Scene

Brighton Mod Weekender – Lee Miller

The Jive Five sang about “Main Street” where the In crowd stand beneath the neon lights, listening to the beats from the sidewalk cafés. Well, that sums up the sights and sounds of the corner of North Street and Gardner Street. With smartly dressed Mods from all over the globe, peacocking, checking out the next face walking toward the crowd, greeting friends and preparing for the Mod Weekender ahead!

This year’s New Untouchables events were, again, held at The Komedia. Doors now opening in the Studio Bar at 10pm, with happy hour bar prices, until the main event at 11pm. The bar filled quickly with faces from all over the globe! The DJ soon had the dance-floor moving, playing a mix of 6T’s Mod sounds from Ray Charles, B.B. King, Stevie Wonder & Jimmy Smith and many more.

The clock struck eleven and the main doors opened.. Behind the decks, the R&B assassin Sir Bill Kealy opened the weekend with Arthur Alexander’s – Black Night. Bill is a fantastic DJ who’s selections draws you deeper into the Blues then he rips your heart in two, with some dirty R&B grooves. (Copyright: AI – York). With Bill filling the dance-floor, deck duties were passed to Rob Bailey, who kept the floor grooving, with a great cross-section of sounds. After refreshment, a few hello’s and a long overdue pint with Kris Van Beethoven from Belgium. Next up to add to Friday nights shoe leather wear-down session was myself, bringing an across the board selection of 6T’s Soul, R&B with a bit of Motown thrown in for good measure. Glasgow’s King of Mod Cool, Paul Molloy took the torch and raised the game. Playing a great selection of dancers, with a great mix of Beat, Garage and some classic Mod sounds. 3am came around all too quickly, so off to bed to recharge and Sarah to soak those too hot to trot feet.

Saturday morning and the sun was shining, and so was the chrome. The Brighton air filled with the smell of two-stroke and the ting ting sound of scooter exhausts. The New Untouchables afternoon event was being held at The Volks on Madera Drive where they had also made arrangements for the parking to be suspended so the squadrons of scooters could be parked and displayed. Inside the venue, there were a plethora of stalls offering quality vintage clothing, rare vinyl and tailoring services. The soundtrack to the afternoon was being supplied by DJ’s Wolfgang from Weisbaden, Germany, Julian Rochfort from Frome, Paul from Reigate, Jon Clay from London and Rob Powner, the face behind the club, Wang Dang Doodle, who set my goosebumps off with Earl Connely’s – This Girl !!

The Baron, introduced the afternoons live music, which was delivered by London’s – The Baron Four, the UK’s finest quartet of classically influenced Garage-Punk maestros. Who took us on a journey through their latest album ” Silvaticus” and other great tracks, keeping the appreciative crowd entertained. My favourite being their take on Bo Diddley’s – I Can Tell with Kevin Smith wailing on that harp, what a musician! The second live act was – Men of North Country (MONC) – hailing from Tel Aviv! What a sound, their version of the 60’s Soul Monster – I’m Comin Home In The Mornin’ was absolutely outstanding. The rest of afternoon was spent playing catch up with various friends from around the globe who I see more than the blue mooners. The standard of sussed dress was impeccable, and great to see the New Breed showing some, how it should be really done!

The evening started with that view again, smart dressed Modernists gathered on, that, corner. Again, the NUT’s evening event started in the Studio Bar at ten. When I arrived about 21:45 there was already a queue forming.

Starting the evening’s soundtrack off with Wes Montgomery & Jack Mc Duffs – I’m Gonna Move To The Outskirts Of Town, with other tracks from Joe Thomas, Jimmy McGriff & Chuck Higgins. Just as the dancers were finding their groove, it was decided that the main room would open at 10:30 as the queue was outgrowing the room capacity. So, record boxes in hand a quick rush down the stairs and let the main event begin, Buddy Guy, John Lee Hooker, B.B. King & Ray Agee coming to the party. Again, Paul Molloy took to the decks, keeping the dance-floor, handclappin’ & footstompin’ to the sounds of original 45’s including, The Game – Gonna Get Me Someone. Tonight, Glynn Preece & Sean Chapman, hosts of “Out Of Time” joined the DJ’s over both floors. Glynn followed Paul in the main room, with some great R&B from Tiny Topsy, Sam & Dave’s great dancer – You Ain’t No Big Thing, Baby, ending his set with Chuck Miller’s – Look Out Mountain – with a great crowd showing their appreciation. Mr Bailey turned up the heat with tracks including The Rebel Rousers – As I Look, The High Numbers – I’m The Face, Johnny Watson – Say, I Love You and Gale Garnett’s version of You’ve Been Talkin’ ‘Bout Me Baby. The R&B assassin then made his mark on this event, giving the dance floor Danny Owens – You’re A Little Too Late, King Karl – Everybody’s Feelin’ Good amongst others. But the highlight for me was seeing Yasu from Japan in the “zone” dancing to The Drivers – Mr Astronaut. The dance-floor was a sea of dancing Mods, with handclapping and whistles appreciating every track played. Now as the song goes, “we came out here to party” – as the first bars of Booker T’s – Green Onions rang out a cheer went up from the crowd as the dance-floor filled, and there it stayed, to classics including, the In Crowd, Cool Jerk and many more great MOD dancers. Meanwhile, in the Studio Bar, Sean & Glynn with guests were showing all how-to party – Out Of Time style… Paul, Rob & Sean kept the sounds flowing in the main-room and the floor moving right up until 5am, with the crowd asking for more…

A bit of a slower start on the Sunday, but a Full English soon put that right. Again, the sun shone and at The Volks, the dealers looked like they were doing a roaring trade, with many more scooters adorning the roadside, with many day-trippers, attending for the impressive ride out, and scooter competition.

More faces from all over the globe were in attendance, chatting, drinking, looking sharp & listening to the music being played by the afternoons guest DJ’s. Suit Yourself Modernist Culture hosted this afternoons selection of DJ’s, Ian Hurford from Basingstoke, Ian “Detroit Executive” Jackson from London, Alan form Brighton and Vinny from The Prince Regents.

Gary Milan and Doug Sturrock joined out host Rob for the in enviable task of judging the scooter competition which lined both sides of the seafront. The standard was truly incredible and it took well over an hour for the final results to come through. The trophies were presented in front of the slush puppy with Brighton Pier as the backdrop for photos, congratulations to:

Best Lambretta – Lee Maxey – TV175 series 2
Best Vespa – Paul Digby – GS160 mk 2
Best Mod – John Gibson – TV175 series 2

After the presentation, it’s time for the eagerly anticipated ride-out across the East Sussex cliffs. The sight, smell and noise of hundreds of scooters is truly incredible and sight to behold. The ride-out was one of the most enjoyable yet from all accounts with a short refuel at Smugglers rest before the return trip back to the Volks. Some riders went onto Beachy Head but were diverted with reports of a mysterious gas cloud, we are happy to say the cloud was not 2 stroke and nobody was seriously injured. Many thanks to judges and all those who helped with marshalling the ride-out, a superb job folks.

The final evening’s event kicked off at 10pm at the Komedia, with Mary Boogaloo joining us in the Studio bar with Brighton Got Soul in the main room, with Ady Croasdale, Chris Dale, Sean Chapman & Colin Baldock.

Mary treated us all to a fantastic Jazz set including Wes Montgomery’s – Swivel Hips. Alan from Suits Yourself treated us to some superb 60’s Soul including Kell Osbourne’s – Quicksand. Bill had the room blocking to some of the best Rhythm & Blues 45’s, including Arthur Griswold – Pretty Mama Blues. Paul played a mixture of Mod dancers finishing with Death In Vegas With Paul Weller – So You Say You Lost Your Baby. Mary & Rob kept everybody dancing, then I was back on for the last 30mins which also involved a bit of double decking with Bill, before closing the night off with Ray Charles’ – The Train.. The crowd then moved downstairs until sun up..

Another fantastic New Untouchables weekender, with the events full of Smart, Sussed Mods from all over the globe. Thanks to the NU team and the fantastic staff at the Komedia and Volks who look after us all weekend.

For more images visit our Facebook PAGE HERE

See you next year… LEE MILLER


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Lee Miller

I've called myself a Mod since around 1980. I first discovered the scene through 2-Tone & The Jam et al. Throughout my 35 years, I have been on a musical journey through the world of "Mod Music" - discovering something new at every RPM. Started attending Mod Clubs & Rallies in 1985, and have never looked back. DJ spots at local events escalated to London and beyond. As well as guest slots, being part of the NUT's DJ team and residencies at The Mousetrap (20 years) I’ve been involved with the hosting of events - From, The Maidstone Brandy & Blues Club, The Sidewinder & Gettin' To The Point (Leeds) and The Dreamsville Mod Weekender (Lowestoft), to name just a few!

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September 19, 2017 By : Category : Articles Events Front Page Reviews UK Tags:, ,
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Dinah Lee – Fashion Icon

This entry is part of 3 in the series Fashion Scene 5

What I love about writing this column is that you are always discovering new things. Take Dinah Lee for example, a random post on Facebook the other week led me to find out more about this mod girl and 60s style icon from New Zealand. Dinah was indeed Australia and New Zealand’s very own Queen of the Mods and was one of the biggest stars and highest paid artists of the 60s in Australasia.

She had a classic mod look with a sharp blunt cut bob. She was boyish and feminine at the same time and despite her rather demure looks and small frame was able to belt out a song. Her big hits were ‘Don’t You Know Yockomo?’ an RnB track originally recorded by Dee Dee Sharp. She followed this with Reet Petite (Jackie Wilson) and Blue Beat. All three went to number one and she had 15 other top ten hits.

