Interviews

Newbreed – Allah Las

Jenni and Holly had a chat with Pedrum Siadatian, the lead guitarist and vocalist with Allah Las ahead of headline show at Euro YeYe, Spain on Thursday 3 August.

1. Some of you guys met through school and working at Amoeba Records, can you tell us a bit about what brought you to start playing together and how you became The Allah-Las?

Once Spencer and I started getting acquainted at Amoeba, we shared our individual bedroom recording projects with each other and started jamming just for fun. Soon-after, we asked Matt to join us and drum because he was our friend and had similar tastes. Then they asked Miles to sing cause they knew him from high school and none of us wanted to sing.

2. Having worked in a record store prior to the band and all being big music fans, what different musical influences does each member bring to the band? Do you try to get this across in the music?

We have a lot of overlapping tastes but each of us has certain tendencies that the other doesn’t so it kind of balances out- popman, worldman, folkman, caveman.

3. Obviously California is musically one of the richest places to live with so much history and new music, how influenced are you by living there and other music coming from the area?

Bands are products of their environments just like people are, so I think whether we wanted to or not that Los Angeles was gonna come across in our music to some degree. We are really into the Byrds, Love, Seeds, Rain Parade etc.., in terms of paying homage to those influences, we did it best on our second record.

4. You’ve also had a very strong art direction with your artwork and videos, are there other influences outside of music which you draw from?

Yeah – books, movies, art, friends, and conversations. they’re all equally important.

5. Nick Waterhouse took on production duties on Worship the Sun, how did that come about? Do you have plans to work together again in the future? Or indeed are there any other people on your wish list to work with?

it came about cause he helped us with the first record and it seemed like a good move to work with him again. We also spent a lot of time with Dan Horne in the studio doing overdubs and mixing. I’m into the idea of recording ourselves for the next one!

6. Following on from Worship the Sun, Calico Review takes things a bit further and a slightly darker turn. Can you tell us a bit about the writing of the album and recording process for it?

We were just writing songs separately, a continuation of the process that had started with Worship the Sun. When it came time to start working on Calico everyone started showing the rest of the band the songs they had written and we learned em, demoed em, then recorded em proper off-and-on over the course of a year.

7. Your weekly installment of Reverberation Radio has become a bit of an institution for fans, how did that come about?

Miles had a graveyard shift time slot at KXLU every Wednesday from 2-6am and we would all go down to the station, bring records, and hang out. We got kicked off the air for playing too much old stuff, and with the help of our friend Robbie, we turned it into a weekly podcast that’s been going on for about 5 years. The four of us in the band take turns contributing, as well as six of our friends and the occasional guest.

8. What is the 60s underground scene like in LA? Is this something you are involved in as a band?

There is a small one but I don’t feel like that’s our vibe. We never wanted to be a full on 60’s homage group, even though the video for Tell Me contributed to that.

9. It feels like you’ve been touring pretty much nonstop over the past year. You’ve toured extensively across America, Europe and Australia since the release of Calico Review – what have some of the highlights been?

Some of the best shows have been the shows where we didn’t know we had an audience and loads of people came, like Cape Town, Tel Aviv, Budapest, Moscow, Bali.

10. Are you looking forward to playing at Euro Yeye? What can we expect from the set? When you record, are you always thinking about how it will sound live?

Yes, we’re gonna try to do some stuff we’ve never done live. No, that comes after it’s done!

11. As you’ve been spending a lot of time touring, has this given you much time to check out some new (old) music? What’s been your soundtrack on the tour bus over the last few months?

I’ve been listening to my friend Maston’s record that’s gonna be coming out this fall, it’s really great instrumental/soundtrack music. Also, Chris Lucey, the Only Ones, and VU always.

12. Calico Review came out last year, what are your plans for the rest of 2017? Focussing on touring or will you be heading back into the studio?

Yeah we have a short west coast tour in September but otherwise, we’re gonna start working on the next record this winter!

Band Members: Matthew Correia, Spencer Dunham, Miles Michaud, Pedrum Siadatian

Discography:
Albums

Allah-Las (2012)
Worship The Sun (2014)
Calico Review (2016)
Singles
“Catamaran”/”Long Journey” – Pres, 2011
“Tell Me (What’s On Your Mind)”/”Sacred Sands” – Innovative Leisure, 2012
“Don’t You Forget It” – Record Store Day split w/Nick Waterhouse, 2012
“Had It All”/”Every Girl” – Innovative Leisure, 2013
“501-415″/”No Werewolf” – Innovative Leisure, 2014
“Famous Phone Figure” – Mexican Summer, 2016
“Could Be You” – Mexican Summer, 2016

Main Site:  allah-las.com/

Social Networks:
Facebook Click Here
Instagram Click Here
Twitter Click Here
Soundcloud Click Here


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Pip! Pip! Are the Creative Business Engine behind various music based organisations of the cool underground variety. Providing angst, confusion, bewilderment and annoyance in equal amounts. We design/host/manage great sites like this one! Why not hire us one day soon?

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July 17, 2017 By : Category : Articles Bands Beat Europe Front Page Interviews Picks Psych USA Tags:, ,
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Newbreed – Las Munjitas del Fuzz

1. How long have you been active for and how did you get together?

We started together as Doctor Explosion in the springtime of 1989. We were the first original line up under this name and we did hundreds of shows and five albums plus some singles and eps till 2001 when the original line up splits up, although i decide to keep going with different members as Dr Explosion after that date till nowadays. In 1993 after reading an article about obscure Spanish bands in the 60s, i discovered about Las Monjitas del Jeep, a group of real nuns who consider themselves as “ye yes”, “we are YE YEs but of the type that don’t get in troubles”. They were living in a convent and done their shopping in a Jeep. Fascinated by the idea of this group of religious devoted nuns who had such a cool gear (seen in pics such as Gibson 335, Grestch guitar, etc).

It was after that that I proposed to Felix and Varo to start a parallel band under the name of Las Monjitas del Surf to play spontaneously at our local temple, the music bar La Foli, a year after in 1994 we rescued the idea to play with another guitarist (Marcos Montoto, who we did at least two shows with) under the name of Las Monjitas del Fuzz. After that we did a tour in Spain with Lightning Beat Man in 1996 as his backing band.

We were very busy as Dr Explosion that time during the 90s so we used las Monjitas to do punctual shows randomly. After that, in 2001 with the new members of Dr Explosion we played at the Wild Weekend in Benidorm under the name of Las Munjitas. I think it was a mistake by Josh Collins to change the name of the band, the O for the U, but maybe not and it was only genius from Josh!! Bravo!! so when Varo last year (2016) proposed we get back together with Felix (the original line up of dr explosion) under las Monjitas del fuzz name I rescued the U in MUNJITAS from Josh’s idea, cause it sounds like MOON-hittas, in English and esthetically the name looks better with the same U as FUZZ.

As Las Munjitas del Fuzz we have been active since Varo called me in April of 2016.

2. What influences do the band members have in common?

We have lots of music influences in common, all the fuzzy mid 60s garage, and late 60s acid Pysch garage with raw strident guitar tones, but also all British 60s bands, 50s Rhythm and Blues, good Rock and Roll, Soul music and jazz and obviously much more. We know that Las Munjitas del fuzz land is the territory for the most extreme fuzzy and pysch garage sounds with creepy Spanish lyrics from the vision of a tormented nun who lives in these crazy modern times

3. Are there any other bands you’d recommend from your area? Why?

Around Gijon, Bobkat 65 cause although they are still in the process of learning to find their own way and self-confidence there is a real truth and love in what they do that you can feel in the spirit of their songs that makes them more real and special than other “professional” musicians. Check them out, they have a new album on Get Hip Records! I also spend part of my time in Austin, Texas that I consider also my area so, there I could mention hundreds of examples of good music like The Black Angels, Amplified Heat, Mike Flannigin (best hammond organ combo in town) Sweet Spirit, The Ripe, The Uglybeats, The Bellfuries, A Giant Dog, Sweet Spirit,The Thunderchiefs and many more.

4. What’s the 60’s/underground scene like where you’re from?

Here in Gijon it is quite boring I might say, lots of no talented and pedant shit over polished and enhanced by music business media, some indie rock song writers with pretentious political intentions but nothing really exciting except some real talented people like Fee Reega, Captains and a few others like Bobkat 65, Las Potras and Peralta.

In Austin is an amazing community of talented musicians with hundreds of good bands around.

5. How would you describe the style you play?

Fuzzy Psych Garage Punk

6. What are your live shows like?

Mystic Ecstasy, Out of Control, Tremors and Levitation, Religious Fervor and Mass Mess

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

My influences in Music are very wide, as somebody said once, I like all the good music and a bit of the bad stuff. Las Munjitas only play covers for now but I write my own lyrics in Spanish that gives the songs a new vision. We have the intention of writing our own material for the next records. it is very interesting and fun to see from a language point of view how changing that affects the final result. Even though I respect all the accents of the melody by just changing the meaning of the lyrics and the sounds of the words you can export a song to a new dimension, where that recording means something totally different to a new group of people. I love playing with that, it’s a in joke for us to transform the songs we have always loved into something really stupid to laugh about, we don’t respect anything.

