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Fashion – Foale & Tuffin

This entry is part 1 of 4 in the series Fashion Scene 4

Claire Mahoney looks at the lesser-known, but no less influential 60s design duo that was: Foale & Tuffin

Designer Zandra Rhodes described them as the ‘Queens of Carnaby Street,’ others dubbed them the ‘Liver Birds’ of the London fashion scene – the dynamic duo that they are referring to are designers Foale & Tuffin.

You may not have heard of them. (I hadn’t until I started delving deeper into the history of 60s fashion.) But these two East End art school girls has no less an influence on 60s fashion and the mod look than the likes of Mary Quant and to those who were in with the in-crowd, they were the designers that people wanted to wear.

Marion Foale and Sally Tuffin met at Walthamstow Art School. These bright young girls epitomised everything that the 60s was really about. They were determined to do something different and they were going to do it all by themselves and not sell out in the process.

So they stepped straight out of the Royal College of Art and took the bold decision to set up on their own. In 1961 they rented a small workshop and showroom in west London for six guineas a week. Then, with just two old sewing machines bought for them by their parents, they rolled up their sleeves and got to work. Initially they would buy their fabrics from the local department stores. Their workshop was not far from Liberty and the department stores’ famous Arts & Crafts influenced prints became a feature of many of their creations. Entire collections were made lovingly by hand to order and when their business started to take off they opened their shop in Ganton Street just off Carnaby Street.

Their little boutique attracted a devoted following – fans included Jean Shrimpton. Julie Christie, Susanna York and Cilla Black and their house model was Pattie Boyd’s sister, Jenny.

So what was it about Foale & Tuffin’s designs that were so appealing? Well for a start they were rebellious and they understood what young people wanted because they were young themselves.

“We’d had it rammed down our throats – I had to go to Sunday School with white gloves, a hat and a handbag, just like a miniature mum in a dress made by her, exactly the same as hers! I mean who wanted to do that? We just wanted to kick against it all,” says Sally Tuffin. And kick they did. People talk about how Yves Saint Laurent introduced the trouser suit for women but actually, it was Foale & Tuffin that did it first. Their design was in brown corduroy and most importantly was created for women by women.

Marion Foale recalls in an interview for the V&A ahead of a retrospective exhibition of their work in 2009. “I remember us putting a corduroy jacket on Jill Kennington and putting the trousers with it and falling about with laughter – it was so funny. We must have been making trousers anyway, but not with jackets. We put it all together and thought it was hilarious!”

It was good timing. By the mid-60s the sharp mod look was starting to get a little more playful with the likes of John Stephen stocking more dandy-ish styles with frills and Victorian style detailing for men. So as the men began to embrace their feminine side the women could explore a more liberated a less sexualised androgyny, that ironically, was no less sexy for it.

Foale & Tuffin designs were also playful. They were one of the first designers of the era to ignore the rule of matching clothes and accessories and wantonly clashed spots, stripes and checks – sometimes all in the same outfit.

They loved plaids and tartans and created skirt and trouser suits in contrasting prints and colours. They matched them with brightly coloured woollen tights. Their designs were so popular that they were eventually picked up by the big stores in the States and licensed to J C Penney and Paraphernalia.

Foale & Tuffin like many of the brands of that era either fizzled out or changed course in the early 70s, in this case, both had settled down to raise their families. Marion Foale, however, later went on to set up a very successful knitwear design business and Sally Tuffin became a successful ceramicist.

The legacy of their brand may not have been discussed as much as the likes of Quant and Biba. But to those in the know, Foale & Tuffin were a brand to be reckoned with.

To read more about them and see some fantastic pictures of their designs – take a look at Foale and Tuffin: The Sixties. A Decade in Fashion by Iain R. Webb, published by ACC Publishing Group.


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Claire Mahoney

At the age of 13 mod made perfect sense to me. I liked the look and the attitude - but most of all I liked the music. Secret Affair was my entry point, but they were soon playing second fiddle in my affections to The Jam. Paul Weller, of course, proceeded to break mine and many others hearts in 1982, when he put an end to that particular musical roller coaster – but what it meant was that, uninterested in anything else that was happening in music at the time, I had to look back. I was lucky enough to be given two plastic bags full of 60s 45s by my uncle who used to stock the jukeboxes back in the day. Their contents included a number of Stax originals, plus the Who and the Small Faces, as well as Motown classics from The Four Tops and the Supremes. So, when Phil Collins charted in the mid 80s with 'You Can't Hurry Love' it was nice to be able to say: “I've got the original of that!” It became quite an irritating habit of mine over the years. These days I still enjoy discovering new, old music, be it soul, rnb or jazz, as well as witnessing mod taken another turn among today's youth with bands like The Strypes. My day job as a journalist means I am lucky enough to be able to write about music and modernism now and again. Other than that you'll find me mostly on the dance floor or on eBay still looking for that perfect A line dress.

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March 1, 2017 By : Category : Fashion Front Page Style UK Tags:,
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Masters – Corduroy

This entry is part 1 of 5 in the series Masters3

In the early 1990s, something unusual happened and something that has not happened since; two small independent British record labels were formed that defined the entire decade musically. On one side driving the Britpop era was Alan McGee’s Creation Records and on the other, Eddie Piller’s Acid Jazz which flew the flag for eclectic soul and funk. Part of that Acid Jazz roster was a band which may have had modest chart success, but retained a loyal fan base and critical acclaim for every album and single they released. NUTs caught up with frontman Richard Searle to talk about Corduroy and their forthcoming headline appearance at Le Beat Bespoke 12.

01. When did you get Corduroy back together and why?

We reformed in 2013 to promote a Corduroy CD box-set released by Cherry Red Records, featuring 3 of our 5 studio albums plus a Japanese live album; plus a previously unreleased live album via Acid Jazz Records.

 02. When did you first become interested in music?

We didn’t have a record player when I was a primary school kid. I grew up during Glam, (Slade, Sweet, T-Rex); but my oldest friend, who lived down my street (Elibank Rd), had a record player and his brother had two Who albums; so The Who were formative, and are still my favourite band.

03. Do you regard yourself as a mod? How did you get into it?

I bought punk records from 77 onwards, The Stranglers, The Damned, Generation X, Devo, Pistols etc, but I used to follow The Jam, they were ‘my life’. I saw them for the first time in 78 (supported by Generation X and Slade). My first parka cost £14 from Paraphernalia in Lewisham). My first bespoke suit, when I was 15, was from a tailor in Lewisham called James Joyce – the jacket still fits. When the ‘mod revival’ happened, I’d already started listening to psych stuff (the first Nuggets album, Velvet Underground, Shadows Of The Night, Electric Prunes, Love), so when the ‘New Psychedelic’ scene reared its head, I was already wearing more ‘swinging sixties’ gear, my hair was a ridiculous back-combed bouffant. I didn’t fit with the British ‘mod’ look, I was never into Two-Tone. When people ask, I say that I was a ‘psychedelic mod’.

04. How did the whole Doctor and the Medics thing come about?

The ‘psych scene’ was based around a couple of clothes shops, The Regal and Sweet Charity and a Soho club called The Clinic (in Gossips – Soho); the resident DJ called himself The Doctor he was my patrol leader in the scouts. The Doctor (Clive) was given the opportunity to record a single on Whaam Records, so he put a band together. It was only supposed to be for the one single, and a couple of gigs, but we had fun and carried on. I left after 8 years.

05. Which clubs did you visit during the late 80s and early 90s?

In the 80s it was mostly psych clubs, The Clinic, The Taste Experience, The Pigeon-Toed Orange Peel, and the Alice In Wonderland (a club which took over from The Clinic, in which The Doctor was resident DJ and The Medics played regularly). I went to The Bat Cave once – once was enough. In the 90’s I was going through a beatnik phase – Smashing, Frat Shack, Tongue Kung Fu. DJs like Martin Green and The Karminski’s were where it was at.

 06. How did you join up with Boy’s Wonder?

Boys Wonder were friends, they were truly great. They sacked the bassist Chris Tate and I filled in for a hand-full of gigs (a couple of head-lines at the Marquee and supporting The Hoodoo Gurus at the Town & Country, now The Forum).Tony Barber then joined.

Despite being ‘in vogue’ they were dropped by their record label, Sire, and then sacked Tony Barber. The Medics had stopped being fun by this point, so when they asked me to join permanently, I did so. The band then started a long downhill spiral of musical styles, band wagon jumping and failed attempts to get re-signed. By the time Boys Wonder finished, we were truly shit.

07. How did you meet Eddie Piller?

Acid Jazz was one of three record labels that the newly formed Corduroy went to see. Ed Piller booked us into his studio two days later.

His first words to me were… ‘Are you a mod?’

08. What is your assessment of the influence of mod on Acid Jazz and vice versa?

Acid Jazz became a refuge for displaced survivors of the mod revival, mainly because it was owned by one, (Ed Piller), but musically it was all over the place. The Sandals came from the ‘beat scene’, Emperor’s New Clothes were proper jazzers, and Mother Earth just wanted to be Traffic. Some bands initially did appeal to mods (JTQ and then Corduroy) but I think musical tastes changed with the labels’ output, which became quite ‘fusion’ orientated. Fifteen-minute hip hop, jazz funk, jam sessions by stone-heads with pubic beards wearing socks on their heads – just isn’t very mod.