Her look was the embodiment of mod cool to her fans and not surprisingly she became a poster girl for the leading make-up brand of the time – Yardley. Her modern style perfectly suiting the brand’s British connections.

Her debut album, The Mod World of Dinah Lee, came out on Viking records in 1964. The music was pure 60s pop with a touch of ska/blue-beat about it. Her sound and style was, no doubt, influenced by the people she hung around with. She at one time shared a flat with Millie Small who had the ska hit ‘My Boy Lollipop.’

She made regular trips to the UK and the US, appearing on Shindig with Glen Campbell and hanging around London with David Jones (David Bowie). She also performed with the likes of Ray Charles, the Bee Gees, Gene Pitney and New Zealand Aussie mod singer, Ray Columbus. According to Australian rock music journalist, Ed Nimmervoll: “Lee was the most successful female singer of both her New Zealand homeland and Australia … on stage and on record Dinah had all the adventure and exuberance for the time the boys had.”

It appears that Lee did cause some controversy simply because she didn’t appear to want to fit into the female stereotype of singers at the time. First there was her love of Mod fashion, but she also had a bit of mod attitude about her on seeing interviews from the time. Her dress sense meant that she was sometimes heckled at regional venues and caused some issues with viewers for wearing a pair of Bermuda shorts on a TV show broadcast in Australia and New Zealand.

Her friend Bobi Petch who became her PA friend tells in an interview for New Zealand music website (see here) of their days living together in Sydney where they would shop for the latest fashions. A particular favourite was The Casual Shop – a Sydney boutique which stocked all the latest one-off mod designs.

Dinah used to drive around town with Bobbi in her Mini Minor, which Bobi recalls had only a second and third working gear. She tells Gareth Cartwright: “I remember us getting Hank Marvin of The Shadows in that Mini one night and driving him around Sydney and all of us laughing like mad because the Mini only had second and third gear!” They also met the Small Faces on their ill-fated tour of Australia. Petch recalls: They really little guys, so cute, with hand-painted psychedelic boots. They were in Australia with The Who, who we only got to see in a nightclub. They were sitting around a table and none of them were dancing.”

Listening to and looking at the style of Dinah Lee gives us an insight into how the influence of mod style spread far and wide, way beyond the streets of Soho. Mod really was mainstream by Dinah’s era, but none the less, she is a great example of the boyish and savvy charm that any girl who wanted to be ‘with it’ in the mid 60s wanted a slice of.


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Claire Mahoney

At the age of 13 mod made perfect sense to me. I liked the look and the attitude - but most of all I liked the music. Secret Affair was my entry point, but they were soon playing second fiddle in my affections to The Jam. Paul Weller, of course, proceeded to break mine and many others hearts in 1982, when he put an end to that particular musical roller coaster – but what it meant was that, uninterested in anything else that was happening in music at the time, I had to look back. I was lucky enough to be given two plastic bags full of 60s 45s by my uncle who used to stock the jukeboxes back in the day. Their contents included a number of Stax originals, plus the Who and the Small Faces, as well as Motown classics from The Four Tops and the Supremes. So, when Phil Collins charted in the mid 80s with 'You Can't Hurry Love' it was nice to be able to say: “I've got the original of that!” It became quite an irritating habit of mine over the years. These days I still enjoy discovering new, old music, be it soul, rnb or jazz, as well as witnessing mod taken another turn among today's youth with bands like The Strypes. My day job as a journalist means I am lucky enough to be able to write about music and modernism now and again. Other than that you'll find me mostly on the dance floor or on eBay still looking for that perfect A line dress.

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September 19, 2017 By : Category : Articles Fashion Front Page Scene Style Tags:, , , ,
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Masters – Magnus Carlson

This entry is part 7 of 7 in the series Masters3

We recently caught up with Magnus Carlson, for a chat for NUTSMAG for a preview of his special live show on 21st October 2017 at CROSSFIRE,London.

1. Are you looking forward to our Crossfire night at 229 the Venue in October and what can we expect from a Magnus Carlson show?

Seriously. I can’t wait! I’ve been wanting to go to a New Untouchables event for ages. But I tour so much, the dates have never matched my schedule before. I love and collect your compilations and 7″ singles. I have with me a great seven-piece band. Horns, Hammond organ, congas. the works! Every musician is hand-picked by me for their individual skills and love for 60s style jazz, soul and rhythm-n-blues. Every band member release albums on their own. I’m so proud of them. It’s like I’m the manager for Sweden’s National soul team. Very groovy and danceable. You will love it. I promise!

2. All of us here at New Untouchables extend our congratulations to you on the tremendous success of ‘Long Way Home’. Did you think it would be such a hit when recording had finished?

I’ve been in the music biz full-time since 1997. I’ve always followed my heart and done what I felt like. As a result, I have had a lot of number ones in Sweden but also a few flops. You never ever know what will be successful or not. But I can look back at a career (16 albums in 20 years) and be proud. Most of the stuff I do has a kind of timelessness to it. At least in my mind. I almost only listen to 60s music but I try not to be too retro even if that’s the style of music I make. It’s made today about the world today I think this is the first ever mod number one in Sweden. At least since 1967. When was a mod album number one in the UK last? The Jam?

3. For those who are new to your music, how would you describe your ‘sound’?

If you refer back to question number 1, I think that about covers it!

4. You are a massive star in Sweden and you are following in the footsteps of The Cardigans, Jasmine Kara and a certain 70s pop band to name a few; who have been popular here. How important is it for you to have a higher profile in the UK?

I’ve been doing this for so long now so I know the ups and downs. I’m perfectly happy just with my popularity in Sweden. It all can wish for. But certainly, I’m eager to try the UK. There are more mods there and I’m part of the mod scene. It’s only natural to wonder what could happen. I’m so happy you want me over! I feel grateful and excited!

5. Of course, some of our readers will know you from your time with Weeping Willows. Do you have any plans to record with them?

Oh! We have never split up. It’s my mother ship. That band will exist forever. But sometimes I go out on solo missions outside the ship. Jazz, soul, electronic excursions. Stuff I can’t do within that group. We’re more of a ballad group. The Walker Brothers type of stuff. But we are bigger than ever. We do a lot of gigs with symphony orchestras in sports arenas and Concert halls. This year we go out on a Christmas tour. 17 gigs in December. Next year we will record and release a New album. All our albums are number ones in Sweden.

6. The new album is inspired by Northern Soul. When did you first become interested in that style of music?

I was born in 1968. I grew up with punk and then New wave. I started to listen to everything my idols recommended. Naturally, that meant all kinds of 60s music. All things mod. So, through The Style Council and Dexy’s Midnight Runners, I got to know about rare soul. Then we had a lot of Northern soul clubs in Stockholm in the 90s which I went to because I love to dance. I got to know all the people. The soul scene is my home. And I have always loved and collected 7″ singles. My favourite format since I was a Punk kid.

7. Sweden has had a healthy 60’/Northern Soul/mod scene for a number of years with organisations like Uppers and people like Frederik Ekander. Were you aware of that scene at all?

Oh Yeah! There are a lot of soul clubs and DJs/collectors over here. Club Soul in Stockholm has been going every Saturday for almost 30 years now! Could it be a World record?! They still only play soul on vinyl. I sometimes DJ there. And then there’s the monthly club Soulastatic in Gothenburg that Punky has been doing for about 20 years now. Very strong soul scene. With lots of great DJs!

8. You have recorded the new album in English and spent time at Black Barn Studios with Andy Lewis. What was that experience like?

I knew Andy before. He had heard my Swedish version of Beggin’ from 2003. We have DJ’d together and even wrote songs together before. So, when I finally had the time to make a soul album I knew I had to do it with him. Andy said we should record at the Black Barn. So, we did. It was perfect and a great 4-day session with a great band Andy put together. And a bit of a romantic childhood dream.

9. Who are your musical influences?

Too many to mention. When I was a Teenager the people who made me want to sing was (chronologic) Elvis, The Smiths, Weller, Scott Walker. Through them, I got into the rarer stuff. Now I mostly listen to 60s soul and 50s jazz. I’m going backwards. Next stop for me is probably Blues and old gospel.

10. Are there any current bands or artists that you like?

Goran Kajfeš Subtropic Arkestra is amazing! He’s the trumpet player in my band. He’s a genius. He has a new album out just this week.

11. What is your favourite song by another artist that you could not live without?

I have a big record collection and I sincerely can’t part with any of them. You know how it is. It never ends. I find new old favourite every week! That’s the thrill!

Thank you, Magnus, for taking time out of your busy schedule to talk to With NutsMag. We can’t wait to see you on 21st October 2017 at CROSSFIRE,London.

Band Members:
Magnus Carlson singer
Goran Kajfeš trumpet
Jonas Kullhammar saxophone
Anders Kappelin bass
Anders Lewén guitar
Patrik Kolar organ
Johan Carlsson congas
Christer Björklund drums

Discography:  www.discogs.com/Magnus-Carlson

Social Networks:

facebook.com/magnuscarlson
twitter.com/carlson_magnus


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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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September 19, 2017 By : Category : Articles Bands Europe Front Page Interviews Music News Picks Scene Tags:, , ,
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Euro Yeye 2017 Review

Now in its 23rd year, Euro Yeye 2017 proved once again why it’s at the top of the tree for 60s/Mod events in Europe.