8. What are your main influences outside of music?

God

9. Who writes your songs and what subjects do you deal with?

I write the lyrics. As I said above we play covers, golden Garage hits from the mid-60s, that we used to play in our setlist in the 90s, plus some other new. When Varo asked me to get the band back together again I thought it was a good idea to do it under the name of Las Munjitas. It made no sense to play those songs again with their original lyrics, so as long as we were now Las Munjitas del Fuzz and not Dr Explosion I started to write new lyrics with the vision of a real catholic nun.

Catholicism has been a huge part of our education since we are all coming from deep Catholic families, Varo and I were both in Catholic schools. So, in most of the lyrics I want to sound like a real nun with an ancient conservative traditional mindset trying to understand and describe today’s World. Trying to understand today’s young people and the music scene, and at the same time trying to be part of it, but with her own spirit. Like a Christian rock band but with Garage Punk tunes, sometimes I go a bit wild with the lyrics like “Let’s go in 69” where i describe the sexual act of a 69 between two nuns. but aren’t we all sinners? “And you know that temptation and the devil is always there. And well, the attitude of the lyrics is surprising, like…”Oh my god!! it is a 69!!” Although there are also explicit descriptions of oral sex. it is real as life itself where tragedy and comedy walk together hand in hand.”

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

I like a lot “Satan sal de mi” which is our first single and the new video we’ll put on youtube soon. A song by another artist it could mention hundreds but I am gonna say “I am a lover not a fighter” by Lazy Lester because I met him last Saturday after his show and had a beer with him, and because I love that single!

11. How would you describe the current underground scene? Do you participate?

I think the underground scene is in a very interesting, there is a lot of cool bands all around the World, and more important, there is a new generation of fans interested in today’s scene with festivals like Levitation in Austin, Liverpool and Angers. I participate as much as I can, producing and recording bands. I have been working with Boogarins, Golden Animals, Dallas Acid, Amplified Heat, The Ripe and Sean Lennon.

12. What has been the biggest challenge to date?

Not being arrested by the border patrol when we were shooting our videoclip of “Satan sal de mi” near the Mexican border dressing like nuns. the officer asked us: “Are you guys roman Catholics?”

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Well, Varo lives in Valencia (800 km away) so every time he comes over to Gijon we try to do as much practice and recording as we can. Actually the records we have been putting out are first takes of the first rehearsal we did after 16 years. A large part of our set are songs we used to play in the 90s. We practice at my studio Circo Perrotti where I put mics and record the rehearsal with the intention of hearing the possible mistakes and work on the songs after that. The truth is that we liked the way the songs came out with their imperfections, and we love that fact as important part of the footprint of real music. We have a new single on Slovenly/Shit on the Milk records, with a hidden surprise at the end of the 1st cut. we also have one more single coming up on Groovie Records. We have a recorded lots of hits like “No la van a Bautizar”, “Aun soy Virgen”, “Frivola” or “El Twist de la Genuflexion” that will be included in the Munjitas album.

14. What do you think of the music coverage in the media?

It is like in any other business, people follow the mainstream, most of the times just a matter of investing money and time, there is a parallel World of talented people doing the most interesting things in the underground and occasionally the massive media discovers one or two of them and gives them bigger exposure

15. Do you rate any current mainstream or underground bands?

The Black Angels are my friends, I play with Jake Garcia in The Ripe and he invited me to join them for their show at Primavera Sound, and although I saw them many times before in Austin, that night was special for me. To see Jake my brother on stage having a massive success in my own country, made me feel very proud of him and of the hard work they have been putting into this new record. I also produced the last album of Boogarins “Manual”, great Psych rock with Brazilian roots. I love that band and to work with them in my studio in Spain was an amazing experience. The album was a nominee in the Latin Grammys last year. I am currently working on the production of Micky’s new album in Gijon. Micky from Micky y Los Tonys had some number one hits in Spain and Germany in the 70s and 60s and he is very well known all around Spain.

16. Who/Where would you most like to record with and why?

We are lucky in the that sense as I have my own studio. Apart from Circo Perrotti I’d love to record again with Liam Watson, he is a good old friend and I love what he does, and he recorded us for the first time in 1994

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

Well we will play at Euroyeye fest in Gijon this summer and I want to complete our first album. I also want to do our own material for a conceptual psychedelic album based in texts of Santa Teresa de Jesus and the Spanish mystics of the XVI century…

 
Band Members: Sor Alvaro Coalla (Bateria), Sor Felix A. (Asuncion) Dominguez (Bajo, Teclado y Voces), Sor Jorge Munozz Cobo (Voz y Guitarra)

Discography: 2016 Single “Satan Sal de Mi” (Funtastic Dracula Records), 2017 Single “Es el 69” (I shit on the Milk Records), 2017 Single “Pecado” (Groovy Records)

Main Site: CLICK HERE!

Social Networks: FACEBOOK HERE!

Tour Info: CLICK HERE!


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Articles Bands Beat Europe Front Page Fuzz Garage Interviews Picks Psych Tags:, , ,
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Newbreed – Men Of North Country

We recently caught up with the Men Of North Country (from Tel Aviv) for a nice chat for NUTSMAG, here is what they had to say…

1. How long have you been active for and how did you get together?

We’ve been recording proper since 2011, performing since 2012. Back in 2007 Yashiv was heard singing along the tunes he was spinning at a party and from there it slowly developed into MONC.

2. influences do the band members have in common?

Soul music.

3. Are there any other bands you’d recommend from your area? Why?

Our bass player, Jonathan, is also in a band called Taani Esther, which is a brilliant psychedelic pop band that sings in Hebrew.

4. What’s the 60’s/underground scene like where you’re from?

Tel Aviv is a great city but compared to other cultural Meccas it’s pretty small. So the 60’s scene isn’t big. There’s the Tel Aviv Soul Club, there are some lovely surf bands and retro nights.

5. How would you describe the style you play?

One of the streaming sites (Pandora or Last FM I think) described our music as basically Soul with influences of Mod 79 sounds and Punk 77 music. We’re pretty happy with that. We’d add post punk to the mix as well, especially The Cure.

6. What are your live shows like?

Loud and brassy.

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

First of all Northern Soul, Dexy’s and The Cure. After that it’s the usual suspects: The Jam, Motown, Stax, etc. We love doing covers. We did Human League’s Mirror Man in the first album (it’s basically a Motown tune), The Who’s The Seeker for our Magic EP, Lou Pride’s I’m Com’un Home for the second album and we do some more live – Kinks, Standells, Joe Jackson, Solomon Burke and more. I really do despise Radiohead…

8. What are your main influences outside of music?

Probably film if we’re talking art.

9. Who writes your songs and what subjects do you deal with?

Doron writes most of the music, and I (Yashiv) write the lyrics. Subjects are mostly personal stuff I go through and some political stuff as well. Coming from where we come from, you can’t really escape that sadly.

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

Personally I’d have to say that I dig Running the most now. I call it Northern Soul for The Cure kids. I’m blown away by the string arrangement Boaz has come up with for this one every time I hear it (he’s our drummer and arranger). Fav song by another artist? That’s too tough a question. Just listening to John Bowie now, so let’s go with that ok?

11. How would you describe the current underground scene?  Do you participate?

I run the Tel Aviv Soul Club so I guess I do. And whenever I’m abroad I try to get to a party or a gig. And we perform of course. From the last event I’ve been to in London I think I can describe it as a bit too fuzzy, and too rare. Still the best scene around though.

12. What has been the biggest challenge to date?

I guess the Madness House of Fun Weekender last November was a big thing for us, although once you’re on stage you just do your thing…

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Rehearsals depend on live gigs. We do more of them before gigs naturally. We have a couple of European tours a year (I still count the UK as European for that if you don’t mind…) and we also play in Tel Aviv and the rest of the country every few weeks/months. We’ve just recorded a version of The Jam’s Circus for the Specialized project which is supposed to come out this summer so that’s pretty exciting. I think The Jam would approve with our take. And in August just before the NUT gigs we’re releasing a new single which is always an exciting event for us.

14. What do you think of the music coverage in the media?

Well, it looks like the world is heading to a click-bate era which isn’t so promising, and so is the music coverage. On the bright side, everything is so accessible these days that you can easily find a place to your liking, musically and media-wise as well.

15. Do you rate any current mainstream or underground bands?

I love The Coral. And BJM too. And a lot of other stuff as well. Too many to mention.

16. Who/Where would you most like to record with and why?

We’ve recorded our Magic EP at the all-analogue Yeah Yeah Yeah studios in Hamburg. Great experience. Wouldn’t mind doing that again. And would love to record with the Skeleton Key guys from Liverpool. Or Andy Lewis in London. He’s our godfather. Or Bob Stanley from St Etienne! Now that would be really something!

17. What should we expect from you in the future?  What are your plans and ambitions? What interesting gig dates have you got coming up?

More gigs and more records. More. Looking forward to our first Brighton visit. Heard so much about it. Gonna comb the beach for rockers!


