Browsing Tag Euroyeyé

Newbreed – Las Munjitas del Fuzz

1. How long have you been active for and how did you get together?

We started together as Doctor Explosion in the springtime of 1989. We were the first original line up under this name and we did hundreds of shows and five albums plus some singles and eps till 2001 when the original line up splits up, although i decide to keep going with different members as Dr Explosion after that date till nowadays. In 1993 after reading an article about obscure Spanish bands in the 60s, i discovered about Las Monjitas del Jeep, a group of real nuns who consider themselves as “ye yes”, “we are YE YEs but of the type that don’t get in troubles”. They were living in a convent and done their shopping in a Jeep. Fascinated by the idea of this group of religious devoted nuns who had such a cool gear (seen in pics such as Gibson 335, Grestch guitar, etc).

It was after that that I proposed to Felix and Varo to start a parallel band under the name of Las Monjitas del Surf to play spontaneously at our local temple, the music bar La Foli, a year after in 1994 we rescued the idea to play with another guitarist (Marcos Montoto, who we did at least two shows with) under the name of Las Monjitas del Fuzz. After that we did a tour in Spain with Lightning Beat Man in 1996 as his backing band.

We were very busy as Dr Explosion that time during the 90s so we used las Monjitas to do punctual shows randomly. After that, in 2001 with the new members of Dr Explosion we played at the Wild Weekend in Benidorm under the name of Las Munjitas. I think it was a mistake by Josh Collins to change the name of the band, the O for the U, but maybe not and it was only genius from Josh!! Bravo!! so when Varo last year (2016) proposed we get back together with Felix (the original line up of dr explosion) under las Monjitas del fuzz name I rescued the U in MUNJITAS from Josh’s idea, cause it sounds like MOON-hittas, in English and esthetically the name looks better with the same U as FUZZ.

As Las Munjitas del Fuzz we have been active since Varo called me in April of 2016.

2. What influences do the band members have in common?

We have lots of music influences in common, all the fuzzy mid 60s garage, and late 60s acid Pysch garage with raw strident guitar tones, but also all British 60s bands, 50s Rhythm and Blues, good Rock and Roll, Soul music and jazz and obviously much more. We know that Las Munjitas del fuzz land is the territory for the most extreme fuzzy and pysch garage sounds with creepy Spanish lyrics from the vision of a tormented nun who lives in these crazy modern times

3. Are there any other bands you’d recommend from your area? Why?

Around Gijon, Bobkat 65 cause although they are still in the process of learning to find their own way and self-confidence there is a real truth and love in what they do that you can feel in the spirit of their songs that makes them more real and special than other “professional” musicians. Check them out, they have a new album on Get Hip Records! I also spend part of my time in Austin, Texas that I consider also my area so, there I could mention hundreds of examples of good music like The Black Angels, Amplified Heat, Mike Flannigin (best hammond organ combo in town) Sweet Spirit, The Ripe, The Uglybeats, The Bellfuries, A Giant Dog, Sweet Spirit,The Thunderchiefs and many more.

4. What’s the 60’s/underground scene like where you’re from?

Here in Gijon it is quite boring I might say, lots of no talented and pedant shit over polished and enhanced by music business media, some indie rock song writers with pretentious political intentions but nothing really exciting except some real talented people like Fee Reega, Captains and a few others like Bobkat 65, Las Potras and Peralta.

In Austin is an amazing community of talented musicians with hundreds of good bands around.

5. How would you describe the style you play?

Fuzzy Psych Garage Punk

6. What are your live shows like?

Mystic Ecstasy, Out of Control, Tremors and Levitation, Religious Fervor and Mass Mess

7. What are your main influences in music? Who do/would you play covers by? And who do you despise?

My influences in Music are very wide, as somebody said once, I like all the good music and a bit of the bad stuff. Las Munjitas only play covers for now but I write my own lyrics in Spanish that gives the songs a new vision. We have the intention of writing our own material for the next records. it is very interesting and fun to see from a language point of view how changing that affects the final result. Even though I respect all the accents of the melody by just changing the meaning of the lyrics and the sounds of the words you can export a song to a new dimension, where that recording means something totally different to a new group of people. I love playing with that, it’s a in joke for us to transform the songs we have always loved into something really stupid to laugh about, we don’t respect anything.

