Browsing Tag Small Faces

Rob’s Roundup

This entry is part 1 of 5 in the series Rob’s Roundup

Welcome to Rob’s Round-Up!

I hope you are enjoying the sunshine and welcome to my new blog where I can chat to you about what’s going on in the NUTsWORLD. Our summer events are coming thick and fast now, below I talk about some of the highlights to look out for and click on the links for the full programs.

The new issue of NUTSMAG with over a dozen great articles from our writing team includes Interviews with Betty Harris, Powder and The Excitements plus a number of scene DJ’s.

Out now for your listening pleasure is the new NUTSCAST with tracks from artists and DJ’s performing at Brighton and Euro YeYe and some of the latest record releases from current artists.

We got some great gigs and club nights coming up in the Capitol over the summer.

Join the NU network for FREE here for the very latest news and special offers.

Euro YeYe – 31 July – 2 August 2015

After the Oasis closed to become a McDonalds drive through (sacrilege), we have two amazing new venues in the City Centre for our favourite event of the year. If you have never been you still have a few weeks to join us for a wild weekend in Spain, you won’t regret it! For full info: Click Here! & Promo video here!

Brighton Mod Weekender – 28-30 August 2015

We have just 20 tickets left for Sunday and 50 for the Friday night at the Komedia now. Tickets for Venue 2 and 3 on Saturday night are selling fast and will get you into the Komedia allnighter after 3am. The full program including DJ’s and bands +  ticket info is here:
This video will give you a good idea of what to expect in Brighton.

Brighton ‘fuzz-for-freaks’ Weekender – 29 + 30 August 2015

After the success of last year we have planned another weekender for those of the Paisley persuasion featuring an exciting line-up of the best new up and coming live bands. On Sunday Les Grys Grys and Saturday the Magnetic Mind and The Carnations. Our disc jockeys will be playing the wildest Freakbeat, Garage and Psych 45’s in our intimate groovy cellar club just off Brighton seafront, think Mousetrap by the seaside and you got the picture. Check out our short promo video here! Program & tickets are here!

Crossfire Sat 10 October 2015

Get ready for another big night out of pure vintage underground partying. Our 1000 capacity venue in the heart of central London has three rooms of action with an all night bar. A stellar DJ line-up plus FOGBOUND, CAT BLACK and THE BEATNIKS live in the Beat Room.
Full info here!

Small Faces Convention – Sat 12 September 2015

The 19th annual Small Faces Convention takes place at 229, Central London. Small World, The Universal, The 45’s and The Electric Stars confirmed + special guests, memorabilia market and a Ronnie Lane Exhibition. Tickets are £22 from HERE! (No Booking Fee!)

New Untouchables Club & Gig Scene


We have a lot of great gigs coming up at the Blues Kitchen, Camden in July. This Thursday NUTSMAG review continues with Cat Black, French Boutik and The Mocking Birds live for FREE. On 23 July we are delighted to announce a NUTsMAG special with the first ever performance from America’s answer to the Who, POWDER. Arrive early it’s FREE to get in and will be a busy one, you can read Graham Lentz fab interview with Richard Martin HERE. Friday 24 July is ZOO ZOO with one of my favourite bands from the early naughties the Phrogs for what will be a double-header with the evergreen Big Boss Man, arrive early folks. I’ll be spinning some discs along with a special guest until 3am.

Sat 18 July more MAXIMUM R&B this time at The Phoenix in Oxford Circus, expect Freakbeat, Pop-Art, R&B and boss Garage 45’s in our fab basement venue with a great selection of cocktails and craft beers and a huge wooden dancefloor with brilliant sound system.

August is quiet on the club front except two shows at the Blues Kitchen on the Friday 28 August. Gemma & the Travellers play Shoreditch Got Soul and Les Grys Grys play two sets at Zoo Zoo, Blues Kitchen Camden.

Mousetrap returns September with two stellar DJ line-ups. R&B allnighter returns on 12 September with guest DJ’s Cousin Benson (A Band A Parte), Jamie Parr (Teen Scene) and Lewis Mumford (Dandy Bloom) joining me and Chris Dale. The following Saturday Fabrice De Feo of UBU Popland records in Paris, Rhys Webb of Horrors fame and Carolina join me for ‘Fuzz For Freaks’ sessions.

The line-up’s for NUTsMAG, ZOO ZOO and TIMEBOX in September is yet to be confirmed.