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Articles Bands Beat Front Page Interviews News Picks RnB Scene Tags:, ,
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Newbreed – Les Darlings

We recently caught up with the Les Darlings (from Paris, London, Copenhagen, & Bordeaux) for a nice chat for NUTSMAG, here is what they had to say…

1. How long have you been active for and how did you get together?

Well, we started the band in March 2016. Kitty runs a record label, Lust Record, originally created to re-issue 60’s obscurity. At the time, I was too shy to ask those talented guys to form a band when we met during concerts and festivals but Kitty cheered us up to play together so we finally met in Hamburg for songwriting and created more songs than expected. Originally the idea was to make a 45, but we got enough material to release an LP.

2. What influences do the band members have in common?

I think we all deeply love all kind of 50’s/60 music, from BlueBeat, crude R&B and naturally ’66 garage and Mod sound.

3. Are there any other bands you’d recommend from your area? Why?

As I live in London now, I can tell that the Cavemen are just one of the most outrageously good band I’ve seen recently! The Embrooks, King Salami, etc, etc! From Paris, French Boutik, The Wave Chargers….

4. What’s the 60’s/underground scene like where you’re from?

I think the whole 60’s scene is held by a handful but deeply passionate people. It’s an endless story, every decade you got a bunch of young lions who discover and embrace that style. Les Gry Gry, The Arrogants, all in their glorious 20’s… I wish we had more bands like this. Now synth punk is back yet again… I hope they get quickly tired of all that 80’s Kawai keyboards (ha! ha!)

5. How would you describe the style you play?

I think we got one boot in the 60’s, another one in the present. Makes no sense for me to be a tribute band or so, but it doesn’t mean that we are untrue to our influences. All the great bands I loved always added a little something on top of the rest. Just to be different. Who wants to listen to another cover of ‘Shapes of things’? The best example for me is The Youth, The Urges or The Jackets. Our main goal is to create some heavily influenced ’66 moody garage songs that you can really dance along to.

6. What are your live shows like?

It can get really sweaty, especially when you play in a 3 pieces wool suit! Thomas is a Christic frontman, he totally gives himself on stage. We actually have to try to protect him from the action. We love to play together, and the public feels it.

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

Everything from the Peebles comp, Back from the Grave or High in the Mid Sixties… We play a couple covers that Kitty threw on the table, especially ‘Lily’ from an obscure Californian band called Drusalee & The Dead… In fact, we play live the records we cannot afford to buy haha. Rob also suggested us to play a French cover and it was definitely a good idea. The goal is to create our own thing of course.

8. What are your main influences outside of music?

Aside from 60’s culture, we got our secret garden…

9. Who writes your songs and what subjects do you deal with?

Allah wrote them for us. We just need to listen to Allah, and then the songs pop out by themselves. Seriously it’s a collective work, Thomas takes care of the lyrics as he’s writing poetry too.

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

My favorite is ‘Hey Baby’, ‘I know David Peter really likes ‘Make her mine’. If we don’t like a song anymore we just throw it out and write another one that’s as simple as that. I love too many songs to choose only one. My favorite song changes every day or so.

11. How would you describe the current underground scene? Do you participate?

We go to gigs or festivals as often as we can. It is like an International Brotherhood.

12. What has been the biggest challenge to date?

Bringing back Dorian alive from Hamburg.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

As we live far away from each other, we can only rehearse one or two hours before each gig. Of course, it’s always a disaster, to begin with. But something magic always happens when we hit the stage, thanks to the hundreds of gigs we each did with our previous bands!

14. What do you think of the music coverage in the media?

I think it’s really bad in the so-called ‘Mass Media’. We can only pay homage to the few passionate people like you to shed a light on this very sharp scene.

15. Do you rate any current mainstream or underground bands?

I really love The Wrong Society, they released a couple of singles that really nailed it. Of course The Youth, The Jackets… The Teamsters, The Urges too.

16. Who/Where would you most like to record with and why?

We started the thing with Dennis Rux as a producer and we gonna continue with him. His studio is located in front of a 24/7 gas station loaded with the greatest German lager. Decent döner round the corner too. Beside of this Dennis is perfect gentlemen who own one of the best analog studios between planet Earth and Dagoba system. Apart from Toe Rag and Circo Perrotti, i don’t know where we could have recorded it. It was absolutely normal to do it in Mono from the start for him ha! ha!

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

We need to work together to finish our LP which is almost completed! We’re also gonna have an organ player with us, Mr Dècheman, a great entertainer too, so you can expect some more action on stage. We still are a fresh new band but people look interested in our work, we got a lot of contacts to play all across Europe. As we say in France, ‘Bientôt dans une épicerie près de chez vous’ (soon at the juke joint near you).

Band Members: Thomas (vox) Dorian (drums) Pascal (guitar) David Peter (bass)

Discography: 2016 – Single: ‘Le Tourbillon / Hey Baby’ –  Lust Records

Social Networks: FACEBOOK HERE


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

More Posts - Website - Twitter - Facebook

July 3, 2017 By : Category : Articles Bands Beat Front Page Garage Interviews Picks RnB Scene Tags:, , ,
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Newbreed – Melange

We recently caught up with the Melange (from Spain) for a nice chat for NUTSMAG, here is what they had to say…

1. How long have you been active for and how did you get together

We have been playing in different bands the last 20 years in many groups like Lüger, Rip Kc, Bucles, Magic Bus, Los Imposibles, Cachalote… We started to play together as Melange two years ago. Miguel was the one who connected all of us. He had a bunch of songs and they were the beginning of the band.

2. What influences do the band members have in common?

Our influences are wide. I think it could began with Jazz, Blues, Folk, R&B, Soul and Funk passing through Psychedelic music, Avant Garde, Tropicalia, African Music, Anatolian Rock, Flamenco, Latin, Punk, Electronic and many more, till the borders difumine!

3. Are there any other bands you’d recommend from your area? Why?

Yes, for sure. First, we recommend Mohama Saz, a kind of Spanish Turkish style. Alberto Montero a folk-pop singer with brilliant records…

4. Tell us about the 60’s/underground music scene from Spain?

In Spain, we had some very good bands like Los Bravos, Los Salvajes, Los Ángeles, Los Pekenikes emulating the British and American style (ye-ye bands) and some other people making a deep cultural approach into our culture like Pedro Iturralde, Paco de Lucía, Sabicas. Then in the late sixties we have Spanish prog style with bands like Smash, Máquina, Cerebrum, Storm, Pan y Regaliz, Música Dispersa, Evolution who leaded us to a significant productive period in the seventies that came along with political changes with bands as Triana a many more…

5. How would you describe the style you play?

Ops! A tricky question to answer. We visit lots of styles, breaking any style rule. We try to build our own style mixing all that we have in our polluted heads.

6. What are your live shows like?

We have 5 people. 2 guitars, keyboards, bass and drums. Sometimes four voices at the same time. We play loud, trying to make solid sounds with a strong rhythm section adding colour with evocating a surrealistic melody. Sometimes unexpected changes and lots of subliminal intention.

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

We love tons of different music. But we don’t play any version for the moment. I would love to play a song from Jeannette or Edu Lobo.

8. What are your main influences outside of music?

Photography, Films, Plastic arts and literature in general. Then the present and life is the most important influence.

9. Who writes your songs and what subjects do you deal with?

Everybody in the band write the song. Sometimes the song is already constructed by one of us, but there’s always space left for the others to say something else or take the subject to another place.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

Saquesufah! True Spanish style with lot of garlic on it. It´s short. It´s direct and so rich in terms of melody and rhythm and it´s fascinating to play live on the stage.

11. How would you describe the current underground scene? Do you participate?

I think that we are tried to talk about underground. We have been living this shit for years and still doing it. We still try to change what we don´t like with no concessions.

12. What has been the biggest challenge to date?

The biggest challenge is to find the time to play as much as we can.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We try to rehearse once a week and play as much as possible.

14. What do you think of the music coverage in the media?

I should not be necessary to answer that the music of the media is just commercial focused bullshit, no art, just cheap and superficial entertainment, that’s nothing new, but there have always been local alternative radio stations, and from some years now many podcasts in internet, like for example “Músicas sin prejuicios” here in Spain.

15. Do you rate any current mainstream or underground bands?

Underground bands… thousands of them. Mainstream… Kraftwerk, they are a band, which all Melange members like a lot.

16. Who/Where would you most like to record with and why?

At the moment, we have recorded two LP’s with Carlos Díaz Requena, we are very satisfied with the results that we don’t think about anybody else. We all like to record at the countryside, north or south, doesn’t matter, the best for us is an old country house where we can bring our family and our equipment for recording.

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

Our new album will be released on September 2017. Our plan is still trying to create beautiful music and share it with people all around the World. We hope to make even better recordings. We are so excited about our summer gigs in Quintanhilla Rock (Portugal) and Euro Ye-Ye in Gijón (Spain) also we can’t wait to play in the Zaragoza Psych Fest and BAM (Barcelona) this September.