8. What are your main influences outside of music?


9. Who writes your songs and what subjects do you deal with?

I write the lyrics. As I said above we play covers, golden Garage hits from the mid-60s, that we used to play in our setlist in the 90s, plus some other new. When Varo asked me to get the band back together again I thought it was a good idea to do it under the name of Las Munjitas. It made no sense to play those songs again with their original lyrics, so as long as we were now Las Munjitas del Fuzz and not Dr Explosion I started to write new lyrics with the vision of a real catholic nun.

Catholicism has been a huge part of our education since we are all coming from deep Catholic families, Varo and I were both in Catholic schools. So, in most of the lyrics I want to sound like a real nun with an ancient conservative traditional mindset trying to understand and describe today’s World. Trying to understand today’s young people and the music scene, and at the same time trying to be part of it, but with her own spirit. Like a Christian rock band but with Garage Punk tunes, sometimes I go a bit wild with the lyrics like “Let’s go in 69” where i describe the sexual act of a 69 between two nuns. but aren’t we all sinners? “And you know that temptation and the devil is always there. And well, the attitude of the lyrics is surprising, like…”Oh my god!! it is a 69!!” Although there are also explicit descriptions of oral sex. it is real as life itself where tragedy and comedy walk together hand in hand.”

10. What’s your favorite song in your repertoire currently? What’s your favorite song by another artist?

I like a lot “Satan sal de mi” which is our first single and the new video we’ll put on youtube soon. A song by another artist it could mention hundreds but I am gonna say “I am a lover not a fighter” by Lazy Lester because I met him last Saturday after his show and had a beer with him, and because I love that single!

11. How would you describe the current underground scene? Do you participate?

I think the underground scene is in a very interesting, there is a lot of cool bands all around the World, and more important, there is a new generation of fans interested in today’s scene with festivals like Levitation in Austin, Liverpool and Angers. I participate as much as I can, producing and recording bands. I have been working with Boogarins, Golden Animals, Dallas Acid, Amplified Heat, The Ripe and Sean Lennon.

12. What has been the biggest challenge to date?

Not being arrested by the border patrol when we were shooting our videoclip of “Satan sal de mi” near the Mexican border dressing like nuns. the officer asked us: “Are you guys roman Catholics?”

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Well, Varo lives in Valencia (800 km away) so every time he comes over to Gijon we try to do as much practice and recording as we can. Actually the records we have been putting out are first takes of the first rehearsal we did after 16 years. A large part of our set are songs we used to play in the 90s. We practice at my studio Circo Perrotti where I put mics and record the rehearsal with the intention of hearing the possible mistakes and work on the songs after that. The truth is that we liked the way the songs came out with their imperfections, and we love that fact as important part of the footprint of real music. We have a new single on Slovenly/Shit on the Milk records, with a hidden surprise at the end of the 1st cut. we also have one more single coming up on Groovie Records. We have a recorded lots of hits like “No la van a Bautizar”, “Aun soy Virgen”, “Frivola” or “El Twist de la Genuflexion” that will be included in the Munjitas album.

14. What do you think of the music coverage in the media?

It is like in any other business, people follow the mainstream, most of the times just a matter of investing money and time, there is a parallel World of talented people doing the most interesting things in the underground and occasionally the massive media discovers one or two of them and gives them bigger exposure

15. Do you rate any current mainstream or underground bands?

The Black Angels are my friends, I play with Jake Garcia in The Ripe and he invited me to join them for their show at Primavera Sound, and although I saw them many times before in Austin, that night was special for me. To see Jake my brother on stage having a massive success in my own country, made me feel very proud of him and of the hard work they have been putting into this new record. I also produced the last album of Boogarins “Manual”, great Psych rock with Brazilian roots. I love that band and to work with them in my studio in Spain was an amazing experience. The album was a nominee in the Latin Grammys last year. I am currently working on the production of Micky’s new album in Gijon. Micky from Micky y Los Tonys had some number one hits in Spain and Germany in the 70s and 60s and he is very well known all around Spain.