To earn the attendance of so many regulars and newcomers, some of whom weren’t even born when the first weekender was held, is something really special. This was my second time in Gijon, having first visited in 2015, and my first time being invited to DJ by Felix and Rob and I couldn’t wait to return for the all-nighters, the amazing music, the friendly people and the Asturian cuisine.

First of day events was in El Bello Verano, seaside bar with DJs and one of the exhibits of the weekend, by Catalan artist David Cobo.
There was also a film festival organized that started on Monday with a really good response. 8 films, one (or two) each day. Thursday was the day to introduce it to YeYe fans coming from all over, with Merli Marlowe and Felix talking about the films, all of them very rare, all of them 60’s and all of them related to humor, this was the link. Also time for introducing Joaquin Viña’s Pop Art amazing exhibit and “las maravillosas aventuras of Mr Soul” graphic novel by Andreu Conill.

First band of the weekend was California act, The Allah-Las performing in the traditional Plaza Mayor outdoor concert. Their sun-drenched psychedelic mid-tempo sounds were the perfect start to events in the early evening heat, and they thrilled their attending fans and new converts alike.

Things, for me, got off to a shaky start, I lost my luggage en route from Scotland, and managed to badly injure my ankle as soon as I arrived at Acapulco, but I wasn’t going to let these setbacks ruin the weekend! Thursday’s all-nighter got off to a flying start (the legendary Sala Acapulco Gin & Tonics helping me with anesthetic), with the mix of black and white sounds from the DJs including Rob and I from the UK and Juanito Volumen from the Spanish Inquisition team as well as a fantastic show from Spanish band Melange. Both styles of music R&B/soul and garage/psych in one room really pulls everyone together and in the hands of the skillful DJs the crossovers were seamless and kept the dancefloor going until the early hours of the morning.

Friday daytime saw a few sore heads, but a beautiful sunny day to get out and explore Gijon, enjoy the beach, as well as all-day mod sounds at El Patio de la Favorita with Kitty B Shake and Jokin Misterklin on the decks, as well as the first of two mass scooter runs around the city. Right before all this Jim McCarthy was interviewed thru skype to present his last 2 graphic novels: “Living for Kicks” and “The Life and Death of Keith Moon”. The club “Toma3” was packed… and there was also a show cooking experience with French food.
For the lucky few, a couple  more hours sleep and then onto the 2nd Allnighter, again the stellar DJ line-up and two of the most exciting bands on the circuit as well, in the shape of Les Darlings from France and homegrown Spanish psych favourites Fogbound setting things up for another night of fantastic music and gathering of friends old and new. Les Darlings delivered infectious beat and rhythm sounds with loads of style, while Fogbound’s have gone from strength to strength with their sweeping psychedelic/prog/popsike sound, that went down a storm.

For the lucky few, a couple  more hours sleep and then onto the 2nd Allnighter, again the stellar DJ line-up and two of the most exciting bands on the circuit as well, in the shape of Les Darlings from France and homegrown Spanish psych favourites Fogbound setting things up for another night of fantastic music and gathering of friends old and new. Les Darlings delivered infectious beat and rhythm sounds with loads of style, while Fogbound’s have gone from strength to strength with their sweeping psychedelic/prog/popsike sound, that went down a real storm.

There was no let up the next day with plenty of people braving the hangovers and the overcast weather to head to the 7 hour pool party at Camping Deva… record and clothes stalls, food, drinks, scooters and a packed line-up of DJs playing the best of 60s sounds across the genres. The Scootercruzada had their trophies given there as well, furthest traveller being a young fellow from Germany (2000+ kms. on his Lambretta to the event). There was also a bunch of British mod scooterists + the usual Spanish and local crowd enjoying the roads and the party.
A final push for the 3rd all-nighter, and this was going to be something special with the eagerly awaited annual Mr & Mrs Yeye contest saw Gerry German from Switzerland and Marian Choya Martin crowned this year’s winners. Live performances from Las Munjitas Del Fuzz from the Vatican with their primitive fuzzed up garage sounds and crazy live show and the eagerly awaited show from Spain’s Tito Ramirez.

The debut Tito Ramirez single ‘Lonely Man’ became an instant classic at R&B/mod nights around Europe and the live performance shows he has so much more to come, the band were bursting with infectious energy and had the whole room in the palm of their hands with their own signature take on classic r&b and popcorn sounds, delivered with loads of character, swagger, and humor.

After Tito the DJ team of Miguel, Imanol, Luis, Felix, Juanito, Rob and I took the night through to dawn with a wholesome mix of 60s styles, blending old favorites with sure to be future classics and, most importantly, keeping the dancers grooving and spinning till the sun came up.

Sunday – out o the official program – was the time for the “necropoli yeyé” a party for all the “leftovers-yeyes” from everywhere that had the strongest dancing in the old town club “TNT” up to 7am!

It was an absolute pleasure to be invited to play as part of the DJ team, and to be welcomed by the locals and friends from across Europe to this very special event in the mod calendar. As I said even injuries and lost suitcases couldn’t hold me back. Here’s to next year  (2 to 5 august!)

Take a look at the images from EURO YEYE 2017 here  
- Arriba, abajo, al centro y adentro, Salud! Craig Reece


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Felix EuroYeYe

Organizador de weekends mods y 60's como el Euroyeyé y el Beat Goes On. In Gijon, Spain.

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September 19, 2017 By : Category : Bands DJs Europe Front Page Music Reviews Scene Tags:, ,
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Newbreed – The Wheels

This entry is part 7 of 7 in the series Newbreed5

NUTsMag recent caught up with The Wheels, who hail from Mallorca, Balearic Islands for a quick chat.

1. How long have you been active and how did you get together?

Three of us started playing music together when we were around 14, it was then that we decided to make The Wheels something more serious. The years have seen members change, some leave and come back but finally we’ve got the final lineup and we’re stoked.

2. What influences do the band members have in common?

A list that no one has time to read. But we began being influenced by music from the 60s when we were starting up, purely because we couldn’t find anything contemporary to relate to then, artists like Kevin Ayers, The Beatles. We also love jazz and Brazilian music. Now there’s loads of great music out there, we think perhaps that the people making it went through a similar experience to us in that they delved back into history to find music that inspired them and when making their own, these influences were exhibited. Artists like The Lemon Twigs, Connan Mockasin, Mild High Club and Mac Demarco have had us pretty hooked recently.

3. Are there any bands you’d recommend in your area?

Definitely, good friends of our, los Nastys are a band people should check out, they’ve come from the underground garage scene in Madrid along with The Parrots and Hinds. All those bands have great songs and a lot of energy.

4. Tell us about the 60s/underground scene from Spain?

We don’t know all that much about what was going on in the rest of Spain during that time but we do know that Mallorca was a melting pot for artists from abroad. Deia was home to people like Kevin Ayers who founded The Soft Machine and later went solo, it also saw Robert Wyatt spend some time there and Yoko Ono is said to have visited as well. Hendrix even played in Palma in the 60s

5. How would you describe the style you play?

Hypnotizing psychedelia with a nostalgic flash from the 60s and a freshness that encapsulates the new wave of psychedelic pop

6. What are your live shows like?

In a way they’re like bringing a sonic painting to life. Having the songs performed widens perception and awakens different senses and emotions.

7. What are your main influences in music? Who do/would you play covers by? Who do you despise?

That’s like asking a poet to pick their favorite word, apart from the influences we adopted as teenagers we’re constantly discovering new music and forever going through phases of obsession with different artists. We don’t play covers but we’d probably do something by Kevin Ayers. Who do we despise? There are so many artists we love and probably more we have a more negative opinion of. But we’re not here to insult anyone… although we hate that fucking song ‘Despasito ‘that’s out at the moment. And Ed Sheeran is a pain in the arse too.

8. What are your main influences outside of music?

We read a lot of books, Siddhartha by Herman Hesse was actually an influence on our last album. We’re really into film and also get very inspired by painters like Matti Klarwein (who also lived in Deia), who was one of the psychedelic legends.

9. Who writes your songs and what subjects do you deal with?

In everything released until now, Guille has been the main songwriter but the whole band was involved in the process and Tomi even wrote a song for the last album too.

10. What is your favorite song in your repertoire currently? What’s your favorite song by another artist?

Dream On – Nó by O Terno

11. How would you describe the underground scene? Do you participate?

The current underground scene is thriving at the moment. And yes, more than participate, we live in it currently. There is brilliant music being made, you just need to look for it.

12. What has your biggest challenge been up to date?

This year it’s been finding time to work on new material because we’ve been on the road so much.

13. How often do you Rehearse? Play Live? Record?

Rehearsing depends on whether there’s a tour or important gig coming up, in those cases its every day. We play live a lot. And we record when we get off tour.

14. What do you think of music coverage in the media?

We think there’s plenty of room for more coverage, especially in mainstream media, it’s embarrassing how little time is devoted to culture. It’s up to the independent magazines, blogs etc. at the moment. Although platforms like Pitchfork and Red Bull are pretty cool.

15. Do you rate any current mainstream or underground bands?

All the ones mentioned above and more, we’d be here for days.

16. Who/Where would you most like to record with and why?

We were very happy with Paco Loco and his studio was a wonderful place to record an album, we’d definitely work with him again. At the moment we’d love to record with Jonathan Rado from Foxygen and the location… I dunno Brazil?

17. What should we expect from you in the future? What are your plans and ambitions? What interesting dates have you got coming up?