Band Members: Adrián Ceballos (Drums and vocals), Daniel Fernández (Bass and vocals), Mario Zamora (Keyboards, Synths), Miguel Rosón (Guitar and vocals), Sergio Ceballos (Guitar and vocals)

Discography: 2016 “Melange” (2LP) Discos Tere

Main Site: melangemadrid.bandcamp.com

Social Networks:
Facebook Here!
Instagram Here!


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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June 28, 2017 By : Category : Articles Bands Beat Europe Front Page Interviews Picks Psych RnB Tags:, ,
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Hey Mr DJ – Glyn Preece

This entry is part 7 of 7 in the series Hey! Mr DJ 6

NUTSMAG recently caught up with DJ Glyn Preece in for a nice chat about music.

1. How and when did you get into music and what were you listening to then?

I got into the mod & scooter scene late 78, early 79 , I grew up listening to music through my parents, They were into Rock & Roll, so I was listening to the likes of Elvis Presley, Little Richard, Chuck Berry & such like, I was going to youth clubs & discos from an early age & hearing The Who, Small Faces, The Jam, & Motown sound and it went from there finding out about Motown, Northern Soul, R&B. Finding out about the clothes, style & Scooters… I was hooked.

2. Where was your first DJ slot?

My first DJ slot was at some old youth club, playing tunes from small collection out my little ” youth club box” which still have.

3. What was your most memorable DJ spot?

Most memorable. I get a buzz from DJing anywhere really. Although being asked to DJ in Turin was amazing. I love Italy anyway, so to go and DJ was fantastic. I would love to go again as well as other places abroad. To be asked to DJ at Brighton is a huge honor for such a fantastic weekend.

4. What so far, has been your worst DJ experience?

My worst DJ experience, thankfully I haven’t really had any apart from the odd technical hitch with decks, amps etc.

5. Your favorite scene DJ’s and why?

Haven’t got a favorite, So many Top DJ’s out there & some brilliant new blood. But whoever the DJ, If they play thumping tunes top tunes, underplayed, never heard before. That’ll do for me.

6. What has shaped your DJ sound and why?

Well growing up listening to Rock & Roll & the Mod revival going to Northern Soul events & DJing at them as well as Mod & Scooter rallies… Hearing the early R&B, Boogaloo, Latin, Jazz. Always hearing more sounds that not heard.

7. Who was your biggest influence musically and your favorite artist(s)?

My biggest influences are the Small Faces, The Who & Motown.

8. Do you collect specific labels/artists/genres?

Haven’t really got any favorites, I hear so many great sounds I couldn’t pick a favorite.

9. Where can folks currently catch your DJ set?

You can currently see me DJ at OUT of TIME – Wolverhampton, Secret Door – Telford.

10. What is the record you would most like to own?

All of them, my wants list is endless.

11. Please give us a top 10 all time favorites spins?

Top 10 Tracks of All Time:
Tough to pick top 10, they’re always changing’, In no particular order:
1. Freddie Hubbard – Return of the prodigal son
2. John Lee Hooker – Money
3. The Young Holt Trio – Ain’t there something that money can’t buy
4. Maurice Simon & the Pie Men – The Git Go
5. The Golden Toadstools – Silly Savage
6. Louis Jordan – What I say
7. The Soul Society – The Sidewinder
8. The Marvelettes – Destination Anywhere
9. Curtis Mayfield – Move on up
10. Small Faces – All or nothing

 


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Articles DJs Front Page Interviews Music UK Tags:, , , ,
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Masters -The James Hunter Six

This entry is part 6 of 6 in the series Masters3

Le Beat Bespoke 2010 was the last time NU had the honor of having The James Hunter Six grace our stage. I managed to have a chat with the main man ahead of the Margate Mod/Sixties weekend show on Friday 27 May 2017 @ Olbys.

You’ve had some rave reviews for the new album. How pleased are you with the way it has turned out?

Very much so! I know the phrase ‘We feel this is our best album’ is generally a coded way of saying ‘We feel this is our latest album’ but I would describe ‘Hold On’ as the record I always wanted to make. ‘Hold On’ is released on the Daptone lable.

How did that deal come about and were you a fan of their output beforehand?

We were between record labels and we wanted to work with a company whose ethos was the closest match to our artistic concept (or “a company who got our vibe” to use the parlance of today’s cider-addled youth). My barber played me Sharon Jones and the Dapkings’ stuff a few years ago and I liked it a lot, so at the first opportunity, we tried to get their label interested in us.

The producer for ‘Hold On’ (Gabriel Roth aka Bosco Mann) has compared you with Smokey Robinson in terms of your songwriting. That is high praise indeed, but how do feel about those kinds of comparisons?

I have been compared to Smokey before, although never favourably. I love his work, particularly his charming quirk as a compulsive rhymer, which effectively turns every fade out into a built-in bonus track.

How much of your life experience has influenced your songwriting?

I don’t think I’ve ever written anything explicitly autobiographical although some real-life moments end up in my songs. But that bit in ‘The Gypsy’ about whacking a fortune teller over the crust with a lead pipe is complete fiction. I deny all knowledge of this incident and I’m prepared to stand up in court and say so.

It’s fair to say your life has been anything but dull, from appearing on The Tube as Howlin’ Wilf, working with Van Morrison and Doris Troy (to name but two), then having to pick yourself up from a very low point to start again, what do you think has been the driving force that has brought you to this point?

Shortly after we appeared on ‘The Tube’ we had two record companies expressing an interest in us (neither of them went for it in the end) but when one of them invited us to the office he played the video of our performance and then turned to us and said: “Well you’ve done it now. You’ll never stop working!” And he turned out to be right, we never did, although there have been one or two lengthy holidays along the way.

The 2006 LP, ‘People Gonna Talk’ was a huge album in America, topping the Billboard Blues chart and earning a Grammy nomination. It was also critically acclaimed, what do you think was the key factor behind its success?

It might have been the novelty value of a middle-aged white bloke from England singing soul music, but hopefully, it was also because some of the songs were fairly catchy!

You have never recorded a cover version, but if you had to do a cover, what would it be?

We did attempt a cover of Allen Toussaint’s ‘Lover of Love’ for the ‘Hold On’ sessions but we didn’t really do it justice, so we’ll have another stab at it one day.

The other five musicians in your band have been with you for some considerable time now. What are their best qualities?

All of them have differing and eclectic tastes in music (anything as long as it’s good!) so each one brings a different element to the music, which stops it becoming too much of a slavishly copyist band. They also contribute to the arrangements of the songs after I’ve written them, which prevents them getting too samey. Oh, and availability is a strong factor as well.

We are really looking forward to seeing you in Margate James, thank you very much for talking to NutsMag.

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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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May 15, 2017 By : Category : Bands Front Page Interviews Music News Scene UK Tags:, ,
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Newbreed – The Bongolian

The Bongolian are based in Wales & London, UK with band members being: Nass Bouzida: Organ, Moog & Bongos, Johnny Drop: Drums, Glyn “tufta” Edwards: Electric Piano, Dan Rooms: Percussion, Trev Harding: Bass Guitar.We recently caught up with Nass and had a good old chatter!

01. How long have you been active for and how did you get together?

We’ve been together for 17 years , The Bongolian was originally my studio project, but as soon as the LP was released, and such a huge success we are asked by the organisers of France’s biggest festival; Transmusicale to perform the LP live then other offers flooded in so the need for a full live band came about.

02. What influences do the band members have in common?

A love of Nandos, check trousers and eggnog.

03. Many folks reading this interview will be aware of your other band Big Boss Man, so why did you form Bongolian and what are the main differences?

Trev from BBM slaps the bass guitar rather than his usual axe work, and it’s a much more percussive, rhythmic and V-neck jumper based affair.

04. How would you describe the style you play?

Chaotic! Space-age Latin Boogaloo.

06. What are your live shows like?

The live show is a celebration of heavy bongo beats, funky organ and grinding oscillator work. Brian Auger meets Mongo Santamaria in Carnaby Street.

07. What are your main influences in music?

Mod-Jazz with a touch of Psychedelic Bongos!

08. What are your main influences outside of music?

Wood Carving ( mainly medieval cutlery; spoons, knives, forks etc.)

09. Who writes your songs and what subjects do you deal with?

Nasser writes all the songs and Subject matters usually revolve around past experiences of his childhood in Bolton.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

Psyche Yam from the Blue Print LP is my live fave at the mo. My fave song by another artist is “Simply the Best – T Turner” or anything from “No Jacket Required”!

11. How would you describe the current underground scene? Do you participate?

Thriving and yes I participate, especially enjoyed the New LP “Moog Maximus” Launch in London’s Blow Up club in Soho.

12. What has been the biggest challenge to date?

Creating all layered analog synth tones for the LP Moog Maximus and then arranging for live performance.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We rehearse in Beat Mountain, (www.beatmountain.com) – we stay in the studio for weeks on end, carving out the musical maze that is the sound of The Bongolian. We have had quite lot of plays on BBC Radio so we are aiming to tour UK/Europe in Autumn. New Bongolian album is due for release in July.