The new issue of NUTSMAG is out and includes Interviews with Betty Harris, Powder and The Excitements and DJ’s Mary Boogaloo, Gary Wall, Simon Bridger, Craig ‘Swifty’ Simpson, Paul Molloy and Scott Fraser Simpson. Other articles include part 2 James Thomas excellent new series ‘Jazz for Modernists’. James Clark collectors corner is the UK Atlantic Soul record releases. Enjoy Pete Feeley and Claire Mahoney simply brilliant articles on style and fashion and Graham Lentz reviews the latest record and books worth a punt on.

Some great reviews and airplay recently, grab a copy on vinyl or CD while stock lasts. The other new release this year was the Mousetrap 24th anniversary 45 both available in the NUTSTORE along with Mousetrap 45’s, Le Beat Bespoke and Modstock Vinyl & CDs, The Action DVD and I’m One-21st Century Mod’s Book, Pins and T-Shirts.


Out Now! Modstock LP and Le Beat Bepsoke 6 Vinyl & CD via the Nutstore!

RnB Records

I just added a lot of new 45’s to the website and offer 10% discount on any order over £50. Rare 45s and LPs! Clubs Sounds (RnB, Soul Jazz, Latin, Boogaloo, Blues and Funk) Freakbeat/ Garage/ Psych/ Rock/ Blue Eyed Soul, Northern Soul/ Mod Revival & Punk. Go to: RnB Records here!


Why Join NUTs Network?
Get the latest NUTs news as priority, including premiere events like Le Beat Bespoké and Brighton. Network members get first opportunity to purchase tickets and receive discounts on merchandise and a chance to enter network competitions and win great prizes. It’s FREE to join and takes five minutes to create your profile. The NUTS Network is a cool, fresh place to keep in touch and meet new faces or chat with old friends! You can share pictures, videos, music, customise your own page and join the many clubs and forums to chatter away or promote your interests! Join the Network now!

Advertise with A push!

New Ad Package Deals For 2015/16 – Including full Event Sponsorship are available now! Contact: Rob

Or you may need your own bespoke one-stop service (design, web, magazines, marketing, e-newletters) then please contact Pip! Pip! 

So errrr… What exactly is the New Untouchables?

The New Untouchables is a London, UK-based organisation promoting 21st century modernist & sixties underground music culture, through various methods including; nightlife, events, media, film, fashion, scootering, record collecting, with both UK and International Events!

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I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: for rare vintage vinyl.

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July 8, 2015 By : Category : Articles Front Page General News Picks Scene Tags:, , , , , , ,
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Modstock 3 Saturday Night 2014 Review

Modstock 2014: 50 Years of Mod

Saturday Night: Kenney Jones (Small Faces and Eddie Phillips (The Creation) featuring The Stone Foundation

Sat 19 April 2014 @ 229 Great Portland Street

So, another Easter weekender… only this time with a difference. Can it really be fifty years of Mod?  The fact the movement began before my birth, existed right through my youth, and continues unabated into my middle age, is flabbergasting. Also, while some talk with wry humour about how some Modernist culture can be viewed in 2014 as ironically quaint and/or retro, I would counter that like all things of substance, it remains timeless, and while other questions may surface (more of which later), tonight’s performances were a testament to that ideal.

House band the Stone Foundation (the best white soul act from the Midlands since Dexys) are not only a fitting warm-up, but an attraction in their own right: there’s an effervescence  about their performance and their own horn-laden, energetic material, particularly “That’s The Way I Want To Live My Life”, that even suggests possible potential in, horror of horrors, the mainstream market. And as long as they don’t end up sounding like Alice Russell in the process I’ll be behind them.

An interval precedes the arrival of our first co-headliner, the writer of the air-slashing riffs that shaped a generation, and the first guitarist to play with a bow, inspiring some geezer called Page in the process: Eddie Phillips (for ‘tis he) is an old friend of NUTs, but he’s also been inactive awhile, making his return more exciting for those who missed his last appearance. And what an appearance it is. Dapper, sharing powerful vocals with SF frontman Neil Jones, and still as commanding as in any vintage clip, he powers through whirlwind renditions of “Biff Bang Pow” “How Does It Feel To Feel” “Painter Man” and “Making Time” to our aural and visual delight: anthems one and all.

