Browsing Tag Le Beat Bespoke 12

Masters – Corduroy

This entry is part 1 of 5 in the series Masters3

In the early 1990s, something unusual happened and something that has not happened since; two small independent British record labels were formed that defined the entire decade musically. On one side driving the Britpop era was Alan McGee’s Creation Records and on the other, Eddie Piller’s Acid Jazz which flew the flag for eclectic soul and funk. Part of that Acid Jazz roster was a band which may have had modest chart success, but retained a loyal fan base and critical acclaim for every album and single they released. NUTs caught up with frontman Richard Searle to talk about Corduroy and their forthcoming headline appearance at Le Beat Bespoke 12.

01. When did you get Corduroy back together and why?

We reformed in 2013 to promote a Corduroy CD box-set released by Cherry Red Records, featuring 3 of our 5 studio albums plus a Japanese live album; plus a previously unreleased live album via Acid Jazz Records.

 02. When did you first become interested in music?

We didn’t have a record player when I was a primary school kid. I grew up during Glam, (Slade, Sweet, T-Rex); but my oldest friend, who lived down my street (Elibank Rd), had a record player and his brother had two Who albums; so The Who were formative, and are still my favourite band.

03. Do you regard yourself as a mod? How did you get into it?

I bought punk records from 77 onwards, The Stranglers, The Damned, Generation X, Devo, Pistols etc, but I used to follow The Jam, they were ‘my life’. I saw them for the first time in 78 (supported by Generation X and Slade). My first parka cost £14 from Paraphernalia in Lewisham). My first bespoke suit, when I was 15, was from a tailor in Lewisham called James Joyce – the jacket still fits. When the ‘mod revival’ happened, I’d already started listening to psych stuff (the first Nuggets album, Velvet Underground, Shadows Of The Night, Electric Prunes, Love), so when the ‘New Psychedelic’ scene reared its head, I was already wearing more ‘swinging sixties’ gear, my hair was a ridiculous back-combed bouffant. I didn’t fit with the British ‘mod’ look, I was never into Two-Tone. When people ask, I say that I was a ‘psychedelic mod’.

04. How did the whole Doctor and the Medics thing come about?

The ‘psych scene’ was based around a couple of clothes shops, The Regal and Sweet Charity and a Soho club called The Clinic (in Gossips – Soho); the resident DJ called himself The Doctor he was my patrol leader in the scouts. The Doctor (Clive) was given the opportunity to record a single on Whaam Records, so he put a band together. It was only supposed to be for the one single, and a couple of gigs, but we had fun and carried on. I left after 8 years.

05. Which clubs did you visit during the late 80s and early 90s?

In the 80s it was mostly psych clubs, The Clinic, The Taste Experience, The Pigeon-Toed Orange Peel, and the Alice In Wonderland (a club which took over from The Clinic, in which The Doctor was resident DJ and The Medics played regularly). I went to The Bat Cave once – once was enough. In the 90’s I was going through a beatnik phase – Smashing, Frat Shack, Tongue Kung Fu. DJs like Martin Green and The Karminski’s were where it was at.

 06. How did you join up with Boy’s Wonder?

Boys Wonder were friends, they were truly great. They sacked the bassist Chris Tate and I filled in for a hand-full of gigs (a couple of head-lines at the Marquee and supporting The Hoodoo Gurus at the Town & Country, now The Forum).Tony Barber then joined.

Despite being ‘in vogue’ they were dropped by their record label, Sire, and then sacked Tony Barber. The Medics had stopped being fun by this point, so when they asked me to join permanently, I did so. The band then started a long downhill spiral of musical styles, band wagon jumping and failed attempts to get re-signed. By the time Boys Wonder finished, we were truly shit.

07. How did you meet Eddie Piller?

Acid Jazz was one of three record labels that the newly formed Corduroy went to see. Ed Piller booked us into his studio two days later.

His first words to me were… ‘Are you a mod?’

08. What is your assessment of the influence of mod on Acid Jazz and vice versa?

Acid Jazz became a refuge for displaced survivors of the mod revival, mainly because it was owned by one, (Ed Piller), but musically it was all over the place. The Sandals came from the ‘beat scene’, Emperor’s New Clothes were proper jazzers, and Mother Earth just wanted to be Traffic. Some bands initially did appeal to mods (JTQ and then Corduroy) but I think musical tastes changed with the labels’ output, which became quite ‘fusion’ orientated. Fifteen-minute hip hop, jazz funk, jam sessions by stone-heads with pubic beards wearing socks on their heads – just isn’t very mod.