09. What was the inspiration for the Corduroy sound?

We each had very different musical tastes, but we all shared a love of film music; this was the main inspiration for the Corduroy sound at its best (the first two albums). By the third album, that uniting force had vanished (lost through ego and endless Steely Dan records). I will always regret not actually leaving Corduroy after the second album.

10. What are you most proud of from your Corduroy years?

Record-wise, I guess the second album – High Havoc. Supporting Blur at Alexandra Palace, (with Pulp and Supergrass), was cool. Seeing the world, Japan, Hong Kong, Singapore, Australia as well as traveling all over Europe. But my fondest memory is of pulling a girl’s knickers off with my teeth, during an excellent round of strip-dice (a game that I invented).

11. What was it like being signed to Acid Jazz and part of a vibrant scene in music?

The Acid Jazz ‘scene’ meant that people would listen to you, who normally wouldn’t, simply because they were into ‘the scene’. At its best, this meant that there was a family type atmosphere between the bands, and a sense of belonging, plus lots of work. At its worst, by the time Acid Jazz stopped being known as the record label and became regarded as a music genre, the bands couldn’t develop. When Brit-pop then over shadowing things, it became more fashionable than, the Acid Jazz scene, bands identified with ‘the genre’ were ultimately finished. The ‘scene’ itself moved back into the clubs – eventually with Acid Jazz Records buying The Blue-Note.

12. Which clubs did you visit during the 90s? Was Blow Up one of them?

I went to Blow-Up at The Laurel Tree a couple of times, more so when it moved to The Wag… Corduroy played a gig there. I had my own bar tab at The Blue Note.

13. Which bands, music, clubs or scenes have impressed you during the last decade?

Bands: Super Furry Animals, Spiritualised, Verve, Manson, The Dandy Warhols, Kula Shaker, The Prodigy, Earl Brutus,

Clubs: Smashing, was for a year or so, the best.

14. What has been the response to Corduroy coming back?

Very positive; getting lots of international invitations for shows as well as UK interest. We are currently writing new material with every intention of recording a new album.

15. What can we expect from Corduroy at Le Beat Bespoké this year?

Groovy, spy themed, organ-fueled, raw garage, punk-jazz, dirty mod, fun!

16. Are you looking forward to it?

Yes, very much!

 


We are too Richard. Thanks for taking the time to talk to NUTsMag

Corduroy headline Sunday night at lebeatbespoke.com at 229thevenue.co.uk Central London.

Check the bands facebook page here: facebook.com/CorduroyBand/

This interview was originally the one I did with Richard Searle for the updated Influential Factor.


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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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February 23, 2017 By : Category : Bands Front Page Interviews Music News Tags:, , ,
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Newbreed – Los Retrovisores

This entry is part 4 of 5 in the series Newbreed5

Los Retrovisores a Fuzz Soul band from Barcelona. Sounds louder than 1968.

Band Members:
Victor Asensio: Singer
Leo Hernandez: Bass
Pere Duran: Guitarra
Sergio Sanchez: Hammond
Quim Corominas: Drums
Hector Fàbregas: Chorus and Percussion
Edu Polls: Sax Tenor
Alexis Albelda: Trumpet
Francesc Polls: Bariton Sax

01. How long have you been active for and how did you get together?

Since 2006, most of the members came from a Jamaican music band called ‘The Cutties’.

02. What influences do the band members have in common?

We all are late 60’s and early 70’s dance sounds enthusiasts. We love most of the styles: from R & B to soul, reggae, psych or garage, back to rocksteady, and deep into beat… We’re also very influenced by the 60’s Spanish counterpart of that styles, as you could tell listening to our compositions.

03. Are there any other bands you’d recommend from your area? Why?

There are so many cool bands in our area: Rubén López & The Diatones (reggae) Penny Cocks (punk 77), Mambo Jambo, The Excitements or Los Fulanos (Latin Soul) to name a few…

04. What’s the 60’s/underground scene like where you’re from?

Barcelona has several bands, clubs, promoters, collectors and festivals… Some clubs we highlight: The Boiler Club, Movin’ on, The Gambeat Weekend, Le clean Cut, Wamba buluba and Pill Box. There you’ll find some of our favorite DJ’s: Xavi Beat, Julian Reca, Jordi Duró and many more.

05. How would you describe the style you play?

We just play the music we love to listen and dance to, without more restrictions. Our style evolved at the same rate we did. In our current set list you can find from Spanish soul to groovy funk, even freakbeat.

06. What are your live shows like?

The audience defines it as fresh and fun. We don’t like the bands that make a script for live shows. We improvise and always try to be ourselves. Our repertoire is compact, short and straight to the neck. No time for solos.

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

Our influences are as wide as our musical tastes. Mainly Spanish sixties bands, that like us borrowed the patterns from their own references, but projecting their own personality to their songs. We really love Bruno Lomas, Los Bravos, Los Canarios, Los Salvajes, Los Nivram, Pau Riba… We despise too many people to name it here!

08. What are your main influences outside of music?

Our universe is strongly influenced by the sharp & surrealistic Monty Phyton’ sense of humor. The French nouvelle vague and its evolutions are also one source of inspiration for our lyrics and videos.

09. Who writes your songs and what subjects do you deal with?

Everybody does his one’s bit, but to date most of the songs were written by Victor and Pere. This has changed in our last recordings introducing compositions by Leo and Hector.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

Our favorite song from the current repertoire comes from our EP Alma y Pisotón. It’s named ‘Me olvidé de ti’ wich, by the way, it’s been just released on video in a ‘Horror B movie’ style. Check it out! Our choice by another artist is Fire & Ice’s Music Man. We loved the complex brass arrangements and changing our regular subject –love- to an ode to that DJs that make us dance party over party, and that’s why we covered it (you can find our version at Alma y Pisotón EP too)

11. How would you describe the current underground scene? Do you participate?

The underground scene, at least in our city, is in a good shape regarding shows and parties. We all participate in one way or another, Victor, for example, is deeply involved with The Gambeat Weekend & the clubs Pillbox 60’s Club and Bread & Groove.

12. What has been the biggest challenge to date?

To forge ahead the band, beside the financial precarity of our members, the lack of public resources and benefits for empowering culture, and the economic depression that we are all suffering.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We rehearse minimum once a week and play an average of three or four shows per month. More than two years passed between our debut album and our second release “Alma y pisotón”, but we’re reducing the time between recordings and we’ll release our third record in June, one year after the previous release.

14. What do you think of the music coverage in the media?

In Catalonia the mass media doesn’t give coverage to the bands that don’t belong to the mainstream market. For some time now, specialized magazines start to write about us. We also make great use of the social networks to reach our fans.

15. Who/Where would you most like to record with and why?

We’d love to record in London with George Martin and a gigantic strings & brass orchestra, just like Spanish duet Manolo y Ramón did back in 1970. We’d also like to record with Ricard Miralles, arranger for Joan Manel Serrat in the album dedicated to Antonio Machado.

16. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

We’re still working on consolidating our own sound and our show. We’d like to make people outside the scene dance, without losing authenticity or selling out. We’d like to say thanks for our appearances at Euro Ye Ye Mod Festival (Gijon, SP), Purple Weekend, Festival Beat (IT), Soundflat Ballroom Bash (GER) and look forward to our first ever show in the UK (London) at Le Beat Bespoke, Easter – 16th April 2017.

Discography:

VVAA – “L’Edat Daurada” (Jamaican Memories, 2008) CD
VVAA – “Moderno pero español, vol. 8” (Bon Vivant, 2009) CD
VVAA – Somos los Mods vol.1 (Bip Bip Records, 2010) CD
“La nostalgia ya no es lo que era” (Flor y Nata Records, 2011) LP/CD
“Alma y Pisotón” (Soundflat records/BCore Disc, 2013) EP 7″
“En el surco” (Soundflat records/BCore Disc, 2014) EP 7″
“Sonido Joanic” (BCore Disc/Soundflat records, 2016) LP/CD

Web Links:

facebook.com/Los-Retrovisores
bcoredisc.com
facebook.com/los.retrovisores
twitter.com/LosRetrovisores


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 23, 2017 By : Category : Bands Europe Front Page Interviews Music Scene Tags:, , , , ,
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Newbreed – Eliphant

This entry is part 3 of 5 in the series Newbreed5

Elipant is a North London Power trio formed in 2015. Psychedelic influences mixed with punk-rock sensibilities. Retro with a contemporary twist and a will to sound like no one else. Lyrically in between sensual surrealism and no-bullshit politics. Building a strong following with their high-energy live shows. Eliphant declares war against the stiff and the bored!

01. How long have you been active for and how did you get together?

Eliphant was formed in spring 2015 by Dade and Elian who knew each other from a chance meeting and playing in another band, played our first gigs that summer with our first drummer Marco. We got Nelson on board in June 2016 and we’ve been living happily ever since.