We’re already writing new material and we may release a single before the year is out, an album will follow sometime in the future. We’re busy in September with festivals like Ebrovision, Zaragoza Psych Fest, Monkey Week. We’re looking to get more dates in Europe as we toured Mexico before trying to sort out something in our continent. And we’ll be hoping to play more great festivals next summer.

Main Site: thewheels.band/

Social Networks:
Facebook: facebook.com/TheWheels.proj
Instagram: www.instagram.com/thewheelsband/

Band Members: Guille Borrás (Guitar and vocals), Tomi Solbas (Drums and vocals), Rick Sena (Guitar), Toni Sánchez (Keyboard, Synths), Andrés Alcover (Bass and vocals).

Discography: Great Frustrations EP (2014), Born to Fly LP (2015) The Year of the Monkey LP (2017)


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 19, 2017 By : Category : Articles Europe Interviews Music News Tags:, , , ,
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Ady Croasdell – Hey! Mr DJ

This entry is part 10 of 20 in the series Hey! Mr DJ

Ady is a living ‘Soul Scene’ legend running the 6TS Rhythm & Soul Club at the 100 Club Northern Soul All Nighters and co-running the Crossfire Allnighters.

1. How and when did you get into music and what were you listening to then?

The Animals. While living in Derby 1964.

2. Where was your first DJ slot?

The Last Chance 6TS allnighter, 21 Oxford St in 1982.

3. What was your most memorable DJ spot?

Every closing Sunday night at the Cleethorpes weekender.

4. Your favourite scene DJ’s and why?

Butch for new sounds, Mick Smith for the old ones.

5. What has shaped your DJ sound and why?

Randy Cozens showing me there was more than Northern to soul dancing.

6. What was your best ever find/discovery?

Sharon Scott – Putting My Heart under Lock and Key, most famous ones are Melba Moore – The Magic Touch and Frankie & Johnny – I’ll Hold You.

7. Biggest influence musically and your favourite artist(s)?

Impressions, Lou Johnson & Maxine Brown.

8. Where can folks currently catch your DJ set?

Crossfire – The next night is on Saturday Oct 21st 2017.

9. What is the record you would most like to own?

That one that hasn’t been discovered yet.

10. Please give us a top 10 all time favourite’s and a current top 5 spins?

Top 10 Tracks of All Time:

1. Kim Weston – Helpless
2. Carla Thomas – I’ll Never Stop Loving You
3. Four Tops – Baby I Need Your Loving
4. The Parliaments – This Is My Rainy Day
5. The Sensations – Demanding Man
6. Spellbinders – Help Me
7. Ben E King – Getting’ To Me (Atco acetate)
8. Sharon Scott – I’m Not Afraid (acetate)
9. Barbara Lynn – This Is the Thanks I Get
10. Luther Ingram – Oh Baby Don’t You Weep

Current Top 5 Tracks: 

1. Nancy Wilcox – He’ll Be Leaving You – Pied Piper
2. September Jones – Voo Doo Mademoiselle – Pied Piper
3. Magic Night – If You and I Had Never Met – Roulette
4. Melvin Parker – If I Had My Way (acetate)
5. O C Tolbert – Marriage Is Just a State Of Mind (Dave Hamilton acetate)

DJ Promo Links
www.6ts.info
facebook.com/pages/6Ts-Rhythm-and-Soul-Society/6320844642

 


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : Clubs DJs Front Page Interviews Music Scene UK Tags:, ,
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Pid – Hey! Mr DJ

This entry is part 13 of 20 in the series Hey! Mr DJ

Pid is one of Birmingham and the UK Scenes’ most respected and longest serving DJs, who has appeared at nearly every Modernist Type Event there is on offer over many years. We asked him a few questions recently and here is his replies.

01. How and when did you get into music and what were you listening to then?

As a kid I used to get dragged along to watch bands at various working men’s clubs by my Parents, mostly Jazz stuff, then in the late 70’s my mate played me The Jam LP, All Mod Cons and that got me into the mod thing.

02. Where was your first DJ slot?

I think it was upstairs at the Upper Grounds Pub (nick name The Rat Pan) in Witton, Birmingham.

03. What was your most memorable DJ spot?

The Isle of Wight rallies, probably when the Action played.

04. What so far, has been your worst DJ experience?

Ronnie Scotts in Brum a few years back, it was the August Bank Holiday Monday after one of the rallies – I was knackered. They’d asked me to DJ at a soul all-dayer in between these soul bands that were doing all this Blues Brothers stuff, they were shit. It finished about 2.30am, they didn’t give me a cent and I had to be up for work at 5am.

05. Your favourite scene DJ’s and why?

Any DJ who can keep folk on the dance floor.

06. What has shaped your DJ sound and why?

The variety of sounds, anything from early R&B to 60s beat and psych.

07. What was your best ever find/discovery?

It was an over the phone auction and I won a track called Love is in the Air by The Liberation Street Singers.

08. Who was your biggest influence musically and your favourite artist(s)?

Biggest influence was definitely all the early Jam songs,  I haven’t any favourite artists in particular.

09. Where can folks currently catch your DJ set?

The Moseley Arms, Digbeth, Birmingham and some of the NUTS rallies/events.

10. Please give us a top 10 all time favourites and a current top 5 spins?

Blimey, tough one, it will probably be completely different tomorrow.

All time Top Ten:

  1. Howlin’ Wolf – Smokestack Lightning
  2. Danny Owens – You’re a little too late
  3. Billy Hawks – Oh baby, I believe I’m losing you
  4. The Contours – First you look at the purse
  5. Jackie Wilson – Soul Galore
  6. The Action – Lonely Room
  7. Tintern Abbey – Vacuum Cleaner
  8. Tito Puente – Hit the Bongo
  9. Jimmy Smith – The Cat
  10. Mose Allison – Baby Please Don’t Go

Current Top 5 Tracks:

  1. Evil Eve – Tommy Youngblood.
  2. Jolly Jax – Preciate’ it.
  3. Silas Hogan – I’m in love with you baby.
  4. Lloyd Nolan – I don’t know about you.
  5. Liberation street singers – Love is in the air.

Next Club Spots: Nuts 20th Anniversary at Orleans, London – Sat November 18th 2017


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : Club Soul DJs Front Page Interviews ModJazz Music RnB UK Tags:, , ,
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Callum Simpson – Hey! Mr DJ

This entry is part 6 of 20 in the series Hey! Mr DJ

1. How and when did you get into music and what were you listening to then?

I got into the mod/scooter scene at 15 years old. I bought my first scooter, a Vespa 50cc Special and joined a scooter club called High Moderation. I had an older brother and cousins who were into the Mod scene so I started to hang around with some Mods who were a year above me at school. Once into the fashion it was only a matter of time before I started to get into the music. I started listening to bands such as Paul Weller, The Jam, Small Faces and The Who. My brother had a big part to play in my musical taste progressing, as he was listening to bands like The Specials, Madness and was listening to lots of soul and Motown compilations, which exposed me to artists like Marvin Gaye, Aretha Franklin, The Four Tops and Martha Reeves.

At 16, looking slightly older than my age (not the case now), I was able to start going to clubs like Brighton Beach, local soul nights and the occasional scooter rally. This is where I was exposed to lots of new sounds. I was hearing records like Mel Torme – Coming Home, Sandi Sheldon – Gonna make me love you and Sam Dees – Lonely for my baby. As you can imagine I was blown away by these sounds and the exposure made me delve a little deeper into the music and vinyl records. I bought my first record from Boogaloo Records in Leicester when I was 17 for 6UKP and it was Ray Charles – Go on home.

2. Where was your first DJ slot?

My First DJ set was in Birmingham; by this time I lived for the weekends and was travelling up and down the country regularly attending mod/soul nights. Through attending nights on a regular basis Pid asked me to DJ along with a couple of mates Soggy and Gibbo. Dudley Steve was also on at the same night. I remember playing records like Joe Tex – You better believe it baby, JJ Jackson – Oh Ma Liddi and The Artistics – hope we have. I also remember playing a reissue, but this was before I was aware of the OVO policy! A couple of people looked amazed that they saw a young 17 year old lad behind the decks playing Bobby Adams & Betty Lou – Dr True Love…quite funny thinking about it now!

3. What was your most memorable DJ spot?

My most memorable DJ set has to be in Barcelona at the Boiler club. The city is amazing enough but the Boiler Club is how clubs should be, exciting, vibrant and a full on party from start to finish. I was deliberating weeks before about what I should play and selecting records for my play-box! I was pleased with my sets and judging by the dance floor so were the dancers, it was packed from start to finish… I even played a B-side by mistake and the dancers liked it, thankfully it was a very good B-side!

4. What so far, has been your worst DJ experience?

If ever you get asked to DJ at a wedding DON’T DO IT! I was asked off the back of running a club called ‘Shoutin the Blues’. One of the bar men liked the music and asked me to play at his wedding. At the time I was about 18 or 19 and thought that I could make a few quid. I made it clear that I only had Soul, Mod, R&B, Latin records and that he wouldn’t be getting the usual type wedding DJ playing music like ABBA, The Village People etc. He was adamant that he wanted something a bit different and that his guests would enjoy the music. I agreed to do it and for a price of £150, which I thought wasn’t bad for a few hours work! How wrong could I have been!