16. Who/Where would you most like to record with and why?

We are lucky in the that sense as I have my own studio. Apart from Circo Perrotti I’d love to record again with Liam Watson, he is a good old friend and I love what he does, and he recorded us for the first time in 1994

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up?

Well we will play at Euroyeye fest in Gijon this summer and I want to complete our first album. I also want to do our own material for a conceptual psychedelic album based in texts of Santa Teresa de Jesus and the Spanish mystics of the XVI century…

Band Members: Sor Alvaro Coalla (Bateria), Sor Felix A. (Asuncion) Dominguez (Bajo, Teclado y Voces), Sor Jorge Munozz Cobo (Voz y Guitarra)

Discography: 2016 Single “Satan Sal de Mi” (Funtastic Dracula Records), 2017 Single “Es el 69” (I shit on the Milk Records), 2017 Single “Pecado” (Groovy Records)

Main Site: CLICK HERE!

Social Networks: FACEBOOK HERE!

Tour Info: CLICK HERE!

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I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: for rare vintage vinyl.

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July 3, 2017 By : Category : Articles Bands Beat Europe Front Page Fuzz Garage Interviews Picks Psych Tags:, , ,
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Euroyeyé 21st Anniversary

Easier said than done!

Once again, from July 31 to August 2 Gijon became the world’s capital of the 60’s underground and European mod scene. After our twentieth anniversary last year our home at the Oasis discotheque was turned into a McDonald’s drive through so how would this year’s weekender go?

We started this year on Friday 31st July with the presentation of two great books. “Mods: a guide for an elegant life” by Dani Llabrés (Lenoir editions) a must-buy if you enjoy our scene (and understand Spanish), and the Lambretta Club of Spain book about the Lambretta factory in Eibar.

After that, a first alldayer with DJs in the Patio de la Favorita and another parallel scooterist meeting with craft beers to taste, DJs and scooterist stalls. And right after, at 22h, the first concert in the Plaza Mayor de Gijon with over 5.000 people enjoying it. The Excitements firstly on their own and then with Julián Maeso and Miguel Herrero backing soul diva Betty Harris (with her three backing singers) was a wonderful show and great way to start the weekend.
 After that our first allnighter at the amazing Dragon Discotheque and with almost no time to sleep, Saturday’s ride out started with the roar of a 200 scooters at Blow Up Club’s terrace, facing the beach of San Lorenzo in a strangely sunny day for our asturian climate. Many people said that the ride out was the most beautiful in the recent years but this, my friends, you have to be here to experience it by yourselves.

Vermouth and food in a restaurant in Castiello de Bernueces with lovely views over the entire council of Gijón, sweepstakes, prizes (this time the furthest travellers were a couple of classic Vespa riders from Cadiz over 1000kms x 2 to get here!) And then rushing to the “Battle of the Bands” at Discoteca Acapuclo. The Pow Pow Pows won it this year, congrats!
 Two hours after, Acapulco was ready to receive the Extended Plays and American’s Powder for the first time in Europe. Both concerts striped high but “the American Who” aroused great enthusiasm among the public, undoubtedly one of the highlights of this edition. After that, two simultaneous allnighters in both venues (100mts one from the other) were accessible with a wristband. Soul Music with special guest DJ Ginger Taylor in the Dragon and 60s rock music, garage and freakbeat in Acapulco.
On Sunday we still had the alldayer in the Patio de la Favorita and concerts by young European bands The Carnations (UK) and Les Grys Grys (Fr) who, incidentally, tore down the nightclub with their rave 60’s r&b covers. I don’t know if they will be the same when they have their own songs but their strength on stage is indisputable, currently the most powerful combo in the world in their style.

Thank you very much to collaborators, sponsors and all who have participated and attended another year of Euro YeYe and especially the sponsors of the Scootercruzada, Scootering Mag, Ancoralba, Scooterist Factory, Lambretta locomociones, Only Scooters, ASM Scooters, Scooterup, Scooter Classic Oils, Gijón, Vespa and Lambretta Club of Spain (not sure if I leave one out, forgive me). Till the next time Felix.