02. What influences do the band members have in common?

We’re united by our passion for music, cinema and arts along with the fact that we both decided to come to London to pursue our dreams and ambitions.

03. Are there any other bands you’d recommend from your area? Why?

Since we started we shared nights with some very cool 60’s influenced bands. The Carnations who pushed us to get together, Creamer & Wesley, Black Doldrums, The pacers, DIN,… They appeal to us because of their sense of originality, tunes and charm.

04. What’s the 60’s/underground scene like where you’re from?

It’s hard to tell as we’ve been away for many years now and are yet to tour Europe. Elian, Nelson and Dade all used to play in bands doing pub circuits back in Paris, Lisbon and Nizza in Italy respectively. There wasn’t much of a 60’s/underground scene like there is now.

05. How would you describe the style you play?

Psychedelic sixties garage mixed with punk-rock sensibilities. Retro with a contemporary twist.

06. What are your live shows like?

Explosive! Live shows are the best representation of our band. We love to take our audience on a trip, between strong songs and improvisations. That way every show is different and surprising.

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

We all got an eclectic taste in music so anything relevant since rock’n’roll started. In our music, you could find influences from Bowie, Love, Stooges, early Floyd, Pistols, Pixies, Sonic Youth, White stripes and so on. We played covers of ‘Moonage daydream’ by David Bowie, ‘Break on through’ by The Doors. Apart from the top 40 garbage not worth mentioning… Virtuoso music, posers with no songs to offer, any music that sounds safe and formatted (Coldplay?).

08. What are your main influences outside of music?

Each of us in the band, our lovers and our friends. All the crazy characters we meet around this fair old town. Daily lives, socializing at night and Wetherspoons.

09. Who writes your songs and what subjects do you deal with?

Elian writes the basic songs, lyrically dealing with love, lust, social commentary and a sense of freedom. Sometimes abstract to paint an emotion or a situation. other times we use music as a way to make fun of the crap that the media and society push on us.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

One of our new songs: ‘She comes in waves’ or ‘Running out of dreams’, two sides of the same coin. Summer beats guaranteed to take you away. These are both inspired by last year’s adventures, trying to find moments of bliss amidst the chaos. Our favourite song would change every day, let’s be boring and say No Fun by the Stooges.

11. How would you describe the current underground scene?  Do you participate?

There’s a lot of exciting nights around town and many great talents to be found. The key is to be united and have a sense of community among bands, artists and DJ’s. We’re delighted to be part of this.musical landscape, looking forward to traveling around by inviting bands to a gig in our area and vice-versa, play festivals around the country.

12. What has been the biggest challenge to date?

Making a living in London while having enough time to do what we love and let it rock!

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We rehearse every week, as for gigs, at least once a month. We once played 2 gigs in a day, that was a little crazy but fun. We’d play once or twice a week if we could. there’s nothing like playing live to get tight and hot as a band. We recorded two EP’s so far and we plan to capture the true essence of the band on tape in the very near future.

14. What do you think of the music coverage in the media?

If you’re curious, the internet and social media make it real easy to find out where the action is, at least in terms of events. We only wish genuine artists who write and sing their own music would be represented more fairly in the media, but at least we don’t own TVs. New bands now do all the promotion themselves and pay Facebook and Spotify for sponsoring and getting their music out there. This is quite sickening when you think of the profits these companies make on behalf of artists works.

15. Do you rate any current mainstream or underground bands?

We like bands with a 60’s/70’s touch like Foxygen, Lemon Twigs and Public Access TV from across the pond. There’s some exciting bands around like Cabbage or Estrons, great shows.

16. Who/Where would you most like to record with and why?

It would have to be someone we get on well with, but the list could be long. It’d be intriguing to work with Dave Fridmann (MGMT, Tame Impala) he seems to be a sonic wizard. Abbey Road would be thrilling for obvious reasons, but if we could choose, why not go to a place like Sunset Sound in California? Absolutely everyone we love has worked there at some point. That, or a trip to the desert with Josh Homme.

17. What should we expect from you in the future?  What are your plans and ambitions? What interesting gig dates have you got coming up?

We’re looking forward to experimenting and take our sound further, make new videos and have an album ready by the end of the year. We’ll be going on a tour in Italy at the beginning of March and we’re buzzing about it! Then we play at Le Beat Bespoke in London at Easter (April 2017). Ideally, we’ll continue to create and spread our music across the world and never feel old.

Free at last!

Main Site: eliphant.co.uk

Social Networks:

Facebook:  facebook.com/eliphantsound
Twitter: twitter.com/eliphantsound
Soundcloud: soundcloud.com/eliphantsound
Instagram: instagram.com/elian.eliphant


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 15, 2017 By : Category : Bands Clubs Events Front Page Interviews Music Tags:, , , ,
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Newbreed – The Arrogants

This entry is part 5 of 5 in the series Newbreed5

The Arrogants are part of a growing wave of young musicians who, unlike many other teenagers of their generation, are not interested in video games and hipster bands name-checks. These particular young men, alongside a number of others in various countries (some of whom you may know from other Dirty Water Records releases) have happily spent their teens investigating classic 20th-century music: blues, rock’n’roll, garage-rock, rhythm’n’blues!

And they decided they wanted guitars in their hands rather than games consoles. The Arrogants began their musical archaeology first as a 14-year-old duo, then as a 15-year-old trio… Then with an organist, as a quartet, they were ready to be heard by the wider world, with their debut EP, (‘Introducing the Arrogants’ on Dirty Water Records). And now, with the addition of a fifth band member, a rhythm guitarist, to further fill out their sound they are ready with their first long-player.

Whilst digging the sounds of the past, they have successfully developed their own repertoire, writing their own songs and gaining recognition in their home-town by playing as support to their heroes The Pretty Things, and appearing at the Lille Vintage Weekend in front of 15,000 strong crowd. And, recently, they appeared in front of 57,000 people opening for Lenny Kravitz at the Mainsquare Festival in Arras, France.

Produced by French Londoner Healer Selecta (a.k.a. Yvan Serrano of the Dustaphonics) and mastered by Pete Maher (who has worked for U2, The Killers, Rolling Stones, and Jack White, amongst other famous names), these eleven tracks were recorded at the vintage studio of the National Belgian Corporation in just three days. Serrano remembers seeing the sixteen-year-old Arrogants on stage for the first time, ‘It was a strange feeling, as though I was watching an original garage band. Their garage sound is pure, minimal and wild. To make true sixties garage, it should have this youthful energy and not over-do the technical ability to make for a real musical experience.’

The London album launch was on 31 October 2015 at the Fiddler’s Elbow, NW5 in a joint promotion by the Dirty Water Club and Weirdsville. The French album launch was at the Roubaix Vintage Weekender, a major festival attracting tens of thousands of revellers.

It’s been a rather busy 2016 for these ‘fab five’ from Lille, France having been interviewed on French national television along with mainstream magazine features, countless articles, reviews and international radio play. The group produced in grand style, their first video for the title track and single off their scorching hot debut album ” No Time To Wait.” The band has been touring all over Europe including a concert at the legendary Liverpool Cavern Club (Home The Beatles).

Major Influences: 60’s Mod sounds The Who, The Small Faces. Garage Rock The Standells, The Shadows of Knights. Psychedelic sounds 13th Floor Elevetors. Blues Muddy Waters, John Lee Hooker. 50’s Rhythm & Blues Chuck Berry, and Bo Diddley!

The Arrogants consist of Thomas Babczynski in the lead guitar and vocals, Louis Szymanowski in the bass, Martin Tournemire in the organ, Hugo El Hadeuf in the drums, and Emilian Mierzejewski in the rhythm guitar.

01. How long have you been active for and how did you get together?

The band started in 2008 with Thomas & his younger brother Luc. At this time as the band was just two guitar and two fuzz pedals. Thomas started singing and they both plays guitars. Luc was 13 and Thomas was 14. They did their first big gig in Brussels in 2009 for the National Belgian Radio & Television Broadcasting Co, then Luc stopped guitar and started the drums. They met Louis who became the bass man and then found an organist. Then Luc left the band.

At that time they changed the line up: the drummer and then the organist. Thomas met Hugo the new actual drummer in his neighborhood (he was playing so loud that we can hear him from his own bedroom…) One morning, he knocked on his door and just simply asked him if he wanted to join a rock n roll band and he said ‘yes’ of course. He met Martin the organist at school and him and some others were skipping lessons whilst playing music for the Church part of our school that’s where he first heard him playing the organ – he was amazed so he asked him if he wanted to join a rock n roll band and he said ‘yeah’! Thomas met Emilian, the rhythm guitarist in our Town.

02. What influences do the band members have in common?

Bo Diddley, Small Faces, Shadows of Knight, The Fabulous Wailers, The Sonics, and The Seeds.

03. Are there any other bands you’d recommend from your area? Why?

The Gentlemen’s Agreements cause they are very good!

04. What’s the 60’s/underground scene like where you’re from?

Pretty Mod inspired at the moment.