I was conscious not to play rare stuff, so I took more mainstream (to me) records which consisted of lots of Motown and dance floor friendly classics. Anyway to cut a long story short only 1 person danced throughout the whole night and that was towards the end of the night… funnily enough it was probably the rarest record I played all night ‘Billy Hawkes – Oh Baby’. Towards the end there were a group of lads who were sat at the back of the room, one of them came to ask me if I would play ‘You’ll never walk alone’, me being a Man United fan replied “I don’t play that stuff”, every record I played then was drowned out by a chant of “Who the f hell are you”. Shortly after that I decided to call it a night. I got my wages and left. Looking back now it’s pretty funny but at the time it was a nightmare!

5. Your favourite scene DJ’s and why?

Mik Parry – Forward thinking and so ahead of the game it’s unreal. It’s only now other DJ’s have been able to acquire records he was playing years ago. A) because the records are pure quality and B) they have seen his playlists. Check out his You tube channel ‘POW WOW MIK’

Karl Heard – Is what I call a proper DJ! This man has the ability to create an atmosphere like no other. Karl had a record collection to die for, but has now sold most of them off…not that I’m complaining! You think of all the big tunes – Volumes, Charles Johnson, Judy Stokes, Notations, Magicians, Harvey Averne, Johnny McCall AND Karl had or has these and loads more of this calibre.

Gav Arno – I always say it but it’s true, he’s a dark horse! Every time I hear him behind the decks and also when I have a look through his playbox he surprises me with what he has. Gav has a passion for unearthing quality unknown records, he finds tomorrow’s big records today!

6. What has shaped your DJ sound and why?

The three DJ’s I have mentioned in question 5 have helped me shape my taste, especially Karl Heard, over the last few years. Another is by regularly attending club nights and hearing DJ’s spinning new (to me) interesting records. The thing I love about Mod nights is you get such a varied taste of music from Soul right through to Jazz.

The internet is also a great way to hear new records and other DJ’s from around the world. Shows such as Jester Wild and YouTube channels are a great way to hear new stuff. Over the years I have collected all sorts but now I am much more selective about what records I buy.

7. What was your best ever find/discovery?

Tough question…my best discoveries are records I have recently posted on YouTube, Lil Archie & The Majestics, Leave my Girl Alone & Victor Lane, There’s Something About You. I have had them for about 4/5 years now and have been searching hard since but have never come across other copies. That is the reason why I have put them on YouTube to give them more exposure but also to see if other DJ’s/collectors can unearth copies…good luck!

8. Who was your biggest influence musically and your favourite artist(s)?

I honestly don’t have a favourite artist, I really like Marvin Gaye but not sure I could call him my favourite. I would relate this back again to question 5 and say that in my time as a resident at The Pow Wow Club, Mik and Gav were massive influences over me musically. The stuff these guys were playing was unreal! Imagine being 19/20 and hearing The Jokers, Jonathan Capree, The Fads, Young Jessie etc. Both well ahead of their time and two great DJ’s.

9. Do you collect specific labels/artists/genres?

Not in the slightest, if it’s good and I like it I’ll have bid/buy it. I don’t just buy records for DJ-ing with though. If I hear a record that I like but is not right for playing out, depending on cost, I will still by it for Sunday afternoons relaxing at home, listening to a few records.

Although I do like the Soul Brother Records label. It can be found here.

10. Where can folks currently catch your DJ set?

I am not currently a resident or running any club nights but I get asked to guest DJ quite a bit, so if you keep your eyes peeled I’m sure you will my see my name on one or two flyers. In terms of running my own night… watch this space! Callum will be playing at The Nutty New Year Event in London, see all the details HERE!

11. What is the record you would most like to own?

Another tough one, it would have to be either Eddie Parker, I’m Gone on Awake or The Hopkins Bros, Shake Cherri on Magnetik. I can remember when I first heard both of these records for the first time and thinking Holy smoke!

I first heard Eddie Parker in Sweden at the Soulastic All-nighter when Ginger Taylor was playing. When the first few notes came in the atmosphere was something I had not experienced before at a soul all-nighter and something I will never forget. That night we all went onto an after party and one of my friends had what I thought was a copy of ‘I’m Gone’ and the only difference between his copy and Ginger’s was that my mate’s was a boot (the look-a-like boot). I wasn’t aware of the value of the record at this point and I thought he had a copy, he then explained it was worth in the region of between 5-7K, needless to say, it was hammered that night and played probably about 30 times at the after party… oh what good times!

I first heard Andy Dyson play The Hopkins Bros at Lifeline a few years back and again the place went crazy. Only a handful of DJ’s had it at the time, all the big boys such as Dyson, Butch, Ian Wright… I’m not even sure if Mick H had one at that time!? Shame that it has been booted now! It’s still record of the night every time I hear it out, but I hate that I can now go online and buy a boot of it for £10, it has to be OVO!

12.  Please give us a top 10 all time favourite’s and a current top 5 spins?

Top Ten Favourites:

1. Eddie Parker – I’m gone

2. Hopkins Bros – Shake Cherri

3. Jonathan Capree – I’m gonna build me a mountain

4. Carol Anderson – Taking my mind off love

5. Ray Agee – I’m losing again

6. Billy Hawkes – Oh baby

7. Volumes – I ain’t gonna give you up

8. Otis Lee – Hard Row to Hoe

9. Parisians – Twinkle little star

10. Tobi Lark – Sweep it out in the shed

Top Five Spins:

1. The Sacred Four – Somebody watching you

2. Ray Agee – I’m Losing again

3. J T Parker – If you want to hold on

4. Judy Stokes – Real Man

5. Charles Simmons – Save the World

Next Club Spots: Nuts 20th Anniversary at Orleans, London – Sat November 18th 2017


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : Articles Clubs DJs Events Front Page Interviews Music Scene UK Tags:, ,
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Chris Dale – Hey! Mr DJ

This entry is part 9 of 20 in the series Hey! Mr DJ 2

Chris Dale took some time out recently to talk to Dr. Robert @Nutsmag.

01. How and when did you get into music and what were you listening to then?

New Wave, Mod Revival and Two-tone, but my first ever gig in Dec 1979 at Lewisham Odeon, The Specials, Selector and Dexy’s on the same bill, and my future was sealed.

02. Where was your first DJ slot?

St Johns Tavern 1990, I can still remember how nervous I was. This was one of Alan Hanscombe’s many soul and reggae ventures, and still helping him out with RnB123 in 2014, should be due my pension soon.

03. What was your most memorable DJ spot?

Sunday night Brighton 2011, something really clicked and is up there as one of the best. I can’t go without mentioning my few 6Ts 100 Club experiences, The Boiler and the Hideaway Manchester, especially after a particular memorable football match. The Rimini Italian Jobs throughout the 90’s and early 2000’s were very special, and finally Scenesville at the Notre Dame hall, great nights and an awesome venue.

04. What, so far, has been your worst DJ experience?

I’ve been lucky to have DJ’d at some great clubs and nothing really stands out as a bad experience.

05. Your favourite DJ and why?

The whole 6T’s team at the 100 Club past and present, Colin Law at Shotts (he was untouchable around this time), Roger Banks and Mark Bicknell, Gary Spencer & Carl Fortnum and not forgetting Terry Jones at the Village.

06. What has shaped your DJ sound and why?

Travelling around the country to various all-nighters and clubs, hearing fantastic music, taking a little bit from each experience, mixing in a little Ska, Reggae and Jazz, trying to mould this into my own style, hoping people don’t realise I’ve pinched it.

07. What was your best ever find/ discovery?

Laying claim to any find this day and age is a very rocky road, always someone out there to trip you up, but Manny Corchado – Pow Wow at the Mousetrap in the late 1990’s, would be a tough one to beat.

08. Who was your biggest influence musically and your favourite artist(s)?

The Motown stable, as it directs you to everything else, Curtis Mayfield, Marvin Gaye, The Temptations. I also have a great love for Ska & Reggae, which stems from the Two-tone era.

09. Do you collect specific labels/ artist/ genres?

Yes, Yes, Yes and Yes – Tamla, Sue, Studio One, Blue Beat the list is too long…

10. Where can folks currently catch your DJ set?

Mousetrap
RnB123
Brighton\NYE London
I’m also very fortunate to be asked to do fantastic clubs like VaVaVoom
(25th Oct 2014), Inner City Soul and The Boiler Barcelona.

11. What record you would most like to own?

George Pepp – The feeling is real – Coleman
Jimmy Bo Horne – I can’t speak – Dade
Ray Gee – I’m losing again – Soultown
The Wailers – Diamond baby – Coxsone

12. Please give us a top 10 all time favourites and a current top 5 spins?

Top 10 tracks of all time:

1. George Pepp – The feeling is real – Coleman
2. Paris – Sleepless nights – Doc
3. Flash Mckinley – I’ll rescue you – Bombay
4. Gene Toones – What more do you want – SimCo
5. George Lemons – Fascinating girl – Gold Soul
6. Cleveland Robinson – Love is a trap – Nosnibor
7. Prince Buster – Linger on – Prince Buster
8. Tommy McCook – Goldfinger – Treasure Isle
9. Little John – Just wait and see – Gogate
10. John Harris – Hangin’ in – Kerston

Current Top 5 Tracks:

1. Charles Sheffield – Got my voodoo working – Excello
2. Judy Hughes – Fine Fine Fine – Vault
3. Constellations – I don’t know about you – Gemini
4. Marvin Gaye – Loved starved heart – Tamla
5. Tan Geers – Let my heart and soul be free – Okeh

Next Club Spots: Nuts 20th Anniversary at Orleans, London – Sat November 18th 2017


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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September 6, 2017 By : Category : DJs Front Page Interviews Music News UK Tags:, , ,
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Newbreed – Allah Las

Jenni and Holly had a chat with Pedrum Siadatian, the lead guitarist and vocalist with Allah Las ahead of headline show at Euro YeYe, Spain on Thursday 3 August.