14. What do you think of the music coverage in the media?

Quite good!

15. Do you rate any current mainstream or underground bands?

Pine Cone are a great band!

16. Who/Where would you most like to record with and why?

Lonnie Smith at Abbey Road or Electric Ladyland would be good!

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

I’m working on a hard, uptempo, latin-soul album, and working with Big Boss Man on a new LP, and setting up a new UK and European tour for Autumn. Also check out: www.beatmountain.com  – where I have recorded 548 drum and bongo breaks for use in any musical endeavors.

Tour Dates:
27 May ‘17 Mod & Sixties Festival, Margate, UK
01 July ’17 South London Soul Train, Peckham, UK
22 Sep ‘17 International Festival of Psychedelia, Liverpool, UK
Autumn ‘17 Moog Maximus, European Tour, TBA Europe.

Discography: Vinyl Releases:
7” Singles:
2002: Bongo Head
LPs :
2002: ‘The Bongolian’,
2005: ‘Blue Print’,
2007: ‘Outer Bongolia’,
2011: ‘Bongos for Beatniks’
2016: ‘Moog Maximus’
Main Site:
bongolian.com
Social Networks:
facebook.com/thebongolian
twitter.com/@the_bongolian
spotify.com/thebongolian


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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May 9, 2017 By : Category : Articles Bands Beat Club Soul Front Page Interviews ModJazz Picks Psych UK Tags:, , ,
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Newbreed – The Gallerys

This entry is part of 6 in the series Newbreed5

The Gallerys; hail from Bristol, Wales, and Kent with band members being: Guitar – James Wood, Bass – Craig Barden and Drums – Dan Maggs. Every so often a new young band pops-up on the scene creating a buzz. We caught up with The Gallerys ahead of their performance at the Margate Mod/Sixties weekender.

How long have you been active for and how did you get together?

With the current line-up of Craig, James and Dan we have been active for a year and a half. Dan and James met at college in Tunbridge Wells where they discovered a shared love for music, and decided to start a band. The original bass player stayed in the band for a few months before leaving for university, at which point Dan had a mutual friend who put the band in touch with Craig who then joined to complete the line-up.

What influences do the band members have in common?

The band members have a lot of musical influences in common; The Who, The Jam, Stone Roses, The Beatles, The Rolling Stones, The Specials, and Oasis.

How would you describe the style you play? What are your live shows like?

Our styles quite innovative in the sense you can’t really put it into one category. It has influences of alternative and indie, mixed with the energy of garage rock and – at times – rhythm and blues. All this is held together by our three-part harmonies. The best thing about coming to one of our shows is that we play our sound which spans many different genres. Our live shows have tons of energy and we always go for it.

What are your main influences in music?

Bands like The Beatles, Oasis, The Jam, were all ordinary guys who – through great songwriting and determination – made something of themselves with their music. We’d definitely take inspiration from these bands; we write our own music, arrange our own music, have created an image for the band and have recorded our own EP. The thing about these bands is that they had an idea of where they wanted to go with their music, which they followed through with and achieved; a great example for us.

Who writes your songs and what subjects do you deal with? What’s your favorite song in your repertoire currently?

Craig and James write the songs although The Gallerys sound doesn’t come until we arrange the tunes as a band in the rehearsal room. James has written songs such as ‘Paisley’,  ‘Is this real’, and ‘The End’ with Craig writing ‘You Don’t Really Love Her’, ‘You Can’t Look Through Me’ and ‘Doctor Friend’. The songs cover real life issues i.e. Paisley describes being totally overwhelmed by a positive feeling in a relationship whereas You Can’t Look Through Me covers the relatable topic of being ‘looked through’ in life whether that’s at work, at school or with friends. Something everybody has felt in their life. We want people to relate to our music and feel something when they listen to our tunes.

What’s your favorite song to play?

Our favorite song would be ‘Imperfect Perception’. It’s a chaotic track filled with descending guitar chords, driving bass lines and punchy drumming, all glued together with vocals from all three members. For me, this tune solidifies it’s a team effort for us. Each of us has an equally important role to play in our sound.

How would you describe the current underground scene? Do you participate?

I’d say there’s definitely an underground scene out there. We’ve played many gigs in various areas of Kent like Maidstone, Tunbridge Wells and Ashford, we’ve played in London, Bristol, Portsmouth and Leicester, and there’s always bands that are doing something different which hasn’t been touched upon before. I’d say we participate in the sense we have a unique sound which merges lots of different styles and genres.

What has been the biggest challenge to date?

The biggest challenge to date would have been recording our three track EP ‘Paisley’, which we finished last December. The EP features lots of three-part harmony so there was a pressure to be on top form from a vocal perspective on the days of recording. We split recording the EP over three dates which wasn’t a lot of time. However, we stayed incredibly focused and managed to record the EP in the time frame that we set ourselves.

How often do you rehearse? Play live? Record?

We don’t rehearse as often as we should do. Most of the time we gig about two or three times a week so it’s very difficult for us to find time to rehearse but as we’re always playing live we’re getting tighter and more familiar with each other’s musical styles. At the moment we seem to be recording about twice a year.

Anything interesting coming up?

We’ve got some good shows coming up. Currently, we’re on a national UK tour with indie rock band The Rifles which will see us support the band in Bristol, Portsmouth, Cambridge, and Oxford. We’ve just supported From the Jam at the o2 Academy Leicester which was one of our best shows to date. The venue was absolutely packed and we played our set which was met with great reception. We’re playing live on BBC Radio Kent during the Breakfast show which is a great experience; you’re able to reach audiences all across Kent. We have a special show at the end of May supporting The Specials guitar player Roddy Radiation in the Dublin Castle in Camden; a top venue we love playing at.

The highlight of our year is shaping up to be when we will support Madness at the Detling Showground in Kent, August. We do however have a big announcement to make very soon so stay tuned for what we have coming up.

On the 28th May, we’re playing a slot at the Margate Mod and Sixties festival in Olby’s music room which is going to be special. We played at a clothing shop in Margate called “Rat Race” before which was very well attended. We have a lot of support in Margate so it’s gonna be great to come back for this festival.

What do you think of the music coverage in the media? Do you rate any current mainstream or underground bands?

There’s a good mixture and variety of music in the media at the minute. Sure there could be more but it seems to be fine at the minute. We rate bands like The Strypes, Temples, The Moons, The Rifles and Miles Kane.

What should we expect from you in the future what are your plans and ambitions?

We want to keep going. We want to write better songs, play to new audiences in new locations and most importantly, make a massive impact with our music.

Social Networks:

Facebook: facebook.com/TheGallerysUK/
Twitter: twitter.com/thegallerysuk?lang=en
Soundcloud: soundcloud.com/gallerys

Tour Dates: Supporting The Rifles *

*2nd May, The Thekla, Bristol
*3rd May, Wedgewood Rooms Portsmouth
*9th May, Cambridge Junction
*25th May, The Bullingdon, Oxford
28 May – Margate Mod/Sixties Festival


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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May 9, 2017 By : Category : Articles Bands Beat Front Page Interviews Modern UK Tags:,
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Masters – Corduroy

This entry is part 1 of 6 in the series Masters3

In the early 1990s, something unusual happened and something that has not happened since; two small independent British record labels were formed that defined the entire decade musically. On one side driving the Britpop era was Alan McGee’s Creation Records and on the other, Eddie Piller’s Acid Jazz which flew the flag for eclectic soul and funk. Part of that Acid Jazz roster was a band which may have had modest chart success, but retained a loyal fan base and critical acclaim for every album and single they released. NUTs caught up with frontman Richard Searle to talk about Corduroy and their forthcoming headline appearance at Le Beat Bespoke 12.

01. When did you get Corduroy back together and why?

We reformed in 2013 to promote a Corduroy CD box-set released by Cherry Red Records, featuring 3 of our 5 studio albums plus a Japanese live album; plus a previously unreleased live album via Acid Jazz Records.

 02. When did you first become interested in music?

We didn’t have a record player when I was a primary school kid. I grew up during Glam, (Slade, Sweet, T-Rex); but my oldest friend, who lived down my street (Elibank Rd), had a record player and his brother had two Who albums; so The Who were formative, and are still my favourite band.

03. Do you regard yourself as a mod? How did you get into it?

I bought punk records from 77 onwards, The Stranglers, The Damned, Generation X, Devo, Pistols etc, but I used to follow The Jam, they were ‘my life’. I saw them for the first time in 78 (supported by Generation X and Slade). My first parka cost £14 from Paraphernalia in Lewisham). My first bespoke suit, when I was 15, was from a tailor in Lewisham called James Joyce – the jacket still fits. When the ‘mod revival’ happened, I’d already started listening to psych stuff (the first Nuggets album, Velvet Underground, Shadows Of The Night, Electric Prunes, Love), so when the ‘New Psychedelic’ scene reared its head, I was already wearing more ‘swinging sixties’ gear, my hair was a ridiculous back-combed bouffant. I didn’t fit with the British ‘mod’ look, I was never into Two-Tone. When people ask, I say that I was a ‘psychedelic mod’.