05. How would you describe the style you play?

Fuzzadelic! What we’ve created is a mix of everything that we like: sixties music and the revival stuff that came up in the eighties and some of today’s sounds too

06. What are your live shows like?

Energetic and very wild, we like a ‘crazy’ crowd!

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

60’s Garage Rock, just one cover “Gloria” by Them. We don’t like the mainstream pop of today.

08. What are your main influences outside of music?

60’s Culture in general, Modernism, and clean Design!

09. Who writes your songs and what subjects do you deal with?

Mostly Thomas. It’s all about life, dreams, experiences and gals.

10. What’s your favourite song in your repertoire currently? What’s your favourite song by another artist?

That’s a new one “No Plan”.  Out of Our Tree” – The Fabulous Wailers

11. How would you describe the current underground scene?  Do you participate?

Interesting but without much media focus on it. Absolutely, we get out and about!

12. What has been the biggest challenge to date?

Main Square Festival Arras France. 57,000 people!

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Once a week, once a week, recording as much we can, we look forwards to our Spanish Tour soon!

14. What do you think of the music coverage in the media?

Could be better, Is there any music coverage by the media?

15. Do you rate any current mainstream or underground bands?

Brian Jonestown Massacre, King Gizzard and The Lizard Wizard, Nick Waterhouse,  and also Allah-Las.

16. Who/Where would you most like to record with and why?

The Sorrows, because they were there in the good old days and still incredible on stage.

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up of interest?

A new album, a world tour, Spanish Tour, Le Beat Bespoké – Easter 2017 in London which will be amazing!


Social Networks:

Facebook: – facebook.com/TheArrogants/ 

Soundcloud: – soundcloud.com/the-arrogants


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 15, 2017 By : Category : Bands Front Page Interviews Music Tags:, , , ,
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NewBreed – New Candys

This entry is part 2 of 5 in the series Newbreed5

New Candys formed in Venice (Italy) in 2008, consisting of Fernando Nuti (vocals, guitar, sitar), Diego Menegaldo (vocals, guitars), Stefano Bidoggia (bass, organ) and Dario Lucchesi (drums, percussion). Their influences have roots in The Velvet Underground and Syd Barrett.

After a self-produced EP, in 2012 they released the album “Stars Reach The Abyss” on Foolica, a UK tour followed. In 2015 they took part in “The Reverb Conspiracy”, a compilation curated by Fuzz Club/The Reverberation Appreciation Society (Levitation Austin). Later that year “New Candys As Medicine”, album mixed by John Wills (producer and drummer of Loop), has been released on both Picture In My Ear/Fuzz Club and added to The Committee To Keep Music Evil catalogue, receiving praises from Simone Marie Butler of Primal Scream and Stephen Lawrie of The Telescopes.

Two EU/UK tours followed, including festivals like The Secret Garden Party 2015 and Liverpool Psych Fest 2016. They shared the stage with The Warlocks, Dead Skeletons, Crystal Stilts, Slowdive, Savages, Jon Spencer Blues Explosion and The Vaccines among others.

01. How long have you been active for and how did you get together?

For 9 years now, half of us were friends since teenage years, the other half because of the common passion for music.

02. What influences do the band members have in common?

Lots of bands, every time one of us discovers something cool it starts being played in our van, we talk a lot about what we like to see if it can become an influence on our own music.

03. Are there any other bands you’d recommend from your area? Why?

There are many, all of them truly believe in what they do and we like them: Kill Your Boyfriend, Mother Island, Gli Sportivi, Supertempo, High Mountain Bluebirds, Zabrisky, Miss Chain & The Broken Hills, Father Murphy, Hund, Temple Mantra and many others.

04. What’s the underground scene like where you’re from?

The city we come from is Treviso, a boring city with a passion for food and nothing else, the area of Venice let us become what we are today, with people more passionate about music and real interest in culture.

05. How would you describe the style you play?

Modern dark rock’n’roll.

06. What are your live shows like?

It depends, if the venue is not too big and people starts moving and dancing since the beginning, we can show our best. Lights/visuals also have an impact on our performance, the darker the better.

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

We played some covers of The Velvet Underground, probably our main influence together with Syd Barrett. Nirvana, Oasis and Brian Jonestown Massacre have been important for us too. Speaking about what is normally considered a “classic”, we don’t like Led Zeppelin, Queen and generally all bands where vocals sound like Axel Rose.

08. What are your main influences outside of music?

Cinema, directors like Fellini, Argento, Bertolucci but also Refn, Kubrick, Lynch to name a few. Poetry, Blake, Bukowski and of course Dante Alighieri.

09. Who writes your songs and what subjects do you deal with?

We write together, the subjects are surreal sometimes, metaphorical, lyrically we try to describe a scene, like painting, using words just to evoke images, we’re not interested in carrying clear and immediately understandable messages. It is important to give freedom to the listener, let everyone’s sensibility influence the codification of a song.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

Probably are the ones from the new album, after a while, you get tired of playing the old songs so the newer sounds fresh and are more interesting to play. From another artist, we like “Some Velvet Morning” by Hazlewood/Sinatra.

11. How would you describe the current underground scene?  Do you participate?

We feel like we are part of a scene because we end up playing shows with the same bands in different parts of Europe, and we can see there is a net that includes all these bands. This is really helpful, we feel like we all share the same attitude, have roots on almost the same cool music.

12. What has been the biggest challenge to date?

The recording process, in general, is difficult, psychologically and technically, it’s a completely different thing than playing live and writing.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We rehearse at least two times a week, more if we are in a productive creative moment. We play live as much as possible, record once a year (or two).

14. What do you think of the music coverage in the media?

Media are not involved much in what we like, the internet is the only way to find interesting stuff. If the music scene is what we see on TV these days, we would probably not be a band now. American hip-hop and mainstream pop bands/singers currently under the spotlight are simply pure rubbish with nothing to say, if people like them, good for them.

15. Do you rate any current mainstream or underground bands?

Mainstream… The Strokes maybe? About underground bands, we like BRMC, The Black Angels, The Warlocks, The Dandy Warhols, A Place To Bury Strangers, Dead Meadow, Singapore Sling and many others.

16. Who/Where would you most like to record with and why?

We don’t have big knowledge about producers, to be honest, so let’s say with someone interested in us that has done albums we like.

17. What should we expect from you in the future?  What are your plans and ambitions? What interesting gig dates have you got coming up?

A new album this year with a US/Canada tour after, that’s our main goal. We’re excited for our new short tour (before the new album), here you can find the shows listed: newcandys.com. Many thanks for the interview!

Social Links:

Website – newcandys.com
Facebook – facebook.com/newcandys
Twitter – twitter.com/NewCandys
Bandcamp – newcandys.bandcamp.com
Soundcloud – soundcloud.com/newcandys
Instagram – instagram.com/newcandys


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 12, 2017 By : Category : Bands Front Page Interviews Music Tags:, , ,
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Hey! Mr DJ – Stephan Golowka

This entry is part 1 of 1 in the series Hey! Mr DJ 6

We recently caught up with DJ Stephan Golowka from Germany, to talk about his musical outlook.

01. How and when did you get into music and what were you listening to then?

I got into the local mod and scooter scene near Frankfurt when I was at middle school. The idea of style and coolness impressed me deeply when I was a youngster. The Who, The Kinks, The Small Faces, The Jam, Ska, 2-Tone and Madchester were the sounds I listened to in those days.

02. Where was your first DJ slot?

That was certainly at one of those private cellar parties when I was at a very tender age. I played some of the above mentioned music.

03. What was your most memorable DJ spot?

I especially loved the first Le Beat Bespoké in 2005, Euro YéYé the same year, Purple Weekend in 2009 and numerous other weekenders, parties and unforgettable club nights at the Up Club. Many magical and great moments.

04. What so far, has been your worst DJ experience?

Luckily I never really had bad DJ experiences. Crappy sound systems or interruptions due to technical problems can be annoying.

05. Your favourite scene DJ’s and why?

There are many excellent DJs out there. A good DJ should be able to play distinctive sets and surprise with different, exciting tunes. Rob Bailey has to be mentioned for his top class sets in various genres & continuity on the highest level for so many years. bMichael Wink, Frantz Lisi and the Belgian beat scene were influential in my younger days, – all ahead of their time.

06. What has shaped your DJ sound and why?

Early trips to the Blow-Up Club, national and international mod weekenders were inspiring. Many fantastic compilations like The British Psychedelic Trip or the Rubble Collection helped forming my favourite kind of music. I started to collect and play those classic 45s and continued to dig a little deeper..

07. What was your best ever find/discovery?

In 2000 I found a nice copy of The Rebel Rousers – As I Look for 15.- Deutsche Mark in a small record shop in Frankfurt. Also, Ron Gray – Hold Back The Sunrise or The Pagens – Mystic Cloud, might be two nice examples of discoveries in a club/DJ context.

08. Who was your biggest influence musically and your favourite artist(s)?

The Beatles, The Kinks, The Byrds. Some of my favourite bands are Kaleidoscope (UK), The Pretty Things a.k.a. Electric Banana, early Pink Floyd, Love

09. Do you collect specific labels/artists/genres?

Mainly British freakbeat, psychedelia and US-American garage and psych 45s, certainly no particular labels or artists.