1. Some of you guys met through school and working at Amoeba Records, can you tell us a bit about what brought you to start playing together and how you became The Allah-Las?

Once Spencer and I started getting acquainted at Amoeba, we shared our individual bedroom recording projects with each other and started jamming just for fun. Soon-after, we asked Matt to join us and drum because he was our friend and had similar tastes. Then they asked Miles to sing cause they knew him from high school and none of us wanted to sing.

2. Having worked in a record store prior to the band and all being big music fans, what different musical influences does each member bring to the band? Do you try to get this across in the music?

We have a lot of overlapping tastes but each of us has certain tendencies that the other doesn’t so it kind of balances out- popman, worldman, folkman, caveman.

3. Obviously California is musically one of the richest places to live with so much history and new music, how influenced are you by living there and other music coming from the area?

Bands are products of their environments just like people are, so I think whether we wanted to or not that Los Angeles was gonna come across in our music to some degree. We are really into the Byrds, Love, Seeds, Rain Parade etc.., in terms of paying homage to those influences, we did it best on our second record.

4. You’ve also had a very strong art direction with your artwork and videos, are there other influences outside of music which you draw from?

Yeah – books, movies, art, friends, and conversations. they’re all equally important.

5. Nick Waterhouse took on production duties on Worship the Sun, how did that come about? Do you have plans to work together again in the future? Or indeed are there any other people on your wish list to work with?

it came about cause he helped us with the first record and it seemed like a good move to work with him again. We also spent a lot of time with Dan Horne in the studio doing overdubs and mixing. I’m into the idea of recording ourselves for the next one!

6. Following on from Worship the Sun, Calico Review takes things a bit further and a slightly darker turn. Can you tell us a bit about the writing of the album and recording process for it?

We were just writing songs separately, a continuation of the process that had started with Worship the Sun. When it came time to start working on Calico everyone started showing the rest of the band the songs they had written and we learned em, demoed em, then recorded em proper off-and-on over the course of a year.

7. Your weekly installment of Reverberation Radio has become a bit of an institution for fans, how did that come about?

Miles had a graveyard shift time slot at KXLU every Wednesday from 2-6am and we would all go down to the station, bring records, and hang out. We got kicked off the air for playing too much old stuff, and with the help of our friend Robbie, we turned it into a weekly podcast that’s been going on for about 5 years. The four of us in the band take turns contributing, as well as six of our friends and the occasional guest.

8. What is the 60s underground scene like in LA? Is this something you are involved in as a band?

There is a small one but I don’t feel like that’s our vibe. We never wanted to be a full on 60’s homage group, even though the video for Tell Me contributed to that.

9. It feels like you’ve been touring pretty much nonstop over the past year. You’ve toured extensively across America, Europe and Australia since the release of Calico Review – what have some of the highlights been?

Some of the best shows have been the shows where we didn’t know we had an audience and loads of people came, like Cape Town, Tel Aviv, Budapest, Moscow, Bali.

10. Are you looking forward to playing at Euro Yeye? What can we expect from the set? When you record, are you always thinking about how it will sound live?

Yes, we’re gonna try to do some stuff we’ve never done live. No, that comes after it’s done!

11. As you’ve been spending a lot of time touring, has this given you much time to check out some new (old) music? What’s been your soundtrack on the tour bus over the last few months?

I’ve been listening to my friend Maston’s record that’s gonna be coming out this fall, it’s really great instrumental/soundtrack music. Also, Chris Lucey, the Only Ones, and VU always.

12. Calico Review came out last year, what are your plans for the rest of 2017? Focussing on touring or will you be heading back into the studio?

Yeah we have a short west coast tour in September but otherwise, we’re gonna start working on the next record this winter!

Band Members: Matthew Correia, Spencer Dunham, Miles Michaud, Pedrum Siadatian

Discography:
Albums

Allah-Las (2012)
Worship The Sun (2014)
Calico Review (2016)
Singles
“Catamaran”/”Long Journey” – Pres, 2011
“Tell Me (What’s On Your Mind)”/”Sacred Sands” – Innovative Leisure, 2012
“Don’t You Forget It” – Record Store Day split w/Nick Waterhouse, 2012
“Had It All”/”Every Girl” – Innovative Leisure, 2013
“501-415″/”No Werewolf” – Innovative Leisure, 2014
“Famous Phone Figure” – Mexican Summer, 2016
“Could Be You” – Mexican Summer, 2016

Main Site:  allah-las.com/

Social Networks:
Facebook Click Here
Instagram Click Here
Twitter Click Here
Soundcloud Click Here


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Pip! Pip! Are the Creative Business Engine behind various music based organisations of the cool underground variety. Providing angst, confusion, bewilderment and annoyance in equal amounts. We design/host/manage great sites like this one! Why not hire us one day soon?

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July 17, 2017 By : Category : Articles Bands Beat Europe Front Page Interviews Picks Psych USA Tags:, ,
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Newbreed – Las Munjitas del Fuzz

1. How long have you been active for and how did you get together?

We started together as Doctor Explosion in the springtime of 1989. We were the first original line up under this name and we did hundreds of shows and five albums plus some singles and eps till 2001 when the original line up splits up, although i decide to keep going with different members as Dr Explosion after that date till nowadays. In 1993 after reading an article about obscure Spanish bands in the 60s, i discovered about Las Monjitas del Jeep, a group of real nuns who consider themselves as “ye yes”, “we are YE YEs but of the type that don’t get in troubles”. They were living in a convent and done their shopping in a Jeep. Fascinated by the idea of this group of religious devoted nuns who had such a cool gear (seen in pics such as Gibson 335, Grestch guitar, etc).

It was after that that I proposed to Felix and Varo to start a parallel band under the name of Las Monjitas del Surf to play spontaneously at our local temple, the music bar La Foli, a year after in 1994 we rescued the idea to play with another guitarist (Marcos Montoto, who we did at least two shows with) under the name of Las Monjitas del Fuzz. After that we did a tour in Spain with Lightning Beat Man in 1996 as his backing band.

We were very busy as Dr Explosion that time during the 90s so we used las Monjitas to do punctual shows randomly. After that, in 2001 with the new members of Dr Explosion we played at the Wild Weekend in Benidorm under the name of Las Munjitas. I think it was a mistake by Josh Collins to change the name of the band, the O for the U, but maybe not and it was only genius from Josh!! Bravo!! so when Varo last year (2016) proposed we get back together with Felix (the original line up of dr explosion) under las Monjitas del fuzz name I rescued the U in MUNJITAS from Josh’s idea, cause it sounds like MOON-hittas, in English and esthetically the name looks better with the same U as FUZZ.

As Las Munjitas del Fuzz we have been active since Varo called me in April of 2016.

2. What influences do the band members have in common?

We have lots of music influences in common, all the fuzzy mid 60s garage, and late 60s acid Pysch garage with raw strident guitar tones, but also all British 60s bands, 50s Rhythm and Blues, good Rock and Roll, Soul music and jazz and obviously much more. We know that Las Munjitas del fuzz land is the territory for the most extreme fuzzy and pysch garage sounds with creepy Spanish lyrics from the vision of a tormented nun who lives in these crazy modern times

3. Are there any other bands you’d recommend from your area? Why?

Around Gijon, Bobkat 65 cause although they are still in the process of learning to find their own way and self-confidence there is a real truth and love in what they do that you can feel in the spirit of their songs that makes them more real and special than other “professional” musicians. Check them out, they have a new album on Get Hip Records! I also spend part of my time in Austin, Texas that I consider also my area so, there I could mention hundreds of examples of good music like The Black Angels, Amplified Heat, Mike Flannigin (best hammond organ combo in town) Sweet Spirit, The Ripe, The Uglybeats, The Bellfuries, A Giant Dog, Sweet Spirit,The Thunderchiefs and many more.

4. What’s the 60’s/underground scene like where you’re from?

Here in Gijon it is quite boring I might say, lots of no talented and pedant shit over polished and enhanced by music business media, some indie rock song writers with pretentious political intentions but nothing really exciting except some real talented people like Fee Reega, Captains and a few others like Bobkat 65, Las Potras and Peralta.

In Austin is an amazing community of talented musicians with hundreds of good bands around.

5. How would you describe the style you play?

Fuzzy Psych Garage Punk

6. What are your live shows like?

Mystic Ecstasy, Out of Control, Tremors and Levitation, Religious Fervor and Mass Mess

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

My influences in Music are very wide, as somebody said once, I like all the good music and a bit of the bad stuff. Las Munjitas only play covers for now but I write my own lyrics in Spanish that gives the songs a new vision. We have the intention of writing our own material for the next records. it is very interesting and fun to see from a language point of view how changing that affects the final result. Even though I respect all the accents of the melody by just changing the meaning of the lyrics and the sounds of the words you can export a song to a new dimension, where that recording means something totally different to a new group of people. I love playing with that, it’s a in joke for us to transform the songs we have always loved into something really stupid to laugh about, we don’t respect anything.

8. What are your main influences outside of music?

God

9. Who writes your songs and what subjects do you deal with?

I write the lyrics. As I said above we play covers, golden Garage hits from the mid-60s, that we used to play in our setlist in the 90s, plus some other new. When Varo asked me to get the band back together again I thought it was a good idea to do it under the name of Las Munjitas. It made no sense to play those songs again with their original lyrics, so as long as we were now Las Munjitas del Fuzz and not Dr Explosion I started to write new lyrics with the vision of a real catholic nun.