04. How did the whole Doctor and the Medics thing come about?

The ‘psych scene’ was based around a couple of clothes shops, The Regal and Sweet Charity and a Soho club called The Clinic (in Gossips – Soho); the resident DJ called himself The Doctor he was my patrol leader in the scouts. The Doctor (Clive) was given the opportunity to record a single on Whaam Records, so he put a band together. It was only supposed to be for the one single, and a couple of gigs, but we had fun and carried on. I left after 8 years.

05. Which clubs did you visit during the late 80s and early 90s?

In the 80s it was mostly psych clubs, The Clinic, The Taste Experience, The Pigeon-Toed Orange Peel, and the Alice In Wonderland (a club which took over from The Clinic, in which The Doctor was resident DJ and The Medics played regularly). I went to The Bat Cave once – once was enough. In the 90’s I was going through a beatnik phase – Smashing, Frat Shack, Tongue Kung Fu. DJs like Martin Green and The Karminski’s were where it was at.

 06. How did you join up with Boy’s Wonder?

Boys Wonder were friends, they were truly great. They sacked the bassist Chris Tate and I filled in for a hand-full of gigs (a couple of head-lines at the Marquee and supporting The Hoodoo Gurus at the Town & Country, now The Forum).Tony Barber then joined.

Despite being ‘in vogue’ they were dropped by their record label, Sire, and then sacked Tony Barber. The Medics had stopped being fun by this point, so when they asked me to join permanently, I did so. The band then started a long downhill spiral of musical styles, band wagon jumping and failed attempts to get re-signed. By the time Boys Wonder finished, we were truly shit.

07. How did you meet Eddie Piller?

Acid Jazz was one of three record labels that the newly formed Corduroy went to see. Ed Piller booked us into his studio two days later.

His first words to me were… ‘Are you a mod?’

08. What is your assessment of the influence of mod on Acid Jazz and vice versa?

Acid Jazz became a refuge for displaced survivors of the mod revival, mainly because it was owned by one, (Ed Piller), but musically it was all over the place. The Sandals came from the ‘beat scene’, Emperor’s New Clothes were proper jazzers, and Mother Earth just wanted to be Traffic. Some bands initially did appeal to mods (JTQ and then Corduroy) but I think musical tastes changed with the labels’ output, which became quite ‘fusion’ orientated. Fifteen-minute hip hop, jazz funk, jam sessions by stone-heads with pubic beards wearing socks on their heads – just isn’t very mod.

09. What was the inspiration for the Corduroy sound?

We each had very different musical tastes, but we all shared a love of film music; this was the main inspiration for the Corduroy sound at its best (the first two albums). By the third album, that uniting force had vanished (lost through ego and endless Steely Dan records). I will always regret not actually leaving Corduroy after the second album.

10. What are you most proud of from your Corduroy years?

Record-wise, I guess the second album – High Havoc. Supporting Blur at Alexandra Palace, (with Pulp and Supergrass), was cool. Seeing the world, Japan, Hong Kong, Singapore, Australia as well as traveling all over Europe. But my fondest memory is of pulling a girl’s knickers off with my teeth, during an excellent round of strip-dice (a game that I invented).

11. What was it like being signed to Acid Jazz and part of a vibrant scene in music?

The Acid Jazz ‘scene’ meant that people would listen to you, who normally wouldn’t, simply because they were into ‘the scene’. At its best, this meant that there was a family type atmosphere between the bands, and a sense of belonging, plus lots of work. At its worst, by the time Acid Jazz stopped being known as the record label and became regarded as a music genre, the bands couldn’t develop. When Brit-pop then over shadowing things, it became more fashionable than, the Acid Jazz scene, bands identified with ‘the genre’ were ultimately finished. The ‘scene’ itself moved back into the clubs – eventually with Acid Jazz Records buying The Blue-Note.

12. Which clubs did you visit during the 90s? Was Blow Up one of them?

I went to Blow-Up at The Laurel Tree a couple of times, more so when it moved to The Wag… Corduroy played a gig there. I had my own bar tab at The Blue Note.

13. Which bands, music, clubs or scenes have impressed you during the last decade?

Bands: Super Furry Animals, Spiritualised, Verve, Manson, The Dandy Warhols, Kula Shaker, The Prodigy, Earl Brutus,

Clubs: Smashing, was for a year or so, the best.

14. What has been the response to Corduroy coming back?

Very positive; getting lots of international invitations for shows as well as UK interest. We are currently writing new material with every intention of recording a new album.

15. What can we expect from Corduroy at Le Beat Bespoké this year?

Groovy, spy themed, organ-fueled, raw garage, punk-jazz, dirty mod, fun!

16. Are you looking forward to it?

Yes, very much!

 


We are too Richard. Thanks for taking the time to talk to NUTsMag

Corduroy headline Sunday night at lebeatbespoke.com at 229thevenue.co.uk Central London.

Check the bands facebook page here: facebook.com/CorduroyBand/

This interview was originally the one I did with Richard Searle for the updated Influential Factor.


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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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February 23, 2017 By : Category : Bands Interviews Music News Tags:, , ,
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Newbreed – Los Retrovisores

This entry is part 4 of 6 in the series Newbreed5

Los Retrovisores a Fuzz Soul band from Barcelona. Sounds louder than 1968.

Band Members:
Victor Asensio: Singer
Leo Hernandez: Bass
Pere Duran: Guitarra
Sergio Sanchez: Hammond
Quim Corominas: Drums
Hector Fàbregas: Chorus and Percussion
Edu Polls: Sax Tenor
Alexis Albelda: Trumpet
Francesc Polls: Bariton Sax

01. How long have you been active for and how did you get together?

Since 2006, most of the members came from a Jamaican music band called ‘The Cutties’.

02. What influences do the band members have in common?

We all are late 60’s and early 70’s dance sounds enthusiasts. We love most of the styles: from R & B to soul, reggae, psych or garage, back to rocksteady, and deep into beat… We’re also very influenced by the 60’s Spanish counterpart of that styles, as you could tell listening to our compositions.

03. Are there any other bands you’d recommend from your area? Why?

There are so many cool bands in our area: Rubén López & The Diatones (reggae) Penny Cocks (punk 77), Mambo Jambo, The Excitements or Los Fulanos (Latin Soul) to name a few…

04. What’s the 60’s/underground scene like where you’re from?

Barcelona has several bands, clubs, promoters, collectors and festivals… Some clubs we highlight: The Boiler Club, Movin’ on, The Gambeat Weekend, Le clean Cut, Wamba buluba and Pill Box. There you’ll find some of our favorite DJ’s: Xavi Beat, Julian Reca, Jordi Duró and many more.

05. How would you describe the style you play?

We just play the music we love to listen and dance to, without more restrictions. Our style evolved at the same rate we did. In our current set list you can find from Spanish soul to groovy funk, even freakbeat.

06. What are your live shows like?

The audience defines it as fresh and fun. We don’t like the bands that make a script for live shows. We improvise and always try to be ourselves. Our repertoire is compact, short and straight to the neck. No time for solos.

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

Our influences are as wide as our musical tastes. Mainly Spanish sixties bands, that like us borrowed the patterns from their own references, but projecting their own personality to their songs. We really love Bruno Lomas, Los Bravos, Los Canarios, Los Salvajes, Los Nivram, Pau Riba… We despise too many people to name it here!

08. What are your main influences outside of music?

Our universe is strongly influenced by the sharp & surrealistic Monty Phyton’ sense of humor. The French nouvelle vague and its evolutions are also one source of inspiration for our lyrics and videos.

09. Who writes your songs and what subjects do you deal with?

Everybody does his one’s bit, but to date most of the songs were written by Victor and Pere. This has changed in our last recordings introducing compositions by Leo and Hector.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

Our favorite song from the current repertoire comes from our EP Alma y Pisotón. It’s named ‘Me olvidé de ti’ wich, by the way, it’s been just released on video in a ‘Horror B movie’ style. Check it out! Our choice by another artist is Fire & Ice’s Music Man. We loved the complex brass arrangements and changing our regular subject –love- to an ode to that DJs that make us dance party over party, and that’s why we covered it (you can find our version at Alma y Pisotón EP too)

11. How would you describe the current underground scene? Do you participate?

The underground scene, at least in our city, is in a good shape regarding shows and parties. We all participate in one way or another, Victor, for example, is deeply involved with The Gambeat Weekend & the clubs Pillbox 60’s Club and Bread & Groove.

12. What has been the biggest challenge to date?

To forge ahead the band, beside the financial precarity of our members, the lack of public resources and benefits for empowering culture, and the economic depression that we are all suffering.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We rehearse minimum once a week and play an average of three or four shows per month. More than two years passed between our debut album and our second release “Alma y pisotón”, but we’re reducing the time between recordings and we’ll release our third record in June, one year after the previous release.

14. What do you think of the music coverage in the media?

In Catalonia the mass media doesn’t give coverage to the bands that don’t belong to the mainstream market. For some time now, specialized magazines start to write about us. We also make great use of the social networks to reach our fans.