10. Where can folks currently catch your DJ set?

Le Beat Bespoké #12 at Easter in London.

11. What is the record you would most like to own?

There was this acetate on Audiodisc without any information on the label. A fantastic unreleased catchy garage psych number with loads of fuzz that was auctioned for a small fortune a few years ago. I really hope it will be released one day or turn up again. Aso, The End – Second Glance (Emidisc Acetate)

12. Please give us a top 10 all time favourites and a current top 5 spins?

Top 10 Tracks of All Time:

01. One In A Million – Double Sight (MGM)
02. Turnstyle – Riding A Wave (Pye)
03. Human Expression – Optical Sound (Accent)
04. Nimrod – Don´t Let It Get The Best Of You (Mercury)
05. Mike Stuart Span – Children Of Tomorrow (Jewel)
06. Tintern Abbey – Vacuum Cleaner (Deram)
07. Calum Bryce – Love-Maker (Conder)
08. The Sleepy – Love´s Immortal Fire (CBS)
09. Lemon Fog – Echoes Of Time (Orbit)
10. Legay – No-One (Fontana)

Current Top 5 Tracks:

01. The Sound Track – Face The New Day (Action)
02. The Six Deep – Girl It´s Over (De´Lynn)
03. The Fly-Bi-Nites – Found Love (Tiffany Records)
04. The Es Shades – Anyday, Anywhere (United Audio)
05. Luv´d Ones – Up Down Sue (White Oak)

Next Club Spots 2017:
14-16 April – Le Beat Bespoke 12London

Social Networks: facebook.com/TheUpClub


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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March 24, 2017 By : Category : DJs Front Page Interviews Music Tags:, ,
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Hey! Mr DJ – David Marco Font

This entry is part 7 of 7 in the series Hey! Mr DJ 4

We recently caught up with DJ David Marzo Font (David Undersounds) from Barcelona, to talk about his musical outlook.

01. How and when did you get into music and what were you listening to then?

I’ve been into music since I was a kid. When I was about 15 years old I was obsessed with finding my own music style. That’s when I started to listen to punk music and created a punk cover band with my friends.

02. Where was your first DJ slot?

I was 19 or 20 years old in my first DJ slot. Me and one of my best friends decided we were bored with dancing to someone else music. We wanted to be the ones beside the decks. So we created a DJ collective (Real Undersounds, a name we still use) and asked for a slot to the owner of a Barcelona’s downtown rock’n’roll bar called Red Rocket. We started DJing there every Tuesday night.

03. What was your most memorable DJ spot?

Many nights to remember. I would say those infinite morning spins at CAN Yeyé (Los Retrovisores headquarters).

04. What so far, has been your worst DJ experience?

Without any doubt, my worst DJ experience was 5 years ago. I was stolen my entire record box after a night club party. It was taken from my friend’s car boot with most of my favourite records. It was a hard blow for me. I even considered to stop collecting records. But luckily I didn’t, so I can be this year at LBB12.

05. Your favourite scene DJ’s and why?

It’s really hard to choose but I’d say Sebas Aviles, Xavi Castellar, Lolo Pelouro, Miguel Ygarza, Juan Duque, Juan Moral… I guess it’s because I have had lots of fun with them and learned lots of fantastic songs every time I listen to their sets.

06. What has shaped your DJ sound and why?

I really love to DJ Freakbeat. That point was Beat music starts experimenting with Psychedelia and Garage. So I like those records that keep having a groovy rhythmic base combined with some trippy sounds and psych effects.

0

7. What was your best ever find/discovery?

Peter Nelson & the Castaways – Down in the mine (HMV)

08. Who was your biggest influence musically and your favourite artist(s)?

Almost all Decca label artists from 1964 to 1969.

09. Do you collect specific labels/artists/genres?

Mainly 60s Freakbeat, Popsike, Garage & Psychedelia.

10. Where can folks currently catch your DJ set?

At any of the Barcelona Psych Nights Club or Pillbox Sixties Club parties we organize. But you should definitely come to any of the festivals we organize: Gambeat Weekend or Barcelona Psych Fest.

11. What is the record you would most like to own?

I wouldn’t mind having a Caleb or Wimple Winch copy… or two!

12. Please give us a top 10 all-time favorites and a current top 5 spins?

Current Top 5 Tracks:

1. The Pentard – Don’t Throw It All Away (Parlaphone)
2. The Scenery – Thread Of Time (Impact)
3. Jocelyne Joyca – Time (CBS)
4. Sherwood – Ride, Baby Ride (Smash)
5. Chicago Line – Shimmy Shimmy Ko Ko Bop (Philips)

Top 10 Tracks of All Time:

1. The Beatles- The Night Before
2. The Byrds- Here Without You
3. Status Quo- Pictures Of Matchstick Men
4. The Left Banke – She May Call You Up Tonight
5. Wimple Winch- Save My Soul
6. The Atlantics- Come On
7. The Open Mind- Magic Potion
8. Kula Shaker- Hush
9. The Telescopes- Celeste
10. The Brian Jonestown Massacre – If Love Is The Drug

Next Club Spots 2017:
14-16 April – Le Beat Bespoke 12London
Fri 31st March + Sat 1 April – Barcelona Psych Fest
28th June to 3rd July @ Festival Beat Salsomaggiore (IT)

Fri 15th & Sat 16th September @ Gambeat Weekend Barcelona (ES)

Reference:
Resident DJ and Organiser of Gambeat Weekend, Barcelona Psych Fest, Barcelona Psych Nights and Pillbox 60s Club.

Main Site: facebook.com/bcnpsychfest
Social Networks: facebook.com/david.m.font


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 14, 2017 By : Category : DJs Front Page Interviews Music Tags:, , ,
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Hey! Mrs DJ – Miss Clawdy

This entry is part 6 of 7 in the series Hey! Mr DJ 4

We recently caught up with DJ Miss Clawdy to talk about her musical outlook.

01. How and when did you get into music and what were you listening to then?

My Dad was a Saxophonist in a band during the 70s and when I was young he used to spin some of the songs he was playing with that band, such as “Booker-T Green Onions and Willie Mitchell 30-60-90”. Those sounds were weird and fascinating to me and at the age of fourteen, my Sister who was a Mod got me listening to classics from the 50s, 60s and Ska.

02. Where was your first DJ slot?

Was in a club called Indian in Pisa, in front of a few happy people and some drunk friends. I remember being so excited I wrote a quintessential playlist some days prior to the gig that I followed song by song. That night me and my friends had so much fun that I decided to continue DJing and that was an excuse to buy more records.

03. What was your most memorable DJ spot?

I particularly like my DJ Spots for a club called “La Limonaia”, in Tuscany. I played the hottest tunes I have to warm up the crowd’s spirits, even the ones I rarely get a chance to play. It was outdoor and the atmosphere was lovely. The moon was out on a summer’s night and the stars were shining brightly. Along with candles and great drinks, people were feeling the vibe and loved my tunes.

04. What so far, has been your worst DJ experience?

My worst DJ experience that springs to mind and makes me laugh whenever I mention it was when I was young and inexperienced and I was organizing Rock and Roll nights with some friends of mine… those nights were totally crazy. People were opening champagne, wine, beers spilling them anywhere and dancing almost naked… nobody could calm them down and sometimes I didn’t know how to protect my equipment and records! Once I got home I checked all my records and sleeves only to find many of them drenched in wine! Fortunately, the records were fine.

05. Your favorite scene DJ’s and why?

DJ Henry from Milan (Rollin’ and Tumblin’) and all the Tender crew, they have anything you would like to hear.

06. What has shaped your DJ sound and why?

Rough and crazy sounds combined with Exotic and hot vibes. Probably because these things match with my nature!

07. What was your best ever find/discovery?

Big Don’s Rebellion – It Was True. When I heard that song for the first time it captured me and I was compelled to hear more. I was positively speechless, getting goose bumps! That record was my first true impulse, it costs me nearly half of my salary at the time.

08. Who was your biggest influence musically and your favorite artist(s)?

Dick Dale.

09. Do you collect specific labels/artists/genres?

I have a thing for the Blues, Sun Records recordings, and songs with a minor scale structure from the late 50s to early 60s.

10. Where can folks currently catch your DJ set?

I currently don’t have a standing spot. Right after Le Beat Bespoke, I will be in Florence at the Rollin’ and Tumblin’ club. Just drop me a line on FB for friendship and you can find my next gigs.