Photos by: Carolina Santos Noval for the full selection go to:

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Felix EuroYeYe

Organizador de weekends mods y 60's como el Euroyeyé y el Beat Goes On. In Gijon, Spain.

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September 23, 2015 By : Category : Bands DJs Europe Events Front Page Music Reviews Scene Tags:, , ,

Euroyeye 20th Anniversary

Gijon, Spain- 31 July 4 August 2014

Hundreds of Mods and 60’s lovers from around the World have gathered in Gijon every summer for the last twenty years for this unique festival in the northern Spanish province of Asturias. This means a great deal to us so we put probably the best line-up in our history together to celebrate this milestone.

Thursday kicked off in style with a free live gig in the main square of the city with local Spanish Soul band Attica Revolution warming up the 4000+ people with a great mix of originals and covers before Motown legend Brenda Holloway hit the stage for the first time in Spain and blitzed the audience with a magnificent performance. Brenda played almost the same set as Modstock covering big hits ‘When I’m Gone’, ‘Every Little Bit Hurts’ and ‘You Made Me So Very Happy’ and underground hits ‘Reconsider’, ‘Starting The Hurt’ and ‘Crying Time’. Two encores brought the show to close eventually leaving many happy smiling faces waiting for more action.

In truth the festival already begun a couple of weeks before with various art exhibitions and 60’s cult films which are free to visit for a whole month visit the website to view the full program. The first of four allnighters was a short walk away from the main square and after some tapas washed down with local sidra I was ready for one of the hottest bands around right now The Night Beats from Texas. A loud hypnotic beat pinned by the bass and drums with psychedelic guitars and a great front man whipped the crowd into a frenzy and all too soon for me it was over. The night continued with DJ’s doing a sterling job playing sounds from cross the 60’s spectrum.

Friday morning came around far too soon, the first Scooter cruise was a big buzz as usual. The scooters gathered at the open day at Laboral with Lambrettas and Vespas from all Spain (and a few from abroad including Marco & Steve Groves & Friends from Scooter Emporium) at midday to enjoy the live shows, djs, stalls and exhibitions. After the acoustic gig of Nolan Porter and Neil Jones the exhausts of more than 120 scoots begun to burn west towards what some said was the best sights they had ever had on two wheels. A couple of hours everyone came back to the LAB for the exper-i-mental  Rubayat live 8:2 set, something that has never been done before in our scene.

Doors opened at 10pm for the second allnighter with UK band Stone Foundation which many readers here are familiar with making their Spanish debut. Needless to say they won the crowd over with songs from the fantastic new album ‘To Find the Spirit’ before another US Soul legend Nolan Porter also making his Spanish debut joined them on stage playing his scene faves and choice covers. After the live music the allnighter was wild with two dancefloors and the best mod and 60’s music played by over a dozen DJ’s from around Europe.

Saturday morning at 11am we decided to meet at a fantastic new place, all the vintage scooters gathered in what we call “El Rompeloas” (“wave-breaking wall”), in the sports port with the luxury yachts and fishing boats making a great background for nice pictures. After lots of shots and beers the long love (and loud) caravan headed East towards a “walk & ride” called the Claretian Route, almost coming to a stop at very old pathways in the hills near Luanco. The ride finished at the posh Golf Club of Castiello for a vermouth and great Asturian lunch, price giving, raffle and yet more beers, wine and sidra. Lambretta Club of Spain annual meeting also took place with interesting news for members, some of them I know you will love and enjoy very soon (agree, Andy?).

Then it was off to The Battle of the Bands as Sala Acapulco. After watching 4 great bands the winners were Gamonides, they will record a single at Circo Perrotti studios for free as well as getting the support slot at the allnighter on Saturday night. The heavens opened with torrential rain from early evening into the early hours of Sunday morning making an interesting evening on the terrace at the Oasis. Our headline band from La Coruna Fogbound with Fernando from the Elephant band on Hammond gave a great performance with strong originals and great covers like the Artwoods ‘In the Deep End’ which was appropriate for the Oasis swimming baths. The allnighter afterwards was frantic and really crazy ending gone past 8am with lots of people asking for more… not me.