09. What was the inspiration for the Corduroy sound?

We each had very different musical tastes, but we all shared a love of film music; this was the main inspiration for the Corduroy sound at its best (the first two albums). By the third album, that uniting force had vanished (lost through ego and endless Steely Dan records). I will always regret not actually leaving Corduroy after the second album.

10. What are you most proud of from your Corduroy years?

Record-wise, I guess the second album – High Havoc. Supporting Blur at Alexandra Palace, (with Pulp and Supergrass), was cool. Seeing the world, Japan, Hong Kong, Singapore, Australia as well as traveling all over Europe. But my fondest memory is of pulling a girl’s knickers off with my teeth, during an excellent round of strip-dice (a game that I invented).

11. What was it like being signed to Acid Jazz and part of a vibrant scene in music?

The Acid Jazz ‘scene’ meant that people would listen to you, who normally wouldn’t, simply because they were into ‘the scene’. At its best, this meant that there was a family type atmosphere between the bands, and a sense of belonging, plus lots of work. At its worst, by the time Acid Jazz stopped being known as the record label and became regarded as a music genre, the bands couldn’t develop. When Brit-pop then over shadowing things, it became more fashionable than, the Acid Jazz scene, bands identified with ‘the genre’ were ultimately finished. The ‘scene’ itself moved back into the clubs – eventually with Acid Jazz Records buying The Blue-Note.

12. Which clubs did you visit during the 90s? Was Blow Up one of them?

I went to Blow-Up at The Laurel Tree a couple of times, more so when it moved to The Wag… Corduroy played a gig there. I had my own bar tab at The Blue Note.

13. Which bands, music, clubs or scenes have impressed you during the last decade?

Bands: Super Furry Animals, Spiritualised, Verve, Manson, The Dandy Warhols, Kula Shaker, The Prodigy, Earl Brutus,

Clubs: Smashing, was for a year or so, the best.

14. What has been the response to Corduroy coming back?

Very positive; getting lots of international invitations for shows as well as UK interest. We are currently writing new material with every intention of recording a new album.

15. What can we expect from Corduroy at Le Beat Bespoké this year?

Groovy, spy themed, organ-fueled, raw garage, punk-jazz, dirty mod, fun!

16. Are you looking forward to it?

Yes, very much!

 


We are too Richard. Thanks for taking the time to talk to NUTsMag

Corduroy headline Sunday night at lebeatbespoke.com at 229thevenue.co.uk Central London.

Check the bands facebook page here: facebook.com/CorduroyBand/

This interview was originally the one I did with Richard Searle for the updated Influential Factor.


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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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February 23, 2017 By : Category : Bands Front Page Interviews Music News Tags:, , ,
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Newbreed – Eliphant

This entry is part 3 of 5 in the series Newbreed5

Elipant is a North London Power trio formed in 2015. Psychedelic influences mixed with punk-rock sensibilities. Retro with a contemporary twist and a will to sound like no one else. Lyrically in between sensual surrealism and no-bullshit politics. Building a strong following with their high-energy live shows. Eliphant declares war against the stiff and the bored!

01. How long have you been active for and how did you get together?

Eliphant was formed in spring 2015 by Dade and Elian who knew each other from a chance meeting and playing in another band, played our first gigs that summer with our first drummer Marco. We got Nelson on board in June 2016 and we’ve been living happily ever since.

02. What influences do the band members have in common?

We’re united by our passion for music, cinema and arts along with the fact that we both decided to come to London to pursue our dreams and ambitions.

03. Are there any other bands you’d recommend from your area? Why?

Since we started we shared nights with some very cool 60’s influenced bands. The Carnations who pushed us to get together, Creamer & Wesley, Black Doldrums, The pacers, DIN,… They appeal to us because of their sense of originality, tunes and charm.

04. What’s the 60’s/underground scene like where you’re from?

It’s hard to tell as we’ve been away for many years now and are yet to tour Europe. Elian, Nelson and Dade all used to play in bands doing pub circuits back in Paris, Lisbon and Nizza in Italy respectively. There wasn’t much of a 60’s/underground scene like there is now.

05. How would you describe the style you play?

Psychedelic sixties garage mixed with punk-rock sensibilities. Retro with a contemporary twist.

06. What are your live shows like?

Explosive! Live shows are the best representation of our band. We love to take our audience on a trip, between strong songs and improvisations. That way every show is different and surprising.

