ModJazz

Big Boss Man – (NewBreed)

This entry is part 4 of 19 in the series NewBreed

Big Boss Man, London, UK – Masters of the Hammond/Bongo/Fuzz Boogaloo Beat Sound!

Band Members:

Nass a.k.a “the Bongolian” – Organ, mono-synth, bongos, vocals.
Scott Milsom
a.k.a “the Hawk” – Bass,
Desmond Rogers
– Drums,
Trev Harding
– Guitar

1. How did you guys meet and what drove you to make music together?

Nass, Scott and Trev met in Newbury in the ‘80’s on the mod/scooter scene, we met with Des later when Scott moved to Bristol. We started making music ‘cause we loved all the Hammond and Bongo sounds the DJs were spinning and wanted to play it live – back then you could not download tunes – you had to go where they were being played.

2. What are your live shows like?

Shit. Only joking! If you like to party then we think you’ll like it. We use old vintage analog gear – leslies, echo-boxes, tone benders, spring reverbs etc. to get our authentic groovy sound, then break down to bongos and soul drums.

3. What are your main influences in music? Who do/would you play covers by? And who do you despise?

We dig: Jimmy Smith, Mongo Santa-Maria, Jean Jacques-Perrey, James Brown and Bernard Purdie. We used to do Hammond covers of ‘I’m a Man’ and ‘Cloud 9’ and ‘Light my Fire’ when we started out we but don’t currently do any. Nass loves to watch X-factor, which a lot of people seem to despise for some reason – he hopes to enter next year!

4. What are your main influences outside of music?

Nass and Trev are keen fashionistas, Des plays in about 11 bands so has no time for anything else and the Hawk enjoys relaxing in a pair of dungarees watching the Dukes of Hazzard!

5. How many official recordings have you done? How many released? Where can they be found? And who write your songs and what subjects do you deal with?

BBM have released 3 albums; Humanize, Winner & Full English Beat Breakfast with Blow Up records – you can get vinyl & cds from and in- the-know record shops or downloads from iTunes etc. Nass writes a lot of the songs, with a few co-writes with Trev and group efforts, most of the tunes are instrumental whose titles are taken from “experiences” that happen on tour The songs with vocals are about subjects ranging from love and relationships , to dodgy promoters! nWe are currently working on the 4th LP which so far has been recorded “as live” in Ramshackle Studios.

6. What’s your favorite song in your repertoire currently?

Beat Breakfast from the last LP “Full English Beat Breakfast”  which is out on Blow Up records.

7. How would you describe the current underground scene? Do you participate?

We travel around the world; Moscow, Spain, Greece and are always amazed to find people know the music and have the records. We participate pretty regularly, and have done for many years, our fave event is Euro Ye Ye in northern Spain.

8. What has been the biggest challenge to date?

Touring 3000 miles round Spain in a beaten up old bus with a hole in the radiator was a bit of a mission as was doing the Big Boss Man re-mix of “the Bottle” for Paul Weller.

9. How often do you Rehearse? Play Live? Record?

We are doing one of the three all the time, when not doing one we do the other.

10. What do you think of the music coverage in the media?

60’s Hammond music is a bit niche so isn’t covered that much, but we’ve had reviews in Record Collector, Echos, Blues & Soul, Loaded and even HiFi Choice.

11. Do you rate any other current bands?

We met some Dutch guys the other day  from a band called Dewolffe that were doing a spin off “Hammond Battle” both seemed pretty cool.

12. Who/Where would you most like to record and why?

Hitsville USA – the original Tamla Mowtown studio, to try and capture the sound and vibe of those old classic recordings.

13. What should we expect from you in the future?  What are your plans and ambitions?

We are going release our new record in 2012, which will feature a few collaborations with other artists and then go out on tour in the UK and the rest of Europe to help promote it.

Band Promo Links:

www.big-boss-man.com
www.facebook.com/BigBossManOfficial

www.myspace.com/bigbossmanmyspace

 


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Eron Falbo - EDITOR

Brazilian polymath Eron Falbo came to London in 2009 after leaving his band ‘The Julians’ to pursue a solo career and become a cosmopolitician. Falbo began writing at the age of 11 for the school newspaper. By the age of 16 he had got his first job as a journalist. His experience in other magazines stretches from film critic to travel writer, passing through much but never leaving the culture spectrum. Apart from writing, Falbo is also an emerging singer. He was invited to record an album in one of the best studios in Nashville, Tennessee by none other than legendary producer Bob Johnston, who recorded the best material by the likes of Bob Dylan, Simon & Garfunkel, Leonard Cohen and Johnny Cash (all acclaimed writers). As of yet he’s only released one single, ‘Beat the Drums’ which was featured on Dermot O’Leary’s “Go Buy Monday” (single of the week) for BBC Radio 2, among other media. Currently, Falbo fronts the band ‘the Kyniks’ in venues in London and around the UK and can be occasionally spotted prowling the scene of the New Untouchables taking notes.

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February 6, 2012 By : Category : Bands Front Page Interviews ModJazz Music UK Tags:, , ,
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Gumbasia (1955) – Art Clokey

‘Gumbasia’, a 3 minute 34 second short film produced in 1953 and released on September 2, 1955, was the first clay animation produced by Art Clokey, who went on to create the classic series Gumby and Davey and Goliath using the same technique.

Clokey created Gumbasia while studying at the University of Southern California under the direction of Slavko Vorkapić. It was a surreal short of pulsating lumps of clay set to music in a parody of Walt Disney’s Fantasia. Gumbasia was created in a style Vorkapić taught called Kinesthetic Film Principles. Described as “massaging of the eye cells” this technique, based on camera movements and stop-motion editing, is responsible for much of the look and feel later seen in Gumby films. When Clokey showed Gumbasia to film producer Sam Engel in 1955, Engel decided to fund a 15-minute short film that became the first Gumby episode – Gumby Goes to the Moon.” - Wikipedia

For more than 50 years, Art Clokey worked with clay to produce works of art that form a catalog of “firsts” in the medium of film and animation. He made the first music videoGumbasia, in which colored clay shapes moved and transformed to the expressive jazz rhythms. He was the first to introduce the style and use of clay models of objects, animals and people in television commercials. He was the first to develop clay animation techniques and the first to use them in full-length feature films. He invented trimentional animation based on kinesthetic principles, and it became the signature of his long and productive career. A true original and light-years ahead of his time.

“Clay objects of all sizes, shapes and colors contort and reshape themselves to a jazz music score.” - IMDB


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admin

Pip! Pip! Are the Creative Business Engine behind various music based organisations of the cool underground variety. Providing angst, confusion, bewilderment and annoyance in equal amounts. We design/host/manage great sites like this one! Why not hire us one day soon?

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January 30, 2012 By : Category : Animation Front Page Inspiration Media ModJazz Picks Tags:, , , , ,
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The Beginning – In Everything

New outfit from Sweden featuring brothers Anders and Steffan Ljunggren from Jazz pop duo Trummor & Orgel and featuring some of Sweden’s top musicians, Andreas Stellan and Martin Fogelström from Dungen, Anna Järvinen, Ludwig Bell and The Works. Described it as sunshine pop with a 21st century feel is quite appropriate. The album sounds in parts like a contemporary version of the classic End album ‘Introspection’, which is fine by us here at NUTS HQ. The whole album is well worth a listen, with half a dozen stand-out tracks. Watch out for a London performance soon from these guys.

http://www.myspace.com/thebeginningsweden


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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January 22, 2012 By : Category : Articles Front Page Genre ModJazz Music Reviews Tags:, ,
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