they were the beginning of the band.

2. What influences do the band members have in common?

Our influences are wide. I think it could began with Jazz, Blues, Folk, R&B, Soul and Funk passing through Psychedelic music, Avant Garde, Tropicalia, African Music, Anatolian Rock, Flamenco, Latin, Punk, Electronic and many more, till the borders difumine!

3. Are there any other bands you’d recommend from your area? Why?

Yes, for sure. First, we recommend Mohama Saz, a kind of Spanish Turkish style. Alberto Montero a folk-pop singer with brilliant records…

4. Tell us about the 60’s/underground music scene from Spain?

In Spain, we had some very good bands like Los Bravos, Los Salvajes, Los Ángeles, Los Pekenikes emulating the British and American style (ye-ye bands) and some other people making a deep cultural approach into our culture like Pedro Iturralde, Paco de Lucía, Sabicas. Then in the late sixties we have Spanish prog style with bands like Smash, Máquina, Cerebrum, Storm, Pan y Regaliz, Música Dispersa, Evolution who leaded us to a significant productive period in the seventies that came along with political changes with bands as Triana a many more…

5. How would you describe the style you play?

Ops! A tricky question to answer. We visit lots of styles, breaking any style rule. We try to build our own style mixing all that we have in our polluted heads.

6. What are your live shows like?

We have 5 people. 2 guitars, keyboards, bass and drums. Sometimes four voices at the same time. We play loud, trying to make solid sounds with a strong rhythm section adding colour with evocating a surrealistic melody. Sometimes unexpected changes and lots of subliminal intention.

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

We love tons of different music. But we don’t play any version for the moment. I would love to play a song from Jeannette or Edu Lobo.

8. What are your main influences outside of music?

Photography, Films, Plastic arts and literature in general. Then the present and life is the most important influence.

9. Who writes your songs and what subjects do you deal with?

Everybody in the band write the song. Sometimes the song is already constructed by one of us, but there’s always space left for the others to say something else or take the subject to another place.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

Saquesufah! True Spanish style with lot of garlic on it. It´s short. It´s direct and so rich in terms of melody and rhythm and it´s fascinating to play live on the stage.

11. How would you describe the current underground scene? Do you participate?

I think that we are tried to talk about underground. We have been living this shit for years and still doing it. We still try to change what we don´t like with no concessions.

12. What has been the biggest challenge to date?

The biggest challenge is to find the time to play as much as we can.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We try to rehearse once a week and play as much as possible.

14. What do you think of the music coverage in the media?

I should not be necessary to answer that the music of the media is just commercial focused bullshit, no art, just cheap and superficial entertainment, that’s nothing new, but there have always been local alternative radio stations, and from some years now many podcasts in internet, like for example “Músicas sin prejuicios” here in Spain.

15. Do you rate any current mainstream or underground bands?

Underground bands… thousands of them. Mainstream… Kraftwerk, they are a band, which all Melange members like a lot.

16. Who/Where would you most like to record with and why?

At the moment, we have recorded two LP’s with Carlos Díaz Requena, we are very satisfied with the results that we don’t think about anybody else. We all like to record at the countryside, north or south, doesn’t matter, the best for us is an old country house where we can bring our family and our equipment for recording.

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

Our new album will be released on September 2017. Our plan is still trying to create beautiful music and share it with people all around the World. We hope to make even better recordings. We are so excited about our summer gigs in Quintanhilla Rock (Portugal) and Euro Ye-Ye in Gijón (Spain) also we can’t wait to play in the Zaragoza Psych Fest and BAM (Barcelona) this September.

Band Members: Adrián Ceballos (Drums and vocals), Daniel Fernández (Bass and vocals), Mario Zamora (Keyboards, Synths), Miguel Rosón (Guitar and vocals), Sergio Ceballos (Guitar and vocals)

Discography: 2016 “Melange” (2LP) Discos Tere

Main Site: melangemadrid.bandcamp.com

Social Networks:
Facebook Here!
Instagram Here!


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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June 28, 2017 By : Category : Articles Bands Beat Europe Front Page Interviews Picks Psych RnB Tags:, ,
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Hey! Mr DJ – Lluís Cardenal

This entry is part 2 of 7 in the series Hey! Mr DJ 6

NUTSMAG recently caught up with DJ Lluís Cardenal in for a nice chat about music.