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

We all got an eclectic taste in music so anything relevant since rock’n’roll started. In our music, you could find influences from Bowie, Love, Stooges, early Floyd, Pistols, Pixies, Sonic Youth, White stripes and so on. We played covers of ‘Moonage daydream’ by David Bowie, ‘Break on through’ by The Doors. Apart from the top 40 garbage not worth mentioning… Virtuoso music, posers with no songs to offer, any music that sounds safe and formatted (Coldplay?).

08. What are your main influences outside of music?

Each of us in the band, our lovers and our friends. All the crazy characters we meet around this fair old town. Daily lives, socializing at night and Wetherspoons.

09. Who writes your songs and what subjects do you deal with?

Elian writes the basic songs, lyrically dealing with love, lust, social commentary and a sense of freedom. Sometimes abstract to paint an emotion or a situation. other times we use music as a way to make fun of the crap that the media and society push on us.

10. What’s your favorite song in your repertoire currently? What’s your favourite song by another artist?

One of our new songs: ‘She comes in waves’ or ‘Running out of dreams’, two sides of the same coin. Summer beats guaranteed to take you away. These are both inspired by last year’s adventures, trying to find moments of bliss amidst the chaos. Our favourite song would change every day, let’s be boring and say No Fun by the Stooges.

11. How would you describe the current underground scene?  Do you participate?

There’s a lot of exciting nights around town and many great talents to be found. The key is to be united and have a sense of community among bands, artists and DJ’s. We’re delighted to be part of this.musical landscape, looking forward to traveling around by inviting bands to a gig in our area and vice-versa, play festivals around the country.

12. What has been the biggest challenge to date?

Making a living in London while having enough time to do what we love and let it rock!

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

We rehearse every week, as for gigs, at least once a month. We once played 2 gigs in a day, that was a little crazy but fun. We’d play once or twice a week if we could. there’s nothing like playing live to get tight and hot as a band. We recorded two EP’s so far and we plan to capture the true essence of the band on tape in the very near future.

14. What do you think of the music coverage in the media?

If you’re curious, the internet and social media make it real easy to find out where the action is, at least in terms of events. We only wish genuine artists who write and sing their own music would be represented more fairly in the media, but at least we don’t own TVs. New bands now do all the promotion themselves and pay Facebook and Spotify for sponsoring and getting their music out there. This is quite sickening when you think of the profits these companies make on behalf of artists works.

15. Do you rate any current mainstream or underground bands?

We like bands with a 60’s/70’s touch like Foxygen, Lemon Twigs and Public Access TV from across the pond. There’s some exciting bands around like Cabbage or Estrons, great shows.

16. Who/Where would you most like to record with and why?

It would have to be someone we get on well with, but the list could be long. It’d be intriguing to work with Dave Fridmann (MGMT, Tame Impala) he seems to be a sonic wizard. Abbey Road would be thrilling for obvious reasons, but if we could choose, why not go to a place like Sunset Sound in California? Absolutely everyone we love has worked there at some point. That, or a trip to the desert with Josh Homme.

17. What should we expect from you in the future?  What are your plans and ambitions? What interesting gig dates have you got coming up?

We’re looking forward to experimenting and take our sound further, make new videos and have an album ready by the end of the year. We’ll be going on a tour in Italy at the beginning of March and we’re buzzing about it! Then we play at Le Beat Bespoke in London at Easter (April 2017). Ideally, we’ll continue to create and spread our music across the world and never feel old.

Free at last!

Main Site: eliphant.co.uk

Social Networks:

Facebook:  facebook.com/eliphantsound
Twitter: twitter.com/eliphantsound
Soundcloud: soundcloud.com/eliphantsound
Instagram: instagram.com/elian.eliphant


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 15, 2017 By : Category : Bands Clubs Events Front Page Interviews Music Tags:, , , ,
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Newbreed – The Arrogants

This entry is part 5 of 5 in the series Newbreed5

The Arrogants are part of a growing wave of young musicians who, unlike many other teenagers of their generation, are not interested in video games and hipster bands name-checks. These particular young men, alongside a number of others in various countries (some of whom you may know from other Dirty Water Records releases) have happily spent their teens investigating classic 20th-century music: blues, rock’n’roll, garage-rock, rhythm’n’blues!