Catholicism has been a huge part of our education since we are all coming from deep Catholic families, Varo and I were both in Catholic schools. So, in most of the lyrics I want to sound like a real nun with an ancient conservative traditional mindset trying to understand and describe today’s World. Trying to understand today’s young people and the music scene, and at the same time trying to be part of it, but with her own spirit. Like a Christian rock band but with Garage Punk tunes, sometimes I go a bit wild with the lyrics like “Let’s go in 69” where i describe the sexual act of a 69 between two nuns. but aren’t we all sinners? “And you know that temptation and the devil is always there. And well, the attitude of the lyrics is surprising, like…”Oh my god!! it is a 69!!” Although there are also explicit descriptions of oral sex. it is real as life itself where tragedy and comedy walk together hand in hand.”

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

I like a lot “Satan sal de mi” which is our first single and the new video we’ll put on youtube soon. A song by another artist it could mention hundreds but I am gonna say “I am a lover not a fighter” by Lazy Lester because I met him last Saturday after his show and had a beer with him, and because I love that single!

11. How would you describe the current underground scene? Do you participate?

I think the underground scene is in a very interesting, there is a lot of cool bands all around the World, and more important, there is a new generation of fans interested in today’s scene with festivals like Levitation in Austin, Liverpool and Angers. I participate as much as I can, producing and recording bands. I have been working with Boogarins, Golden Animals, Dallas Acid, Amplified Heat, The Ripe and Sean Lennon.

12. What has been the biggest challenge to date?

Not being arrested by the border patrol when we were shooting our videoclip of “Satan sal de mi” near the Mexican border dressing like nuns. the officer asked us: “Are you guys roman Catholics?”

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Well, Varo lives in Valencia (800 km away) so every time he comes over to Gijon we try to do as much practice and recording as we can. Actually the records we have been putting out are first takes of the first rehearsal we did after 16 years. A large part of our set are songs we used to play in the 90s. We practice at my studio Circo Perrotti where I put mics and record the rehearsal with the intention of hearing the possible mistakes and work on the songs after that. The truth is that we liked the way the songs came out with their imperfections, and we love that fact as important part of the footprint of real music. We have a new single on Slovenly/Shit on the Milk records, with a hidden surprise at the end of the 1st cut. we also have one more single coming up on Groovie Records. We have a recorded lots of hits like “No la van a Bautizar”, “Aun soy Virgen”, “Frivola” or “El Twist de la Genuflexion” that will be included in the Munjitas album.

14. What do you think of the music coverage in the media?

It is like in any other business, people follow the mainstream, most of the times just a matter of investing money and time, there is a parallel World of talented people doing the most interesting things in the underground and occasionally the massive media discovers one or two of them and gives them bigger exposure

15. Do you rate any current mainstream or underground bands?

The Black Angels are my friends, I play with Jake Garcia in The Ripe and he invited me to join them for their show at Primavera Sound, and although I saw them many times before in Austin, that night was special for me. To see Jake my brother on stage having a massive success in my own country, made me feel very proud of him and of the hard work they have been putting into this new record. I also produced the last album of Boogarins “Manual”, great Psych rock with Brazilian roots. I love that band and to work with them in my studio in Spain was an amazing experience. The album was a nominee in the Latin Grammys last year. I am currently working on the production of Micky’s new album in Gijon. Micky from Micky y Los Tonys had some number one hits in Spain and Germany in the 70s and 60s and he is very well known all around Spain.

16. Who/Where would you most like to record with and why?

We are lucky in the that sense as I have my own studio. Apart from Circo Perrotti I’d love to record again with Liam Watson, he is a good old friend and I love what he does, and he recorded us for the first time in 1994

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

Well we will play at Euroyeye fest in Gijon this summer and I want to complete our first album. I also want to do our own material for a conceptual psychedelic album based in texts of Santa Teresa de Jesus and the Spanish mystics of the XVI century…

 
Band Members: Sor Alvaro Coalla (Bateria), Sor Felix A. (Asuncion) Dominguez (Bajo, Teclado y Voces), Sor Jorge Munozz Cobo (Voz y Guitarra)

Discography: 2016 Single “Satan Sal de Mi” (Funtastic Dracula Records), 2017 Single “Es el 69” (I shit on the Milk Records), 2017 Single “Pecado” (Groovy Records)

Main Site: CLICK HERE!

Social Networks: FACEBOOK HERE!

Tour Info: CLICK HERE!


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Articles Bands Beat Europe Front Page Fuzz Garage Interviews Picks Psych Tags:, , ,
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Newbreed – Men Of North Country

We recently caught up with the Men Of North Country (from Tel Aviv) for a nice chat for NUTSMAG, here is what they had to say…

1. How long have you been active for and how did you get together?

We’ve been recording proper since 2011, performing since 2012. Back in 2007 Yashiv was heard singing along the tunes he was spinning at a party and from there it slowly developed into MONC.

2. influences do the band members have in common?

Soul music.

3. Are there any other bands you’d recommend from your area? Why?

Our bass player, Jonathan, is also in a band called Taani Esther, which is a brilliant psychedelic pop band that sings in Hebrew.

4. What’s the 60’s/underground scene like where you’re from?

Tel Aviv is a great city but compared to other cultural Meccas it’s pretty small. So the 60’s scene isn’t big. There’s the Tel Aviv Soul Club, there are some lovely surf bands and retro nights.

5. How would you describe the style you play?

One of the streaming sites (Pandora or Last FM I think) described our music as basically Soul with influences of Mod 79 sounds and Punk 77 music. We’re pretty happy with that. We’d add post punk to the mix as well, especially The Cure.

6. What are your live shows like?

Loud and brassy.

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

First of all Northern Soul, Dexy’s and The Cure. After that it’s the usual suspects: The Jam, Motown, Stax, etc. We love doing covers. We did Human League’s Mirror Man in the first album (it’s basically a Motown tune), The Who’s The Seeker for our Magic EP, Lou Pride’s I’m Com’un Home for the second album and we do some more live – Kinks, Standells, Joe Jackson, Solomon Burke and more. I really do despise Radiohead…

8. What are your main influences outside of music?

Probably film if we’re talking art.

9. Who writes your songs and what subjects do you deal with?

Doron writes most of the music, and I (Yashiv) write the lyrics. Subjects are mostly personal stuff I go through and some political stuff as well. Coming from where we come from, you can’t really escape that sadly.

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

Personally I’d have to say that I dig Running the most now. I call it Northern Soul for The Cure kids. I’m blown away by the string arrangement Boaz has come up with for this one every time I hear it (he’s our drummer and arranger). Fav song by another artist? That’s too tough a question. Just listening to John Bowie now, so let’s go with that ok?

11. How would you describe the current underground scene?  Do you participate?

I run the Tel Aviv Soul Club so I guess I do. And whenever I’m abroad I try to get to a party or a gig. And we perform of course. From the last event I’ve been to in London I think I can describe it as a bit too fuzzy, and too rare. Still the best scene around though.

12. What has been the biggest challenge to date?

I guess the Madness House of Fun Weekender last November was a big thing for us, although once you’re on stage you just do your thing…

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Rehearsals depend on live gigs. We do more of them before gigs naturally. We have a couple of European tours a year (I still count the UK as European for that if you don’t mind…) and we also play in Tel Aviv and the rest of the country every few weeks/months. We’ve just recorded a version of The Jam’s Circus for the Specialized project which is supposed to come out this summer so that’s pretty exciting. I think The Jam would approve with our take. And in August just before the NUT gigs we’re releasing a new single which is always an exciting event for us.

14. What do you think of the music coverage in the media?

Well, it looks like the world is heading to a click-bate era which isn’t so promising, and so is the music coverage. On the bright side, everything is so accessible these days that you can easily find a place to your liking, musically and media-wise as well.

15. Do you rate any current mainstream or underground bands?

I love The Coral. And BJM too. And a lot of other stuff as well. Too many to mention.

16. Who/Where would you most like to record with and why?

We’ve recorded our Magic EP at the all-analogue Yeah Yeah Yeah studios in Hamburg. Great experience. Wouldn’t mind doing that again. And would love to record with the Skeleton Key guys from Liverpool. Or Andy Lewis in London. He’s our godfather. Or Bob Stanley from St Etienne! Now that would be really something!

17. What should we expect from you in the future?  What are your plans and ambitions? What interesting gig dates have you got coming up?

More gigs and more records. More. Looking forward to our first Brighton visit. Heard so much about it. Gonna comb the beach for rockers!


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Articles Bands Beat Front Page Interviews Picks RnB Scene Tags:, ,
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Hey! Mr DJ – Felix

This entry is part 3 of 7 in the series Hey! Mr DJ 6

NUTSMAG recently caught up with DJ Felix in for a nice chat about music.

1. How and when did you get into music and what were you listening to then?

I got into 70’s and 80’s soul, funk & jazz in the early to mid-eighties when I was a teenager (I also listened to the old school hip hop and punk), the popularity of house music made me rush back and look for 60’s Soul. The football terrace and my 60’s punk band got me into the Mod scene. From then I have stuck with it, I don’t know why… (30 years now?) well, I have to say I enjoy life and not only mod things…

2. Where was your first DJ slot?

I had a radio show in the mid to late 80’s with soul, funk and jazz music. First soul nights were in a drug-dealer club every Tuesday night in early 90’s. Life taught me hard… and cheap hahaha!