11. What is the record you would most like to own?

Nat Couty & The Braves – Woodpecker Rock – Fox

12. Please give us a top 10 all time favourites and a current top 5 spins?

Top 10 Tracks of All Time:

1.Lloyd Price – Lawdy Miss Clawdy
2.Louie Louie – Richard Berry
3.Link Wray – Rumble
4.Dick Dale – Misirlou
5.Johnny Kid and the Pyrates – Shakin’ all Over
6.The Cramps – What’s Inside a Girl
7.Hasil Adkins – She Said
8.Yma Sumac – Gopher
9.Etta James – I just want to make love to you
10.Fats Domino – Why Don’t you do Right

Current Top 5 Tracks:

1.Berta Rosen Con Enrique Lynch Y Su Orquesta – Boogaloo En Cuarta Dimension – Sono Radio
2.The Fabulous Silver Tones – Dimples – West Coast
3.Bracey Everett – Lover’S Curse – Atlantic
4.Sugar Boy Williams – Little Girl – Herald
5.Little Florene – Miss You So – Excello

Next Club Nights 2017:

Lady Luck Club at Le Beat Bespoke, London – 14 April
Rollin’ & Tumblin’ – Florence – 22nd of April

Social Networks: facebook.com/claudia.missclawdy
Videos: MissClawdymusic


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

More Posts - Website - Twitter - Facebook

February 14, 2017 By : Category : DJs Front Page Interviews Music Tags:, , , , ,
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Leslie Cavendish: The hairstylist to The Beatles…

This entry is part 2 of 4 in the series Fashion Scene 4

I first became aware of the name Leslie Cavendish when I was researching for an article that I wrote a few years ago. That article was on the boutique ‘Dandie Fashions’. When the said boutique was taken over by the Apple Corp in the spring of 1968, the boutique then changed its name to ‘Apple Tailoring’. It was decided that it would remain in the hands of John Crittle to run the day to day activities surrounding the boutique. Within the premises there was an unused basement, which became a unisex hair salon. Clientele could be fitted for a garment and then pop down the stairs to the basement for a haircut! The person who was put in charge of running the hair salon was Leslie Cavendish. As far as my research went for the article on Dandie Fashions – that is as far as I got with the hair salon / Leslie Cavendish part of the story.

As I delved deeper into Leslie’s background, it became quite clear to myself that he was an important part in that whole time period of the mid to late sixties. With some more research, I eventually managed to get in contact with Leslie, and as our correspondence increased, a meeting was arranged!

On a cold and grey late November morning, my wife Susie and I headed to London to meet Leslie. The rendezvous venue was chosen by Leslie, so we headed over to Hampstead and a pub called ‘The Old Bull & Bush’. I have to admit that I was quite nervous as we entered through the doors of the pub – lots of anxious thoughts racing through my mind. Within seconds of meeting and exchanging pleasantries, I knew that we were all going to get on fine. Phew….

From the pictures that I had garnered from the internet, it is crystal clear that Leslie was a man of style and great taste. Dark-haired, handsome and mysterious looking – not dissimilar to the guy that used to front the old Milk Tray chocolate adverts! As I looked at Leslie while in our conversation – he still retains the same qualities.

I got to work on asking my questions, almost immediately! Leslie gave me a brief story of his childhood in London, which eventually got to the part where he started an apprenticeship with Vidal Sassoon. From working with Vidal, he eventually got onto the subject of The Beatles and how he become part of that inner-circle. While our conversation deepened, it became apparent that Leslie had incredible understanding and memory of what was happening, in and around himself – back in those heady days! Even within the short time that we shared Leslie’s company, he managed to regale us both in some wonderful stories. I got the feeling that Leslie was enjoying telling his stories, as he had found the perfect audience. Leslie is hoping to get his book of memoirs published in 2017, and I expect lots of these incredible stories to be in the book. So, until that time, the tales Leslie did pass onto Susie and myself will remain as our own special secrets!

We spoke about music, fashion and football. I have to mention that Leslie is a lifelong QPR supporter or sufferer! And like myself, every now and then he was looking to his mobile phone for football updates.

There were still lots of questions that I wanted to ask, but I was aware of not bombarding Leslie or overstaying our welcome. So I asked if I could email him some questions – and that way, he could spend a little more time in his answering.

Before you read the Q&A part of my article – I have to mention what a charming and warm natured man Leslie is. As we left the pub, I think that we both felt we had gained a new friend.

I emailed Leslie a number of questions – here is what I asked, and Leslie’s answers:

01. What age did you take up hairdressing?

I left school at 15. I then started an apprenticeship at Vidal Sassoon at 171 New Bond Street. The apprenticeship was for three years, where I became Vidal’s junior for three months, and I was then promoted to junior hairstylist at his Grosvenor House hotel, Park Lane, salon. Just before my eighteenth birthday.

02. How did you manage to find a job working for the world-famous Vidal Sassoon?

My best friend at school and still to this day, Lawrence Falk (he started the first unisex salon in the U.K. called ‘Crimpers’) started working in a salon in London. I thought why not try it myself – so I asked him where would be the best place to start out. He said ‘Vidal’s salon’. So I called the salon and managed to get an interview and from there I got an apprenticeship.

03. Tell us something about the kind of clientele that would frequent the salon?

The salon had a very mixed clientele. From wealthy ladies who wanted the latest Vidal style to young models (some of which became household names), famous actors, musicians, fashion designers, to big film directors, and Mary Quant, who with the ideal hairstyle, set off the swinging London scene.

04. The world’s music, fashion, arts and hairdressing seemed to all explode in the early to mid-sixties – did you personally feel like you were part of something special that was happening in London?

You didn’t really think too much about it at the time. Life was exciting anyway working at Vidal’s. Added to that, the music and fashion were part of my youth. You did feel like ‘the times they were a changin’!

05. How did you become the personal hairstylist to The Beatles – and what were they like as people?

At Vidal’s, a client of mine was Jane Asher (who was Paul McCartney’s girlfriend) – she asked me one day if I would like to cut her boyfriend’s hair! And I think you know what happened next…

I met them all at a time when they had all decided to stop touring. So they were all a lot more relaxed than I imagine they would’ve been if they were on the road. All four of them were different and I had a good friendship with them all. This also applied to the team that was around them. I was the only one who wasn’t from Liverpool, but because I never spoke to journalists about my link with The Beatles – and never hassled them for autographs etc – I become one of the inner circle that they could trust.

06. What are your memories of managing your own salon within the boutique that became ‘Apple Tailoring’?

It was an intimate salon and very personal to whoever came in to have their hair done. My clients came from the music world and from streetwise people who just found the salon – and loved to have their hair done in the remarkable atmosphere that was ‘Apple Tailoring’! Being in the boutique and watching the dandies of London being dressed up in velvet and frilly, patterned shirts, was extremely interesting. They came in the shop to be dressed, and left as peacocks!

07. What are your memories of working alongside John Crittle at ‘Apple Tailoring’?

At first, John was great to be around, and I used to like watching his friends, who were mostly from the ‘Chelsea Set’, hanging around the shop. After a while though, I lost a lot of respect for John, as he was often stoned and spoke to people in an arrogant manner. He seemed to think that he was a Chelsea via Australian aristocrat, who was doing everybody a favour in dressing them, and he didn’t have time for the regular customer – who were the ‘real’ customers!

08. You were part of the chosen entourage for the now cult Beatles’ film ‘Magical Mystery Tour’ – what are your memories of that journey?

The MMT was one of my great memories and to be on tour with THE BEATLES, especially as they had stopped touring, was something special. If you have watched the film, you will have seen the coach journey and it was great to be one of the passengers, and to be able to watch The Beatles close up. More of which will be in my book!

09. I know that you were very interested in the music that was happening all around you – what were your personal favourite bands, both live and on vinyl?

When I was young I used to like Buddy Holly, Roy Orbison, and The Everly Bros. Later on, I discovered Buffalo Springfield, Jefferson Airplane, Vanilla Fudge, The Doors, CSNY, and many more West Coast bands. My taste in British bands were The Animals, Free, The Kinks, Dusty Springfield, and Cat Stevens. I was also into folk music – and Neil Young was a hero of mine. I saw many bands live, but CSNY at the Albert Hall, and David Bowie (Ziggy Stardust), and not forgetting The Beatles, were concerts not to be forgotten.

10. What are your thoughts on the clothing that you were wearing back in those days? From the photos that I have seen you certainly were a snappy dresser!

I loved the whole hippy look – Afghan coats and velvet jackets with ‘Anello & Davide’ shoes. I also got into suits from ‘John Michael’ and ‘Take 6’.

11. What are your thoughts on contemporary men’s hairdressing – and do you still cut hair today?

I am like a gunfighter who put his scissors away in a holster a few years ago. Today’s hairdressing is an art form. The use of electric cutters and the thinning outlooks, makes out for spectacular hairstyles. Hairdressing is like Punk music – nobody makes the rules – you do what you want and that is called fashion.

12. And finally – what other interesting things are you up to these days?

I have now finished my autobiography about my life as a hairdresser at Vidal’s, and this included my time with The Beatles. The book should be out this year. I have given lectures at universities about the culture and fashion during the sixties period. I have been asked to be a guest speaker at The Beatles week this year in Liverpool, which I am looking forward to doing.

I occasionally do VIP Beatle tours. My clients come from all over the world and instead of the usual Beatle tours that take place around London, I can tell them what it was actually like in the recording studios, as well as being in the building, while The Beatles performed on the roof!