And they decided they wanted guitars in their hands rather than games consoles. The Arrogants began their musical archaeology first as a 14-year-old duo, then as a 15-year-old trio… Then with an organist, as a quartet, they were ready to be heard by the wider world, with their debut EP, (‘Introducing the Arrogants’ on Dirty Water Records). And now, with the addition of a fifth band member, a rhythm guitarist, to further fill out their sound they are ready with their first long-player.

Whilst digging the sounds of the past, they have successfully developed their own repertoire, writing their own songs and gaining recognition in their home-town by playing as support to their heroes The Pretty Things, and appearing at the Lille Vintage Weekend in front of 15,000 strong crowd. And, recently, they appeared in front of 57,000 people opening for Lenny Kravitz at the Mainsquare Festival in Arras, France.

Produced by French Londoner Healer Selecta (a.k.a. Yvan Serrano of the Dustaphonics) and mastered by Pete Maher (who has worked for U2, The Killers, Rolling Stones, and Jack White, amongst other famous names), these eleven tracks were recorded at the vintage studio of the National Belgian Corporation in just three days. Serrano remembers seeing the sixteen-year-old Arrogants on stage for the first time, ‘It was a strange feeling, as though I was watching an original garage band. Their garage sound is pure, minimal and wild. To make true sixties garage, it should have this youthful energy and not over-do the technical ability to make for a real musical experience.’

The London album launch was on 31 October 2015 at the Fiddler’s Elbow, NW5 in a joint promotion by the Dirty Water Club and Weirdsville. The French album launch was at the Roubaix Vintage Weekender, a major festival attracting tens of thousands of revellers.

It’s been a rather busy 2016 for these ‘fab five’ from Lille, France having been interviewed on French national television along with mainstream magazine features, countless articles, reviews and international radio play. The group produced in grand style, their first video for the title track and single off their scorching hot debut album ” No Time To Wait.” The band has been touring all over Europe including a concert at the legendary Liverpool Cavern Club (Home The Beatles).

Major Influences: 60’s Mod sounds The Who, The Small Faces. Garage Rock The Standells, The Shadows of Knights. Psychedelic sounds 13th Floor Elevetors. Blues Muddy Waters, John Lee Hooker. 50’s Rhythm & Blues Chuck Berry, and Bo Diddley!

The Arrogants consist of Thomas Babczynski in the lead guitar and vocals, Louis Szymanowski in the bass, Martin Tournemire in the organ, Hugo El Hadeuf in the drums, and Emilian Mierzejewski in the rhythm guitar.

01. How long have you been active for and how did you get together?

The band started in 2008 with Thomas & his younger brother Luc. At this time as the band was just two guitar and two fuzz pedals. Thomas started singing and they both plays guitars. Luc was 13 and Thomas was 14. They did their first big gig in Brussels in 2009 for the National Belgian Radio & Television Broadcasting Co, then Luc stopped guitar and started the drums. They met Louis who became the bass man and then found an organist. Then Luc left the band.

At that time they changed the line up: the drummer and then the organist. Thomas met Hugo the new actual drummer in his neighborhood (he was playing so loud that we can hear him from his own bedroom…) One morning, he knocked on his door and just simply asked him if he wanted to join a rock n roll band and he said ‘yes’ of course. He met Martin the organist at school and him and some others were skipping lessons whilst playing music for the Church part of our school that’s where he first heard him playing the organ – he was amazed so he asked him if he wanted to join a rock n roll band and he said ‘yeah’! Thomas met Emilian, the rhythm guitarist in our Town.

02. What influences do the band members have in common?

Bo Diddley, Small Faces, Shadows of Knight, The Fabulous Wailers, The Sonics, and The Seeds.

03. Are there any other bands you’d recommend from your area? Why?

The Gentlemen’s Agreements cause they are very good!

04. What’s the 60’s/underground scene like where you’re from?

Pretty Mod inspired at the moment.

05. How would you describe the style you play?

Fuzzadelic! What we’ve created is a mix of everything that we like: sixties music and the revival stuff that came up in the eighties and some of today’s sounds too

06. What are your live shows like?

Energetic and very wild, we like a ‘crazy’ crowd!

07. What are your main influences in music? Who do/would you play covers by? And who do you despise?

60’s Garage Rock, just one cover “Gloria” by Them. We don’t like the mainstream pop of today.

08. What are your main influences outside of music?

60’s Culture in general, Modernism, and clean Design!

09. Who writes your songs and what subjects do you deal with?

Mostly Thomas. It’s all about life, dreams, experiences and gals.