3. What was your most memorable DJ spot?

I can’t remember.

4. What so far, has been your worst DJ experience?

I can’t remember a “worst” but I’ve had a few, usually related to technical stuff. Last week I was djing at the Euro Lambretta Rally in Italy and one of the decks stopped to function. No start, no stop. The owner of the equipment who had skipped the step of plugging and connecting both records players and balancing both arms (cartridge and stuff aside) when I was about to begin blamed me for that so I laughed a lot cos I thought he was joking. But no, then my mood changed.

5. Your favorite scene DJ’s and why?

More than DJs, I love sets, right songs in the right moment and this doesn’t depend only on the records, if you know what I mean. I admire many DJs for their taste in music and their know how, technically and dancefloor-wise.

6. What has shaped your DJ sound and why?

It comes from inside me, I play the music I like, even if the disc is a $5 buck vg+ original. Mod means individuality and I don’t really like DJs that play the already well known in demand records, cos this only shows they have money (something that I don’t usually have). I prefer DJs who take the risks and don’t mind throwing in a few lesser known classics together with “newies” and always following their own style.

7. What was your best ever find/discovery?

My penis, not long ago. A Jet 200 in a barn in 1998 that was sold to me for 90eur. Mod Jazz music, my fave music. The “Churn the Butter” song I still can’t stop dancing after all these years and soooo many others… “Tell the world we’re not in” by the Peddlers” is a cheapie that nobody played at the time. I also discovered in New Zealand Chase “Get it On” and in Verona the Remo Four, uff I spend my life trying to discover new sensation and the day I give up, I’ll be dead.

8. Who was your biggest influence musically and your favorite artist(s)?

When you own 1000’s of records you simply cannot choose one and now I’m not tempted to throw the rarest artist name in to be given a badge. I LOVE modjazz, souljazz, Motown, vintage funk, underground disco sometimes when I’m high and in the right weekender… and dig garage, punk, and r&b in the same circumstances…

9. Do you collect specific labels/artists/genres?

I collect Playboy magazines from 1965 to 1970 (I only miss 5 numbers now) I collect Spanish Tamla Motown from 1966 to 1973 (our first series) I only miss two 45’s. And I try to collect Lambrettas but my vivid zest for life and the pursuit of happiness sometimes makes me sell them instead of buying them… currently I think I have 12. And BASICALLY I love music, regardless the label, artist or genres, so I buy what I can afford (and a bit more than that). Obviously, there are a few labels that make me stop instantly while whizzing through record boxes in fairs.

10. Where can folks currently catch your DJ set?

At Barbaro Chico Club in Gijón and Euroyeye, Check my facebook

11. What is the record you would most like to own?

After all these years, I’ve learned that no record is worth the distress. Recently, I’ve had to sell a few expensive records from my Collection, cos I needed money to travel (to the USA and the Balkans on my Lambretta) and no pain at all, in the end it’s just music. One friend told me last year “our collections can be our pensions when we are older”, and he might be right. Anyway, I must admit once I get hung up with a tune I first try to buy the original but if it’s way toooooo expensive I assume I am poor and listen to it in youtube.

12. Please give us a top 10 all time favorites and a current top 5 spins?

Top 10 Tracks of All Time:
1. Duffin’ Around – Brother Jack Mc Duff & David Newman
2. It Was A Very Good year – Della Reese
3. It’s My Thang – Marva Whitney & the JB’s (live)
4. The Cat – Organ Summit with Paul Shaffer, Joey DeFrancesco, Doug Riley and Dr. Lonnie Smith (live)
5. What’s Going On – Marvin Gaye
6. I Want A Love I Can See – the Temptations
7. What Becomes Of The Broken Hearted – Jimmy Ruffin
8. Pow Wow – Many Corchado… (simply second to none)
9. Own Up Time – Small Faces
10. Harmonica – Graham Bond Org.
11. She Needs Company – Manfred Mann
12. Maybe Tomorrow – The Chords
13. Walls Come Tumblin’ Down – The Style Council
14. From Now On – Magnus Carlson & The Moon Ray Quintet

Current Top 5 Tracks:
1. Roy Thompson Band – I Don’t Need You Anymore
2. Eddie Buster & Jr Robinson – Churn the Butter
3. Machito – Green Onions
4. Otis Leavhill – Boomerang
5. Ray Pettis – Don’t Use Me

Main WebSite: www.euroyeye.es

Social Networks:
FACEBOOK HERE


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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July 3, 2017 By : Category : Beat Club Soul DJs Europe Front Page ModJazz Music RnB Tags:, , ,
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Newbreed – Les Darlings

We recently caught up with the Les Darlings (from Paris, London, Copenhagen, & Bordeaux) for a nice chat for NUTSMAG, here is what they had to say…

1. How long have you been active for and how did you get together?

Well, we started the band in March 2016. Kitty runs a record label, Lust Record, originally created to re-issue 60’s obscurity. At the time, I was too shy to ask those talented guys to form a band when we met during concerts and festivals but Kitty cheered us up to play together so we finally met in Hamburg for songwriting and created more songs than expected. Originally the idea was to make a 45, but we got enough material to release an LP.

2. What influences do the band members have in common?

I think we all deeply love all kind of 50’s/60 music, from BlueBeat, crude R&B and naturally ’66 garage and Mod sound.

3. Are there any other bands you’d recommend from your area? Why?

As I live in London now, I can tell that the Cavemen are just one of the most outrageously good band I’ve seen recently! The Embrooks, King Salami, etc, etc! From Paris, French Boutik, The Wave Chargers….

4. What’s the 60’s/underground scene like where you’re from?

I think the whole 60’s scene is held by a handful but deeply passionate people. It’s an endless story, every decade you got a bunch of young lions who discover and embrace that style. Les Gry Gry, The Arrogants, all in their glorious 20’s… I wish we had more bands like this. Now synth punk is back yet again… I hope they get quickly tired of all that 80’s Kawai keyboards (ha! ha!)

5. How would you describe the style you play?

I think we got one boot in the 60’s, another one in the present. Makes no sense for me to be a tribute band or so, but it doesn’t mean that we are untrue to our influences. All the great bands I loved always added a little something on top of the rest. Just to be different. Who wants to listen to another cover of ‘Shapes of things’? The best example for me is The Youth, The Urges or The Jackets. Our main goal is to create some heavily influenced ’66 moody garage songs that you can really dance along to.

6. What are your live shows like?

It can get really sweaty, especially when you play in a 3 pieces wool suit! Thomas is a Christic frontman, he totally gives himself on stage. We actually have to try to protect him from the action. We love to play together, and the public feels it.

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

Everything from the Peebles comp, Back from the Grave or High in the Mid Sixties… We play a couple covers that Kitty threw on the table, especially ‘Lily’ from an obscure Californian band called Drusalee & The Dead… In fact, we play live the records we cannot afford to buy haha. Rob also suggested us to play a French cover and it was definitely a good idea. The goal is to create our own thing of course.

8. What are your main influences outside of music?

Aside from 60’s culture, we got our secret garden…

9. Who writes your songs and what subjects do you deal with?

Allah wrote them for us. We just need to listen to Allah, and then the songs pop out by themselves. Seriously it’s a collective work, Thomas takes care of the lyrics as he’s writing poetry too.

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

My favorite is ‘Hey Baby’, ‘I know David Peter really likes ‘Make her mine’. If we don’t like a song anymore we just throw it out and write another one that’s as simple as that. I love too many songs to choose only one. My favorite song changes every day or so.

11. How would you describe the current underground scene? Do you participate?

We go to gigs or festivals as often as we can. It is like an International Brotherhood.

12. What has been the biggest challenge to date?

Bringing back Dorian alive from Hamburg.

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

As we live far away from each other, we can only rehearse one or two hours before each gig. Of course, it’s always a disaster, to begin with. But something magic always happens when we hit the stage, thanks to the hundreds of gigs we each did with our previous bands!

14. What do you think of the music coverage in the media?

I think it’s really bad in the so-called ‘Mass Media’. We can only pay homage to the few passionate people like you to shed a light on this very sharp scene.

15. Do you rate any current mainstream or underground bands?

I really love The Wrong Society, they released a couple of singles that really nailed it. Of course The Youth, The Jackets… The Teamsters, The Urges too.

16. Who/Where would you most like to record with and why?

We started the thing with Dennis Rux as a producer and we gonna continue with him. His studio is located in front of a 24/7 gas station loaded with the greatest German lager. Decent döner round the corner too. Beside of this Dennis is perfect gentlemen who own one of the best analog studios between planet Earth and Dagoba system. Apart from Toe Rag and Circo Perrotti, i don’t know where we could have recorded it. It was absolutely normal to do it in Mono from the start for him ha! ha!

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

We need to work together to finish our LP which is almost completed! We’re also gonna have an organ player with us, Mr Dècheman, a great entertainer too, so you can expect some more action on stage. We still are a fresh new band but people look interested in our work, we got a lot of contacts to play all across Europe. As we say in France, ‘Bientôt dans une épicerie près de chez vous’ (soon at the juke joint near you).

Band Members: Thomas (vox) Dorian (drums) Pascal (guitar) David Peter (bass)

Discography: 2016 – Single: ‘Le Tourbillon / Hey Baby’ –  Lust Records

Social Networks: FACEBOOK HERE


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

More Posts - Website - Twitter - Facebook

July 3, 2017 By : Category : Articles Bands Beat Front Page Garage Interviews Picks RnB Scene Tags:, , ,
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