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Peter Feely

Married to Susie, both actively involved in the UK 60s scene for many years. My personal interest in 1960s culture goes back over 30 years, with my main two passions being music and fashion, both in equal measure. I run my own menswear label – ‘Perfumed Garden’ clothing, catering for the discerning dandy male - in addition to sourcing and selling vintage mens’ gear, with a particular interest in those hard-to-find jackets and shoes! I also run the Facebook group, ‘Psychedelic Clothing for Men: Then and Now’, with 2200+ members. Although I have no formal training in the fashion industry, what I do possess is a real passion, and through the years I have gained valuable knowledge of many areas of mens’ fashion from the mid to late 1960s. I’m also a musician and have played in many bands in my younger years. I’m an avid collector of music and music-related paraphernalia. I started running my own club nights back in the mid-1990s, and at present I run a psychedelic night in Derby – ‘The Perfumed Garden Of Musical Delights’. Through this I also get to DJ at many exciting events up and down the country

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February 15, 2017 By : Category : Fashion Front Page Inspiration Interviews News Tags:, , , , ,
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The Kinks on Pye: Part 1 – “I’m not like everybody else”

This entry is part 4 of 4 in the series Collectors Corner 3

Although The Kinks have long been one of our most influential and cherished groups, in the last couple of years since the hit musical “Sunny Afternoon” and especially since Ray Davies joined brother Dave onstage in London back in December 2015, fans have been hopefully awaiting the reformation of this most wonderful of bands. Although The Kinks back catalogue spans over forty years it’s the halcyon Pye years from 1964 to 1971 in which the band constantly released classic hit records which have collectors scouring record shops, fairs, and the internet for hits and rarities, and a full set of UK releases will set you back a fair few quid should you wish to complete the set. For this two-part article, we’re going to give you a run through of the hard to find releases from the debut 45 back in early 64 to the “Percy” soundtrack eight years later. The first part will concentrate on the “Pink” years, when the band had a string of top ten singles, including three UK number one hits, the second part will then concentrate on the “Blue” years when Ray was at his songwriting peak but the record buying public were not buying the records in such great numbers. Hindsight shows how wrong they were.

Hailing from Muswell Hill in North London, Ray, Dave and bassist Pete Quaife were originally an R’n’B combo called The Ravens who came to the attention of ace producer Shel Talmy after he heard a demo tape and helped get the group signed to the Pye record group where they were enlisted drummer Mick Avory to complete the classic first line up. On 7th February 1964 their debut single “Long tall Sally”, a R’n’B cover of the Little Richard classic was released on the pink Pye label (7N15611) was unveiled to the record buying public. Although the single hit the lower reaches of the NME chart it was a commercial flop making copies a nice rare collector’s item today with prices usually reaching £75-120 depending on condition. The next 45 was released in April 1964 and like all the Kinks singles after the debut, it was a Ray Davies penned number “You still want me” (7N15636). Although the first single sold in respectable amounts, this one was an unjustified complete flop and is by far the hardest Kinks UK 45 to locate in nice condition. Expect to pay at least £200 for a copy of this, one even reached the amazing price of £400+ at auction in 2016! With Pye threatening to cancel the band’s contract if they didn’t have a hit single, Ray composed one of the most influential two and bit minute slabs of musical perfection ever committed to vinyl, “You really got me”. With Dave’s incendiary and groundbreaking lead guitar bursting through the track, it couldn’t fail when it was released on 7th August 1964 (7N15673). And fail it didn’t as it shot up the UK charts, reaching the coveted number one spot shortly after where it stayed for two weeks. The Kinks had arrived.

From then on every single the group released up until 1968 hit the upper regions of the UK charts, with every single release apart from “Everybody’s gonna be happy” hitting the top ten, two of them reaching the top spot. As runs of stellar 45’s go, the following one takes some beating for songcraft, influence and sheer greatness: “All day and all of the night”, “Tired of waiting for you”, “Everybody’s gonna be happy”, “Set me free”, “See my friends”, “Till the end of the day”, “Dedicated follower of  fashion”, “Sunny afternoon”, “Dead end street”, “Waterloo sunset”, “Autumn almanac”. Being massive chart smashes these are usually findable in nice condition for around £3-5 each, with a premium for truly mint copies. All the Kinks singles were also pressed as demonstration copies in small numbers, these are very desirable to collectors and can reach top prices at auction, especially in top condition with unblemished labels. Also look out for UK export release 45’s, mainly for the European market. There are four in total, including album tracks “David Watts”, “A well-respected man” and “Milk cow blues” on a 7″ format. Ray’s songwriting prowess also resulted in some fantastic and very rare releases by other artists around this time. “I go to sleep” was covered by The Applejacks, Peggy Lee, Marion, Fingers and The Truth in 1965-66 although none were hits and it wasn’t till a few years later The Pretenders took the song into the charts. Other great, obscure and coveted releases include Barry Fantoni “Little man in a little box” (Fontana), The Thoughts “All night stand” (Planet), The Cascades “I bet you won’t stay” (Liberty) and Leapy Lee “King of the whole wide world” (Decca). Ironically it’s Dave’s composition “One fine day” which was covered by Shel Naylor and released on Decca in 1964 which fetches by far the most money, with prices sometimes hitting the £500+ mark!

With the band constantly having smash hits Pye also released a nice series of EP’s in wonderful colour laminated sleeves. Five were released in total, the first three”Kwyet Kinks”, “Kinksize hits” and “Kinksize session” are not particularly hard to find, but the fourth “Dedicated Kinks” from 1966 is more elusive and the final EP “The Kinks” from April 1968 is incredibly scarce easily reaching £200+ at auction in top condition. The band’s first three LP’s “The Kinks”, “Kinda Kinks” and “The Kink controversy” were good sellers but easily sell for £50+ in nice condition with clean sleeves. Particularly coveted are rare export Stereo pressings of the first two LP’s with stickered UK sleeves as they were mono only releases in the UK. “Face to face” from 1966 was a move towards Ray’s late 60’s songwriting style and is an absolute classic but strangely failed to chart resulting in scarcity of copies today. This was followed by the live album “Live at Kelvin Hall” in early 1967 and lastly by the masterpiece “Something else by The Kinks” in September of the same year. All were released in both Mono and Stereo, the latter being the scarcer of the two, especially with the Stereo sticker still attached! Prices vary wildly from one week to the next but be prepared to have a large bank account if you want a truly mint copy of any of them. As 1968 approached Ray’s songwriting grew more world-weary and pastoral and the band embarked on an influential but poorly received at the time run of releases on the newly redesigned light blue Pye label. We’ll have a look at these next time around…


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James Clark

Loves collecting records. My main loves are 50's rock'n'roll, 60's soul and r'n'b, beat, mod and psych and hopefully will be sharing some nuggets with you over the next few months. Apart from being a vinyl junkie I'm a Arsenal obsessive and a hopelessly romantic drunkard, but don't let put you off, we all have our faults.

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February 15, 2017 By : Category : Articles Bands Front Page Music Picks Reviews Tags:, , , , , ,
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Rob’s Round-Up 5

This entry is part 5 of 5 in the series Rob’s Roundup

Massive thanks to all those who joined us for yet another fun NYE party.

Despite the madness going on all around us the one thing that is still in our destiny is having a good time and enjoying the music and style, we are all passionate about. Our team have been working hard on our annual Easter extravaganza in central London.

Le Beat Bespoké attracts pleasure seekers from all over the globe, with only one thing in mind having a real damn good party. So, with that firmly in mind, we have assembled yet another exciting line-up across two fantastic venues in the heart of London.

Check out our brand-new website www.lebeatbespoke.com for all the info you need. We booked ten stellar live bands featuring some of the best up and coming talent alongside two stellar acts from the 20th century.

However live music is just part of what makes Le Beat Bespoké such a fun and unique event. For your dancing pleasure, we have booked a dynamic DJ line-up from across Europe armed with explosive sounds on 100% original vinyl across 3 rooms of clubbing after the live bands.

Our guest club nights for the Rhythm & Blues Weekend include Crossfire, The Pow Wow, Lady Luck & Mousetrap all at the forefront of good times and taste. The menu is served All-night and includes authentic Rhythm & Blues, Northern Soul, Jazz, Latin, Boogaloo and Ska/Reggae.

The Beat Basement hosts the wildest and grooviest Freakbeat, Garage and Psychedelic ‘nuggets’ known to man to a back drop of eye candy visuals and groovy Go-Go girls.

A brand-new location for our daytime treats on Sat & Sunday afternoon is Dingwalls one of London’s most beautiful venues, situated right next to Camden lock in the World-famous Camden market. Expect DJ’s, bands, Easter egg hunt, record fair and market.

Contact drrobert@btinternet.com for trade stand.

But before Easter, we have celebrated an incredible 26 years at Mousetrap in the same venue with the same owner virtually unheard of these days, let alone in the ever-changing landscape of London. All those that attended would have got a free 45 with two rare tracks from the club’s playlist including one that has never been released on 45 before.