1. How and when did you get into music and what were you listening to then?

I got into music by the mod scene from Barcelona and Girona at the early age of 14. I met a mod one summertime in the early nineties. He gave me some tapes and after that, my interest in music grew until today. At that time, with no internet, it was difficult to be able to listen to some stuff and at the same time, I was too young to travel to Barcelona for parties and gigs. There was a small scene in Girona with only one band and without much club action. I remember going to local jazz gigs in Banyoles with my sister.

2. Where was your first DJ slot?

My first DJ slot was in Barcelona in a small bar called Barbara Ann, sharing decks with my best mate Alberto Valle.

3. What was your most memorable DJ spot?

Well, I‘ve enjoyed very much playing records everywhere that I’ve been invited. The Boiler has always been a special place for djing. I remember playing the first anniversary, it was magic, all the times I played there has been a proper experience as everybody goes crazy for dance and party.

4. What so far, has been your worst DJ experience?

Well, I’ve been quite lucky playing records on the scene and I never had any problem at all. One time in the north of England a guest DJ of the party I was invited to play, asked me If I was going to DJ flamenco?… The worst experiences have been outside the scene where it is more difficult to play some stuff. I have had too many to relate, especially at an outdoor Jazz bar where I’ve DJayed for about 8 years…

5. Your favourite scene DJ’s and why?

There is so many good DJs around. To name some, Jean-Marc Vos, Paul Newman, Bill Kealy, Andy Powell, Mace, Mik & Gav, Eduardo Domingo, Dani Herranz, Àlvaro and Mocky Dimples and the guys from Teramo (Andrea, Ceritano, Mattia, Dani and Roberta). They have always impressed by having the dancefloor in pure action.

6. What has shaped your DJ sound and why?

Well, the parties in Barcelona and Madrid really inspired me. Playing in a Jazz club outside from the scene was a good way to learn how people react to some tunes and beats.

7. What was your best ever find/discovery?

One of my best finds was getting the Joe Thomas And Bill Elliott – “Speak Your Piece” on Symbol for 4 dollars moons ago on ebay.

A good discovery was getting a cheap R&B dancer of the version from Eddie Cleanhead Vinson called “Kidney Stew” signed by Claude Maxwell on a tiny label called Sydney. A more recent discovery is west coast R&B beauty from Guitar Shorty, “Love Loves” on the local label Pull from Los Angeles.

8. Who was your biggest influence musically and your favorite artist(s)?

Mostly all the jazz musicians of the bebop era, the same thing with the R&b made in Chicago and California.

9. Do you collect specific labels/artists/genres?

Mainly I collect R&b and jazz. I am focused on searching for rhythm and blues that was issued during the late fifties till the mid-sixties in my favorite state at the moment, California.

10. Where can folks currently catch your DJ set?

I run a club with my two mates, Alberto Valle and Dani Urbano, in Barcelona called Take Ivy. We do parties once every two months. This summer I am playing at the Euro-Yeye in Gijón and in Paris at the beginning of October.

11. What is the record you would most like to own?

One that goes on the “I would never own” list, is the one only copy of the acetate by Brian Auger doing an outstanding version of the Sidewinder on Decca. The coolest version I’ve ever heard and luckily enough I had the opportunity to dance to it twice in a club.

12. Please give us a top 10 all time favorites and a current top 5 spins?

Top 10 Tracks of All Time:

1. Sonny Knight Quartet – The Groove Is On (Celebrity)
2. Freddie Hubbard – The return of the Prodigal Son (Atlantic)
3. Billy Hawks – O’ Baby (Stateside)
4. The Artwoods – I’m looking for a saxophonist… (Decca)
5. Champion Jack Dupree – Barrelhouse woman (Decca)
6. Johnny Guitar Watson – Wait a minute Baby (Highland)
7. Big Jack Reynolds – I had a little dog (Hi-Q)
8. Gloria Irving – I need a man (Cobra)
9. Graham Bond Organization – Harmonica
10. Buddy Rogers – Waiting for the sun to go down (Lowery)

Current Top 5 Tracks:

1. George Bean – Er-Um-Er (London)
2. Ivans Meads – Bottle (Parlophone)
3. Guitar Shorty – Love, Loves (Pull)
4. Johnny Guitar Watson – She moves me (RPM)
5. Sonny Forrest – Mama keep my wife at home (Red Top)

Social Networks:
FACEBOOK HERE


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

More Posts - Website - Twitter - Facebook

July 3, 2017 By : Category : Beat Club Soul DJs Europe Front Page ModJazz Music RnB Tags:, ,
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