15. Who/Where would you most like to record with and why?

We’d love to record in London with George Martin and a gigantic strings & brass orchestra, just like Spanish duet Manolo y Ramón did back in 1970. We’d also like to record with Ricard Miralles, arranger for Joan Manel Serrat in the album dedicated to Antonio Machado.

16. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

We’re still working on consolidating our own sound and our show. We’d like to make people outside the scene dance, without losing authenticity or selling out. We’d like to say thanks for our appearances at Euro Ye Ye Mod Festival (Gijon, SP), Purple Weekend, Festival Beat (IT), Soundflat Ballroom Bash (GER) and look forward to our first ever show in the UK (London) at Le Beat Bespoke, Easter – 16th April 2017.

Discography:

VVAA – “L’Edat Daurada” (Jamaican Memories, 2008) CD
VVAA – “Moderno pero español, vol. 8” (Bon Vivant, 2009) CD
VVAA – Somos los Mods vol.1 (Bip Bip Records, 2010) CD
“La nostalgia ya no es lo que era” (Flor y Nata Records, 2011) LP/CD
“Alma y Pisotón” (Soundflat records/BCore Disc, 2013) EP 7″
“En el surco” (Soundflat records/BCore Disc, 2014) EP 7″
“Sonido Joanic” (BCore Disc/Soundflat records, 2016) LP/CD

Web Links:

facebook.com/Los-Retrovisores
bcoredisc.com
facebook.com/los.retrovisores
twitter.com/LosRetrovisores


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 23, 2017 By : Category : Bands Europe Front Page Interviews Music Scene Tags:, , , , ,
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Newbreed – Eliphant

This entry is part 3 of 6 in the series Newbreed5

Elipant is a North London Power trio formed in 2015. Psychedelic influences mixed with punk-rock sensibilities. Retro with a contemporary twist and a will to sound like no one else. Lyrically in between sensual surrealism and no-bullshit politics. Building a strong following with their high-energy live shows. Eliphant declares war against the stiff and the bored!

01. How long have you been active for and how did you get together?

Eliphant was formed in spring 2015 by Dade and Elian who knew each other from a chance meeting and playing in another band, played our first gigs that summer with our first drummer Marco. We got Nelson on board in June 2016 and we’ve been living happily ever since.

02. What influences do the band members have in common?

We’re united by our passion for music, cinema and arts along with the fact that we both decided to come to London to pursue our dreams and ambitions.

03. Are there any other bands you’d recommend from your area? Why?

Since we started we shared nights with some very cool 60’s influenced bands. The Carnations who pushed us to get together, Creamer & Wesley, Black Doldrums, The pacers, DIN,… They appeal to us because of their sense of originality, tunes and charm.

04. What’s the 60’s/underground scene like where you’re from?

It’s hard to tell as we’ve been away for many years now and are yet to tour Europe. Elian, Nelson and Dade all used to play in bands doing pub circuits back in Paris, Lisbon and Nizza in Italy respectively. There wasn’t much of a 60’s/underground scene like there is now.

05. How would you describe the style you play?

Psychedelic sixties garage mixed with punk-rock sensibilities. Retro with a contemporary twist.

06. What are your live shows like?

Explosive! Live shows are the best representation of our band. We love to take our audience on a trip, between strong songs and improvisations. That way every show is different and surprising.

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

We all got an eclectic taste in music so anything relevant since rock’n’roll started. In our music, you could find influences from Bowie, Love, Stooges, early Floyd, Pistols, Pixies, Sonic Youth, White stripes and so on. We played covers of ‘Moonage daydream’ by David Bowie, ‘Break on through’ by The Doors. Apart from the top 40 garbage not worth mentioning… Virtuoso music, posers with no songs to offer, any music that sounds safe and formatted (Coldplay?).

08. What are your main influences outside of music?

Each of us in the band, our lovers and our friends. All the crazy characters we meet around this fair old town. Daily lives, socializing at night and Wetherspoons.

09. Who writes your songs and what subjects do you deal with?

Elian writes the basic songs, lyrically dealing with love, lust, social commentary and a sense of freedom. Sometimes abstract to paint an emotion or a situation. other times we use music as a way to make fun of the crap that the media and society push on us.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

One of our new songs: ‘She comes in waves’ or ‘Running out of dreams’, two sides of the same coin. Summer beats guaranteed to take you away. These are both inspired by last year’s adventures, trying to find moments of bliss amidst the chaos. Our favourite song would change every day, let’s be boring and say No Fun by the Stooges.

11. How would you describe the current underground scene?  Do you participate?

There’s a lot of exciting nights around town and many great talents to be found. The key is to be united and have a sense of community among bands, artists and DJ’s. We’re delighted to be part of this.musical landscape, looking forward to traveling around by inviting bands to a gig in our area and vice-versa, play festivals around the country.

12. What has been the biggest challenge to date?

Making a living in London while having enough time to do what we love and let it rock!

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We rehearse every week, as for gigs, at least once a month. We once played 2 gigs in a day, that was a little crazy but fun. We’d play once or twice a week if we could. there’s nothing like playing live to get tight and hot as a band. We recorded two EP’s so far and we plan to capture the true essence of the band on tape in the very near future.

14. What do you think of the music coverage in the media?

If you’re curious, the internet and social media make it real easy to find out where the action is, at least in terms of events. We only wish genuine artists who write and sing their own music would be represented more fairly in the media, but at least we don’t own TVs. New bands now do all the promotion themselves and pay Facebook and Spotify for sponsoring and getting their music out there. This is quite sickening when you think of the profits these companies make on behalf of artists works.

15. Do you rate any current mainstream or underground bands?

We like bands with a 60’s/70’s touch like Foxygen, Lemon Twigs and Public Access TV from across the pond. There’s some exciting bands around like Cabbage or Estrons, great shows.

16. Who/Where would you most like to record with and why?

It would have to be someone we get on well with, but the list could be long. It’d be intriguing to work with Dave Fridmann (MGMT, Tame Impala) he seems to be a sonic wizard. Abbey Road would be thrilling for obvious reasons, but if we could choose, why not go to a place like Sunset Sound in California? Absolutely everyone we love has worked there at some point. That, or a trip to the desert with Josh Homme.

17. What should we expect from you in the future?  What are your plans and ambitions? What interesting gig dates have you got coming up?

We’re looking forward to experimenting and take our sound further, make new videos and have an album ready by the end of the year. We’ll be going on a tour in Italy at the beginning of March and we’re buzzing about it! Then we play at Le Beat Bespoke in London at Easter (April 2017). Ideally, we’ll continue to create and spread our music across the world and never feel old.

Free at last!

Main Site: eliphant.co.uk

Social Networks:

Facebook:  facebook.com/eliphantsound
Twitter: twitter.com/eliphantsound
Soundcloud: soundcloud.com/eliphantsound
Instagram: instagram.com/elian.eliphant


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 15, 2017 By : Category : Bands Clubs Events Front Page Interviews Music Tags:, , , ,
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Newbreed – The Arrogants

This entry is part 5 of 6 in the series Newbreed5

The Arrogants are part of a growing wave of young musicians who, unlike many other teenagers of their generation, are not interested in video games and hipster bands name-checks. These particular young men, alongside a number of others in various countries (some of whom you may know from other Dirty Water Records releases) have happily spent their teens investigating classic 20th-century music: blues, rock’n’roll, garage-rock, rhythm’n’blues!

And they decided they wanted guitars in their hands rather than games consoles. The Arrogants began their musical archaeology first as a 14-year-old duo, then as a 15-year-old trio… Then with an organist, as a quartet, they were ready to be heard by the wider world, with their debut EP, (‘Introducing the Arrogants’ on Dirty Water Records). And now, with the addition of a fifth band member, a rhythm guitarist, to further fill out their sound they are ready with their first long-player.

Whilst digging the sounds of the past, they have successfully developed their own repertoire, writing their own songs and gaining recognition in their home-town by playing as support to their heroes The Pretty Things, and appearing at the Lille Vintage Weekend in front of 15,000 strong crowd. And, recently, they appeared in front of 57,000 people opening for Lenny Kravitz at the Mainsquare Festival in Arras, France.

Produced by French Londoner Healer Selecta (a.k.a. Yvan Serrano of the Dustaphonics) and mastered by Pete Maher (who has worked for U2, The Killers, Rolling Stones, and Jack White, amongst other famous names), these eleven tracks were recorded at the vintage studio of the National Belgian Corporation in just three days. Serrano remembers seeing the sixteen-year-old Arrogants on stage for the first time, ‘It was a strange feeling, as though I was watching an original garage band. Their garage sound is pure, minimal and wild. To make true sixties garage, it should have this youthful energy and not over-do the technical ability to make for a real musical experience.’

The London album launch was on 31 October 2015 at the Fiddler’s Elbow, NW5 in a joint promotion by the Dirty Water Club and Weirdsville. The French album launch was at the Roubaix Vintage Weekender, a major festival attracting tens of thousands of revellers.