Hope to see you all Easter for an epic party!

www.lebeatbespoke.com

Cheers Dr. Robert


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admin

Pip! Pip! Are the Creative Business Engine behind various music based organisations of the cool underground variety. Providing angst, confusion, bewilderment and annoyance in equal amounts. We design/host/manage great sites like this one! Why not hire us one day soon?

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February 21, 2017 By : Category : Articles Bands Clubs DJs Events Front Page Music Picks Reviews Tags:, , ,
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Reviews February 2017 – Part 2

Les Darlings

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‘Le Tourbillion’ b/w ‘Hey Baby’ – Single

When you find out who the members of Les Darlings are, it’s easy to see why these two infectious slices of Garage-power pop are so good. Comprising of Pascal, David Peter, Thomas and Dorian, they have joined forces from some of Europe’s top psych and garage bands; namely The Norvins, The Youth and The Wilde Sect. For this single, they have also been joined by Cecile Wurlee (Curlee Wurlee) and to complete the perfect circle it was recorded at Yeah Yeah Yeah Studios with the splendid Dennis Rux at the controls. What else can I tell you about this single? Two full-on Beat belters with all the expected component parts and another success for all involved. Let’s hope Les Darlings are not just a passing phase.

facebook.com/lesdarlingsband
lesdarlings.bandcamp.com

The Seen

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‘The Seen’ – EP

The Seen were formed in 2014 and are from Bonn, Germany. This is their debut five-track EP. Ania, Peter, Max, Vic and Tobias have all been in previous bands before, so they are not exactly novices. The opening track is a cover of ‘Big Sensation’ by Cool Stove which was originally released in 1969 and is something of a rarity, but The Seen have given it a new lease of life. The other four songs are original compositions and are loaded with psych, garage and Beat reference points. Ania’s vocals are perfect for this style with a hint of punk delivery. ‘Time Of Change’, Trouble’ and ‘Since You’ve Been Gone’ are all belters, while ‘Make It Right’ is a well-arranged change of pace. This EP is out on the excellent Copase Disques who also have French Boutik among their roster, so you know this release is going to be good…..and it is…..very good.

www.theseen.de
facebook.com/theseenbn/
theseen1.bandcamp.com
copasetic.de/theseen

Wolf People

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‘Ruins’ – LP

Arguably, Wolf People are the finest exponents of folk-rock in the UK right now and this new album certainly enhances that reputation. Following on from their previous two studio albums Steeple (2010) and Fain (2013), ‘Ruins’ is not a concept album (as the band insist), but songs linked by a common thread; what would the world be like without humans? Indeed, it is fair to say that this is unmistakably a ‘Wolf People’ album. They have such a wonderfully eclectic range of influences that shape their music, but still retain a very distinctive sound of their own. While that sound may come across as quite heavy at times, there is a genuine intelligence, passion and complexity that makes this album well worth listening to. ‘Ninth Night’ sets the tone, interspersed by tracks like ‘Kingfisher’, ‘Not Me Sir’ and ‘Salts Mill’. Jack Sharp’s rounded, deft vocals fit beautifully around the sterling work by Tom Watt on drums, Dan Davis on bass and Joe Hollick on guitar. For those with a penchant for folk-rock, you’ll be hard pushed to find a better album than this one.

www.wolfpeople.co.uk
facebook.com/WolfPeople
wolfpeople.bandcamp.com

Alex Cooper

portada_club45-ok.cdr

‘Club 45 Again’ – Book

Alejandro Diez Garín, former leader of Los Flechazos and now in charge of Cooper, unpacks his collection of records and memorabilia sixties to offer us 90 unforgettable songs. I know this because we have handy things like translation apps that mean I can understand Spanish sentences, but I’m not likely to use said app to translate the whole book, which has been published in the Spanish language. Yes, I know this will put a lot of people off, unless you are fluent of course, but that said, the publisher; Ediciones Chelsea have done a magnificent job on the production side. Obviously, I can’t vouch for the text, although you do get a sense that Alejandro has done his homework here and to be fair, the selection of songs are very good indeed. But by far the most appealing aspect of this book is the quality of the print and the reproduction of some really great photos and there are lots of them. Most are in colour and the layout of the book is really tidy, allowing your eyes to skim over the pages with ease. It is a shame there does not appear to be an English language version, but let’s hope they can get one organised, as I think a lot more people will find this a welcome addition to their ‘mod-related’ library.

www.edicioneschelsea.com
facebook.com/club45


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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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February 21, 2017 By : Category : Bands Front Page Music Reviews Tags:, , , , , ,
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Reviews February 2017 – Part 1

Creamer and Wesley

nm_january_2017_creamer

‘Geoffrey Porter’ b/w ‘Carnivals’ – Single

This was one of those that just missed the deadline for the previous Nutsmag Reviews. Dean Atkins (aka Eddie Creamer) and Kieran Wilson (aka David Wesley) released their debut single on the newly formed Psych-A-Rella Records before Christmas. This is definitely for those with a preference for folky-psych ballads. Acoustic 12 string guitars and whimsical lyrics abound on both sides, with ‘Carnivals’ being mixed by Andy Lewis. As debuts go, it is a solid-enough performance and one that gives a glimpse of good potential by the duo. I’ll be interested to see what comes next.

facebook.com/CreamerandWesley
www.psycharella.com

The Dustaphonics

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‘Johnny & Bo’ – LP

It’s been three years since Dustaphonics last outing, the splendid ‘Big Smoke, London Town’. They went down a storm at Le Beat Bespoke in 2016 and now they’re back with yet another cracking slice of manic surf, hi-octane rock’n’roll and a pinch of funky groove on this new album due out early February. Led by the London club scene legend Yvan Serrano, this LP is in keeping with the overall Dustaphonics ‘sound’, but it also has some truly charming diversity. The opening track, ‘You Don’t Love Me Any More’ is familiar territory for the band; helter-skelter, aggressive rock and roll. The title track is a superb blend of Mr Serrano’s influences; those being Bo Diddley and Johnny Ramone (and believe me, it works!), while ‘Q Sounds Groove’ is the first of a couple of collaborations with the French studio’s house band; the very same band that works with Adelains and Little Clara to name but two. We also get a couple of fantastic covers. The Special’s ‘Gangsters’ gets the surf treatment, while Ike Turner’s ‘I’m Hurting’ gets the unmistakeable Dustaphonics stamp. There is a fitting tribute to actress Tura Satana of Russ Meyer’s ‘Faster Pussy Cat Kill! Kill!’ fame and the latin-flavoured ‘Cachaca’ which is a nice, unexpected surprise. Vocal duties are split between Hayley Red, Aina Roxx and Kay Elizabeth, all of whom are first class.
This is a really great album and should do very well.

thedustaphonics.bandcamp.com
facebook.com/TheDustaphonics

Goldie

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‘Could It Be’ – EP

It’s hard to understand the rationale of the record industry back in the Sixties. How often have we heard previously unreleased gems which have gone on to gain huge popularity on the scene? One wonders what the ‘decision-makers’ thinking when they ‘canned’ such great songs? Thankfully, for us at least, there is a small, dedicated army of people investing their time and money to unearth these tracks and make them available. This latest release on the Top Sounds label (responsible for 2015’s brilliant The Action EP) is another prime example. Goldie, who arrived on the shores of the UK with her Gingerbreads in 1962, made a handful of great records for Decca as a solo artist and these three previously unreleased gems prove that claim. The A-side; ‘Could It Be’ is a wonderful slice of early blue-eyed Northern, with a lush production. The B-side starts with Goldie’s version of the Goffin & King penned; ‘Goin’ Back’, which, (according to the story contained in the excellent booklet that comes with the EP) Dusty Springfield ‘stole’ from Goldie and got it out before Decca knew what was happening. By that time Goldie was so angry with Dusty, she refused to have it released. If it had been released, I think it would have given Dusty a run for her money. The final track is the Andrew Loog Oldham composition; ‘Headlines’, which again, is a British stab at capturing the Tamla sound. So thanks to Nigel Lees at Top Sounds for delivering another lost belter.

www.topsoundsrecords.co.uk

The Beatpack

nm_january_2017_beatpack

‘Back, Behind and In Front’ – EP

It’s hard to believe it is twenty-seven years since Beatpack released their debut EP, but thankfully they are still going strong with this latest offering on the excellent State Records. If you still know nothing about the band, what you get is an uncompromising, hard-edged fusion of R&B and Garage. Opening track; ‘Loopin’ With Lucy’ is a prime example, while ‘A Fog Is Lifting’ and ‘If I Look Outside’ show they have never been a one-trick-pony with monastic chants and jazz influences shining through.
‘Met Myself Coming Back’ is more familiar territory, but one thing you can be sure of is it’s always top quality. Beatpack have recently completed tours of Germany and Spain and I’m sure there will be UK dates this year. If you get a chance, go see them as it is always a great show. In the meantime, this EP is well-worth the investment.

thebeatpack.bandcamp.com
facebook.com/TheBeatPack
www.staterecs.com/store-uk


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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

More Posts - Website - Twitter - Facebook

February 21, 2017 By : Category : Bands Front Page Music Reviews Tags:, , , , , ,
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