Le Beat Bespoké 6 LP review – Rhys Webb

This entry is part 1 of 2 in the series Record Picks

Le Beat Bespoké, now at volume six has been delivering a tailor made compilation of underground Sixties club hits for a decade now. Compiled by New Untouchables organiser Rob Bailey it has been an introduction for many to the sights and sounds that have been fuelling the dance floors of happenings like Mousetrap, Crossfire and the annual Le Beat Bespoké festival.

Where infamous compilations such as Pebbles, Back From The Grave and Rubble have focused on the lost treasures and treats from the vaults of fanatical collectors, Le Beat Bespoké differs in that it is made by a DJ with the intention of delivering an LP that will keep your feet moving from start to finish. For those familiar with the club nights it’s a flashback to evenings spent enjoying the tunes and for the uninitiated it’s an invitation to experience what lies inside those legendary London haunts that have become so important to so many.

The twenty tracks on volume six stomp and shake through a variety of genres from the distorted crunch of opener ‘I’m The Man’ by Jerry Holmes to the swinging euro soul of Belgium’s Birds And The Bees with ‘Tiger Dance’. There’s a few great Belgian cuts to be found here ‘Girl In The Future’ is a great example of the fine fuzz-tone the countries more weird and wonderful producers seemed to favour back in those hazy days.

Soul is also represented with Monica’s deep funk take on the Richie Havens classic ‘Freedom’, It’s a belter with a truly way out wah-wah guitar solo.

You can find fantastic American garage punk collected here too ‘It Happened’ by Paul Martin is a moody organ lead snarler, ‘Rat Race’ by The Tears is a Beatlesque pop treat and ‘Poor Poor’ Genie by Damon is probably one of my favourites collected on this LP. Recorded by a mysterious traveling musician in 1969 and laced with finger symbols, Eastern rhythms and lysergic acid drenched guitar lines, it’s certainly a 3-minute trip I’m happy to keep dropping.

There’s only a couple of UK cuts represented on this volume but I have to say that Samurai’s ‘Temple Of Gold’ released in 1968 on United Artists is one of the most exciting discoveries of recent years for me. Although not strictly a British group, (band leader Tetsu Yamauchi was Japanese), the single was recorded in London with British musicians and is a super psychedelic track complete with Flutes, Sitars and Strings, this is a 45 I’m sure will be found on countless want lists for
years to come.

Album closer ‘The Lesson’ by The Cords, from Texas, is a great choice of final track and will remind many regular attendees of the compilers long running club nights about how much fun can be had listening to this great music. The album is a great document of whats happening right now at those clubs. Although not every track might be your cup of tea, this is a fantastic glimpse in to the record boxes of one of the scenes most progressive DJ’s. Grab your copy here!


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Rhys Webb

Horror by day, vinyl junkie by night, Rhys is a DJ and collector whose passion for underground sounds started back in his teens attending the Mousetrap allnighter. Promoter of London club ‘the Cave’ he has also been seen moonlighting in another combo called ‘The Diddlers’ masquerading as a demented frontman about to smash his numerous sets of maracas on your bonce.

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April 29, 2015 By : Category : Beat DJs Front Page Fuzz Garage Inspiration Music Psych Reviews Scene UK Tags:, , ,
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Legay – High Flying Around – EP Review – Dr Robert

This entry is part 2 of 2 in the series Record Picks

Legay – High Flying Around EP

Well worth the wait ‘High Flying Around’ finally sees the light of day on a 60 gram vinyl EP looking like an acetate from the golden era housed in a brown paper bag with a free Legay pin and postcard with a picture and history of the band. What about the music I hear you say? Well the title track has been getting a hammering by DJ’s Speed and Dr Robert at clubs and events all over Europe for the last few years. A killer Pop-Sike dance floor filler that surpasses the classic 1968 Fontana release. ‘No One’ for me is the more polished of the four tracks. ‘Minstrel Boy’ has more of an early Move late Action soulful feel and ‘You’re on my mind’ is frantic freakbeat and demonstrates what an exciting live band Legay must have been. ‘Impartial Judge’ rounds of the EP, grab one quick from Circle Records here: www.circlerecords.co.uk

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I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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April 29, 2015 By : Category : Bands Beat Front Page Fuzz Garage Music Psych Reviews Scene UK Tags:, , ,
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