It’s been a rather busy 2016 for these ‘fab five’ from Lille, France having been interviewed on French national television along with mainstream magazine features, countless articles, reviews and international radio play. The group produced in grand style, their first video for the title track and single off their scorching hot debut album ” No Time To Wait.” The band has been touring all over Europe including a concert at the legendary Liverpool Cavern Club (Home The Beatles).

Major Influences: 60’s Mod sounds The Who, The Small Faces. Garage Rock The Standells, The Shadows of Knights. Psychedelic sounds 13th Floor Elevetors. Blues Muddy Waters, John Lee Hooker. 50’s Rhythm & Blues Chuck Berry, and Bo Diddley!

The Arrogants consist of Thomas Babczynski in the lead guitar and vocals, Louis Szymanowski in the bass, Martin Tournemire in the organ, Hugo El Hadeuf in the drums, and Emilian Mierzejewski in the rhythm guitar.

01. How long have you been active for and how did you get together?

The band started in 2008 with Thomas & his younger brother Luc. At this time as the band was just two guitar and two fuzz pedals. Thomas started singing and they both plays guitars. Luc was 13 and Thomas was 14. They did their first big gig in Brussels in 2009 for the National Belgian Radio & Television Broadcasting Co, then Luc stopped guitar and started the drums. They met Louis who became the bass man and then found an organist. Then Luc left the band.

At that time they changed the line up: the drummer and then the organist. Thomas met Hugo the new actual drummer in his neighborhood (he was playing so loud that we can hear him from his own bedroom…) One morning, he knocked on his door and just simply asked him if he wanted to join a rock n roll band and he said ‘yes’ of course. He met Martin the organist at school and him and some others were skipping lessons whilst playing music for the Church part of our school that’s where he first heard him playing the organ – he was amazed so he asked him if he wanted to join a rock n roll band and he said ‘yeah’! Thomas met Emilian, the rhythm guitarist in our Town.

02. What influences do the band members have in common?

Bo Diddley, Small Faces, Shadows of Knight, The Fabulous Wailers, The Sonics, and The Seeds.

03. Are there any other bands you’d recommend from your area? Why?

The Gentlemen’s Agreements cause they are very good!

04. What’s the 60’s/underground scene like where you’re from?

Pretty Mod inspired at the moment.

05. How would you describe the style you play?

Fuzzadelic! What we’ve created is a mix of everything that we like: sixties music and the revival stuff that came up in the eighties and some of today’s sounds too

06. What are your live shows like?

Energetic and very wild, we like a ‘crazy’ crowd!

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

60’s Garage Rock, just one cover “Gloria” by Them. We don’t like the mainstream pop of today.

08. What are your main influences outside of music?

60’s Culture in general, Modernism, and clean Design!

09. Who writes your songs and what subjects do you deal with?

Mostly Thomas. It’s all about life, dreams, experiences and gals.

10. What’s your favourite song in your repertoire currently? What’s your favourite song by another artist?

That’s a new one “No Plan”.  Out of Our Tree” – The Fabulous Wailers

11. How would you describe the current underground scene?  Do you participate?

Interesting but without much media focus on it. Absolutely, we get out and about!

12. What has been the biggest challenge to date?

Main Square Festival Arras France. 57,000 people!

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Once a week, once a week, recording as much we can, we look forwards to our Spanish Tour soon!

14. What do you think of the music coverage in the media?

Could be better, Is there any music coverage by the media?

15. Do you rate any current mainstream or underground bands?

Brian Jonestown Massacre, King Gizzard and The Lizard Wizard, Nick Waterhouse,  and also Allah-Las.

16. Who/Where would you most like to record with and why?

The Sorrows, because they were there in the good old days and still incredible on stage.

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up of interest?

A new album, a world tour, Spanish Tour, Le Beat Bespoké – Easter 2017 in London which will be amazing!


Social Networks:

Facebook: – facebook.com/TheArrogants/ 

Soundcloud: – soundcloud.com/the-arrogants


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 15, 2017 By : Category : Bands Front Page Interviews Music Tags:, , , ,
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NewBreed – New Candys

This entry is part 2 of 6 in the series Newbreed5

New Candys formed in Venice (Italy) in 2008, consisting of Fernando Nuti (vocals, guitar, sitar), Diego Menegaldo (vocals, guitars), Stefano Bidoggia (bass, organ) and Dario Lucchesi (drums, percussion). Their influences have roots in The Velvet Underground and Syd Barrett.

After a self-produced EP, in 2012 they released the album “Stars Reach The Abyss” on Foolica, a UK tour followed. In 2015 they took part in “The Reverb Conspiracy”, a compilation curated by Fuzz Club/The Reverberation Appreciation Society (Levitation Austin). Later that year “New Candys As Medicine”, album mixed by John Wills (producer and drummer of Loop), has been released on both Picture In My Ear/Fuzz Club and added to The Committee To Keep Music Evil catalogue, receiving praises from Simone Marie Butler of Primal Scream and Stephen Lawrie of The Telescopes.

Two EU/UK tours followed, including festivals like The Secret Garden Party 2015 and Liverpool Psych Fest 2016. They shared the stage with The Warlocks, Dead Skeletons, Crystal Stilts, Slowdive, Savages, Jon Spencer Blues Explosion and The Vaccines among others.

01. How long have you been active for and how did you get together?

For 9 years now, half of us were friends since teenage years, the other half because of the common passion for music.

02. What influences do the band members have in common?

Lots of bands, every time one of us discovers something cool it starts being played in our van, we talk a lot about what we like to see if it can become an influence on our own music.

03. Are there any other bands you’d recommend from your area? Why?

There are many, all of them truly believe in what they do and we like them: Kill Your Boyfriend, Mother Island, Gli Sportivi, Supertempo, High Mountain Bluebirds, Zabrisky, Miss Chain & The Broken Hills, Father Murphy, Hund, Temple Mantra and many others.

04. What’s the underground scene like where you’re from?

The city we come from is Treviso, a boring city with a passion for food and nothing else, the area of Venice let us become what we are today, with people more passionate about music and real interest in culture.

05. How would you describe the style you play?

Modern dark rock’n’roll.

06. What are your live shows like?

It depends, if the venue is not too big and people starts moving and dancing since the beginning, we can show our best. Lights/visuals also have an impact on our performance, the darker the better.

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

We played some covers of The Velvet Underground, probably our main influence together with Syd Barrett. Nirvana, Oasis and Brian Jonestown Massacre have been important for us too. Speaking about what is normally considered a “classic”, we don’t like Led Zeppelin, Queen and generally all bands where vocals sound like Axel Rose.

08. What are your main influences outside of music?

Cinema, directors like Fellini, Argento, Bertolucci but also Refn, Kubrick, Lynch to name a few. Poetry, Blake, Bukowski and of course Dante Alighieri.

09. Who writes your songs and what subjects do you deal with?

We write together, the subjects are surreal sometimes, metaphorical, lyrically we try to describe a scene, like painting, using words just to evoke images, we’re not interested in carrying clear and immediately understandable messages. It is important to give freedom to the listener, let everyone’s sensibility influence the codification of a song.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

Probably are the ones from the new album, after a while, you get tired of playing the old songs so the newer sounds fresh and are more interesting to play. From another artist, we like “Some Velvet Morning” by Hazlewood/Sinatra.

11. How would you describe the current underground scene?  Do you participate?

We feel like we are part of a scene because we end up playing shows with the same bands in different parts of Europe, and we can see there is a net that includes all these bands. This is really helpful, we feel like we all share the same attitude, have roots on almost the same cool music.

12. What has been the biggest challenge to date?

The recording process, in general, is difficult, psychologically and technically, it’s a completely different thing than playing live and writing.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We rehearse at least two times a week, more if we are in a productive creative moment. We play live as much as possible, record once a year (or two).

14. What do you think of the music coverage in the media?

Media are not involved much in what we like, the internet is the only way to find interesting stuff. If the music scene is what we see on TV these days, we would probably not be a band now. American hip-hop and mainstream pop bands/singers currently under the spotlight are simply pure rubbish with nothing to say, if people like them, good for them.

15. Do you rate any current mainstream or underground bands?

Mainstream… The Strokes maybe? About underground bands, we like BRMC, The Black Angels, The Warlocks, The Dandy Warhols, A Place To Bury Strangers, Dead Meadow, Singapore Sling and many others.

16. Who/Where would you most like to record with and why?

We don’t have big knowledge about producers, to be honest, so let’s say with someone interested in us that has done albums we like.

17. What should we expect from you in the future?  What are your plans and ambitions? What interesting gig dates have you got coming up?

A new album this year with a US/Canada tour after, that’s our main goal. We’re excited for our new short tour (before the new album), here you can find the shows listed: newcandys.com. Many thanks for the interview!

Social Links:

Website – newcandys.com
Facebook – facebook.com/newcandys
Twitter – twitter.com/NewCandys
Bandcamp – newcandys.bandcamp.com
Soundcloud – soundcloud.com/newcandys
Instagram – instagram.com/newcandys


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 12, 2017 By : Category : Bands Front Page Interviews Music Tags:, , ,
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