10. What’s your favourite song in your repertoire currently? What’s your favourite song by another artist?

That’s a new one “No Plan”.  Out of Our Tree” – The Fabulous Wailers

11. How would you describe the current underground scene?  Do you participate?

Interesting but without much media focus on it. Absolutely, we get out and about!

12. What has been the biggest challenge to date?

Main Square Festival Arras France. 57,000 people!

13. How often do you Rehearse? Play Live? Record? Anything interesting coming up?

Once a week, once a week, recording as much we can, we look forwards to our Spanish Tour soon!

14. What do you think of the music coverage in the media?

Could be better, Is there any music coverage by the media?

15. Do you rate any current mainstream or underground bands?

Brian Jonestown Massacre, King Gizzard and The Lizard Wizard, Nick Waterhouse,  and also Allah-Las.

16. Who/Where would you most like to record with and why?

The Sorrows, because they were there in the good old days and still incredible on stage.

17. What should we expect from you in the future? What are your plans and ambitions? What interesting gig dates have you got coming up of interest?

A new album, a world tour, Spanish Tour, Le Beat Bespoké – Easter 2017 in London which will be amazing!


Social Networks:

Facebook: – facebook.com/TheArrogants/ 

Soundcloud: – soundcloud.com/the-arrogants


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

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February 15, 2017 By : Category : Bands Front Page Interviews Music Tags:, , , ,
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Hey! Mrs DJ – Miss Clawdy

This entry is part 6 of 7 in the series Hey! Mr DJ 4

We recently caught up with DJ Miss Clawdy to talk about her musical outlook.

01. How and when did you get into music and what were you listening to then?

My Dad was a Saxophonist in a band during the 70s and when I was young he used to spin some of the songs he was playing with that band, such as “Booker-T Green Onions and Willie Mitchell 30-60-90”. Those sounds were weird and fascinating to me and at the age of fourteen, my Sister who was a Mod got me listening to classics from the 50s, 60s and Ska.

02. Where was your first DJ slot?

Was in a club called Indian in Pisa, in front of a few happy people and some drunk friends. I remember being so excited I wrote a quintessential playlist some days prior to the gig that I followed song by song. That night me and my friends had so much fun that I decided to continue DJing and that was an excuse to buy more records.

03. What was your most memorable DJ spot?

I particularly like my DJ Spots for a club called “La Limonaia”, in Tuscany. I played the hottest tunes I have to warm up the crowd’s spirits, even the ones I rarely get a chance to play. It was outdoor and the atmosphere was lovely. The moon was out on a summer’s night and the stars were shining brightly. Along with candles and great drinks, people were feeling the vibe and loved my tunes.

04. What so far, has been your worst DJ experience?

My worst DJ experience that springs to mind and makes me laugh whenever I mention it was when I was young and inexperienced and I was organizing Rock and Roll nights with some friends of mine… those nights were totally crazy. People were opening champagne, wine, beers spilling them anywhere and dancing almost naked… nobody could calm them down and sometimes I didn’t know how to protect my equipment and records! Once I got home I checked all my records and sleeves only to find many of them drenched in wine! Fortunately, the records were fine.

05. Your favorite scene DJ’s and why?

DJ Henry from Milan (Rollin’ and Tumblin’) and all the Tender crew, they have anything you would like to hear.

06. What has shaped your DJ sound and why?

Rough and crazy sounds combined with Exotic and hot vibes. Probably because these things match with my nature!

07. What was your best ever find/discovery?

Big Don’s Rebellion – It Was True. When I heard that song for the first time it captured me and I was compelled to hear more. I was positively speechless, getting goose bumps! That record was my first true impulse, it costs me nearly half of my salary at the time.

08. Who was your biggest influence musically and your favorite artist(s)?

Dick Dale.

09. Do you collect specific labels/artists/genres?

I have a thing for the Blues, Sun Records recordings, and songs with a minor scale structure from the late 50s to early 60s.

10. Where can folks currently catch your DJ set?

I currently don’t have a standing spot. Right after Le Beat Bespoke, I will be in Florence at the Rollin’ and Tumblin’ club. Just drop me a line on FB for friendship and you can find my next gigs.