My brains showed me white flag on the Sunday so no scooter action for me. Any fragile souls will have had their bones and brain shocked to the core when Graham Day & the Forefathers hit the stage ripping through over thirty years of Prisoners, Prime Movers, Solarflares and Gaolers material. The Catalan support Los Retrovisores played a mix of US and Spanish Soul and Pop with clever covers and great arrangements of the scene classics. The last allnighter was a blast again with a short break for Mr & Miss YeYe which are always chosen for their party antics over the last four days. Worthy winners were Raul from Andalucía and Amanda from Brazil. Champagne popped and crowns and banners fixed and it was time to party like it was the last one ever at the Oasis. Dr Robert was scheduled to finish at 6am and after about 5 encores with Esther Phillips ‘Just Say Goodbye’ and The Animals ‘It’s My Life’ the songs I can remember, the party was over for another year.

A fantastic restaurant was booked for everyone Monday to enjoy the local dishes and Sideria before their journey home.

Join us next year from 31 July to 3 August 2015 for EURO YEYE 21.

Pictures by: Eva Lussina Lopez Guisaraga
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Many thanks to all sponsors and all the artists, bands, djs and everybody involved in the organisation or simply everybody that made it to the yeye in these difficult times to create this unique atmosphere.

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I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: for rare vintage vinyl.

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September 18, 2014 By : Category : Bands Clubs DJs Europe Events Front Page Music Reviews Scene Tags:, , , , , , , , , , , ,
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Euroyeyé 2013 Review by Felix

Euroyeyé is an underground event, organized by mod and 60’s culture lovers for people like you every year since 1995 in the beautiful city of Gijon, on the Asturias coastline of Spain.

For this year’s event there were eleven live bands including legendary Detroit soulman, Derek Martin (see NUTSmag June 2013); Lewis Floyd Henry for the first and only time in Spain; The Aardvarks after almost twenty years since their last visit; the sensational See See also from UK and home grown talent Sex Museum, The Allnight Workers, The Wallas, The Black Beltones, Fogbound, The Rosquettes and King Jartur & His Lords. I could talk about all the concerts but like almost everything in life, you probably had to be there to appreciate them.

We also had 22 DJs spread over four lively alldayers and four amazing allnighters; the best of the most experienced mixed up with the most promising from our scene. More than 40 hours of dancing with the best 60s and mod music could be enjoyed in two packed dance floors and an outdoor terrace to chill, smoke, have a drink, chat or buzz around record and clothing stands.

If that was not enough you could see three exhibitions including Pedro Poyatos and Geometric and his original Holism in the CCAI, Javier Cámara watercolors with his “Monde Smart” in Café El Guetu and Mardi’s evocative, monotone collages titled “Jazz Problem” in Cleo, Modern & Vintage Clothing.

A film exhibition worthy of the best festivals, programmed by Merli Marlowe film, delving into incunabula 60’s French, Italian, American and Japanese film-making and three delicious short films to begin each session.

There was time to introduce the new collection of books “Mis Documentos” (Ed Chelsea). Alex Cooper, the author, spoke about them.

And finally our Scootercruzada with English visitors (I could not even say hello to them by the way, what a shame); two ride outs, over 200 scooters buzzing in the streets of Gijon and surroundings. I must mention the very sad and tragic death of one of the scooter riders on route to this year’s festival. We wish to send our deepest and most heartfelt condolences to Iman’s family and friends. 

It was a weekend full of emotions.

Next year is the 20th anniversary and we are already working very hard on making the anniversary something even more special than usual, so come and join in the fun and experience this unique atmosphere with us on the 1st weekend of August in 2014.

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Felix EuroYeYe

Organizador de weekends mods y 60's como el Euroyeyé y el Beat Goes On. In Gijon, Spain.

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September 20, 2013 By : Category : Articles Europe Events Front Page Music Reviews Scene Tags:
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