11. What is the record you would most like to own?

Nat Couty & The Braves – Woodpecker Rock – Fox

12. Please give us a top 10 all time favourites and a current top 5 spins?

Top 10 Tracks of All Time:

1.Lloyd Price – Lawdy Miss Clawdy
2.Louie Louie – Richard Berry
3.Link Wray – Rumble
4.Dick Dale – Misirlou
5.Johnny Kid and the Pyrates – Shakin’ all Over
6.The Cramps – What’s Inside a Girl
7.Hasil Adkins – She Said
8.Yma Sumac – Gopher
9.Etta James – I just want to make love to you
10.Fats Domino – Why Don’t you do Right

Current Top 5 Tracks:

1.Berta Rosen Con Enrique Lynch Y Su Orquesta – Boogaloo En Cuarta Dimension – Sono Radio
2.The Fabulous Silver Tones – Dimples – West Coast
3.Bracey Everett – Lover’S Curse – Atlantic
4.Sugar Boy Williams – Little Girl – Herald
5.Little Florene – Miss You So – Excello

Next Club Nights 2017:

Lady Luck Club at Le Beat Bespoke, London – 14 April
Rollin’ & Tumblin’ – Florence – 22nd of April

Social Networks: facebook.com/claudia.missclawdy
Videos: MissClawdymusic


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drrobert

I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: newuntouchables.com/rnbrecords for rare vintage vinyl.

More Posts - Website - Twitter - Facebook

February 14, 2017 By : Category : DJs Front Page Interviews Music Tags:, , , , ,
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Rob’s Round-Up 5

This entry is part 5 of 5 in the series Rob’s Roundup

Massive thanks to all those who joined us for yet another fun NYE party.

Despite the madness going on all around us the one thing that is still in our destiny is having a good time and enjoying the music and style, we are all passionate about. Our team have been working hard on our annual Easter extravaganza in central London.

Le Beat Bespoké attracts pleasure seekers from all over the globe, with only one thing in mind having a real damn good party. So, with that firmly in mind, we have assembled yet another exciting line-up across two fantastic venues in the heart of London.

Check out our brand-new website www.lebeatbespoke.com for all the info you need. We booked ten stellar live bands featuring some of the best up and coming talent alongside two stellar acts from the 20th century.

However live music is just part of what makes Le Beat Bespoké such a fun and unique event. For your dancing pleasure, we have booked a dynamic DJ line-up from across Europe armed with explosive sounds on 100% original vinyl across 3 rooms of clubbing after the live bands.

Our guest club nights for the Rhythm & Blues Weekend include Crossfire, The Pow Wow, Lady Luck & Mousetrap all at the forefront of good times and taste. The menu is served All-night and includes authentic Rhythm & Blues, Northern Soul, Jazz, Latin, Boogaloo and Ska/Reggae.

The Beat Basement hosts the wildest and grooviest Freakbeat, Garage and Psychedelic ‘nuggets’ known to man to a back drop of eye candy visuals and groovy Go-Go girls.

A brand-new location for our daytime treats on Sat & Sunday afternoon is Dingwalls one of London’s most beautiful venues, situated right next to Camden lock in the World-famous Camden market. Expect DJ’s, bands, Easter egg hunt, record fair and market.

Contact drrobert@btinternet.com for trade stand.

But before Easter, we have celebrated an incredible 26 years at Mousetrap in the same venue with the same owner virtually unheard of these days, let alone in the ever-changing landscape of London. All those that attended would have got a free 45 with two rare tracks from the club’s playlist including one that has never been released on 45 before.

Hope to see you all Easter for an epic party!

www.lebeatbespoke.com

Cheers Dr. Robert


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Pip! Pip! Are the Creative Business Engine behind various music based organisations of the cool underground variety. Providing angst, confusion, bewilderment and annoyance in equal amounts. We design/host/manage great sites like this one! Why not hire us one day soon?

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February 21, 2017 By : Category : Articles Bands Clubs DJs Events Front Page Music Picks Reviews Tags:, , ,
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NUTsCast – Sessions – part 15 (episode 24)

*ROLL OVER IMAGE TO SEE CONTROLS*

Join the Baron for the first NUTSCAST of 2017.
On this show, we have special guest Rob Bailey talking us through the Easter extravaganza that is LE BEAT BESPOKE and the brand new LBB album.

To get you in the mood for LBB12 we have tracks from Corduroy, Novella, Lovely Eggs, Pink Floyd, New Candys, The Arrogants, Los Retrovisores, The Pacers, Stags, & Eliphant as well as selections from our DJ team.

Explore the line-up and event here at: www.lebeatbespoke.com


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March 16, 2017 By : Category : Bands DJs Front Page Music Picks Tags:, , , ,
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