Kenney Jones has had less prior involvement with NUTs, but that in itself makes his appearance an event. Short of Ian McLagan guesting (which some were still hoping for up til the final notes) this is as close as it gets to a Small Faces show, and the crowd go bonkers to the opening strains of “Afterglow Of Your Love” accordingly. Therefore, it also matters not that his vocalist resembles not a Mod but a “Brother Of True Metaaaal”: he acknowledges as much in self-deprecating jokes anyway, quips about how he should’ve “had a haircut before coming out” followed by offers from Foundationers to “hold him down and get the scissors”. Yet ultimately, with flares, chest-length locks and mike-shaking attitood (dude), his closest resemblance is to Humble Pie-era Marriott, with the voice to a tee: close your eyes during “Tin Soldier” or “Get Yourself Together” and it really could be him. And at an event like this, surely that’s half the point.

Like Phillips, Jones also looks impossibly youthful, and, whilst other veteran drummers (Rob Townsend, Graeme Edge) now use secondary skinsmen to embellish their beats, he remains powerful enough alone, rolling across “All Or Nothing” like a barrage of friendly fire. He loses brownie points for not rehearsing an encore (“Rollin Over” “Song Of A Baker” “Itchycoo Park” – pick any from a prospective hundred) meaning the band play “….Soldier” a second time, but deserves credit for putting this together on the hoof.

Three rooms after the British Legends show and I head to the beat basement with Dr Robert and guests (including Carlo Sesto) spinning an invigorating selection, including an ear-syringing cover of the Moody Blues’ “Ride My See Saw” by Los Mustangs, several homages to the prairies of Texan garage, and an inspired choice of Turquoise’s “Tales Of Flossie Fillett” as the end-of-night anthem which I hadn’t heard since the old “two floor” days at Mousetrap. Yes, THAT long ago.


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Darius Drewe

Darius Drewe was born in East London in 1974. As a small child, both parents inflicted their musical tastes, from The Beatles and The Moody Blues to Ella Fitzgerald and Miles Davis, on him, and he was never the same again. Despite being born and bred a 'Cockney tosser', Drewe actually spent his teenage years in and around Birmingham, attending his first 60s/50s-themed nights there at The Ship Ashore, before "coming home" in 1993 to the South, where, with the exception of three years spent in Glasgow between 2007-2010, he has remianed ever since. In the almost two decades that have passed he has trod a strange meandering path from a shy 60s/70s-obsessed teen with no 'scene' to speak of to a Metalhead, sleaze-glammie, Goth, indie kid, glam-punker, garage-rocker, eventual Mod and psych freak (first attending Mousetrap in 2000) In that time he's also written for Shindig! Britmovie, DarkSide, Black Velvet and Get Ready To Rock, promoted various vintage and veteran acts at Camden Underworld, Glasgow Ivory Blacks and several other venues, DJed everything from psych, garage and soul to Metal at practically every well-known club in central London. Drewe is trying to build a time machine that will enable him to visit any period between 1960 and 1980 but still be able to use a mobile and Facebook. His ambition, aside from directing films and building said machine, is to morph into a cross between Jason King, Timmy Lea, Jerry Cornelius and Richard Hannay, and drift about the ether having adventures in a kipper tie, pinstriped flares and camel hair coat.

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July 7, 2014 By : Category : Bands DJs Events Front Page Reviews Tags:, , , , ,

Modstock 3 2014 Review

Modstock 3, 17 – 20 April 2014

What a weekender Modstock turned out to be! Even those of us lucky enough to be part of the ‘on site’ team here at Nuts HQ had no idea just how great the event would be.

It all began with Squire, The Apemen and Secret Affair headlining on the opening night on Thursday 17th

229 The Venue looked spectacular after its recent makeover. The sound quality in the main room has improved no end and the stage looks even more imposing than it did before.

As the doors opened to the sizable queue that waited patiently outside, you could sense something special was about to take shape. It wasn’t long before our MC and DJ for the evening, Eddie Piller, arrived on stage to introduce the first band.

For those of the ’79 Mod revival era, Squire were just one of the unsung heroes of that time. Their brand of catchy mod-pop may have gone un-noticed by the mainstream at the time, but it certainly gained a large and loyal following throughout the 80s.

Frontman and songwriter Anthony Meynell, got things underway with ‘It’s A Mod, Mod World’ followed by another classic, ‘Face Of Youth Today’.

The crowd didn’t take long to warm up as Squire ran through a selection of their best material. Needless to say, ‘Walking Down The Kings Road’ was one of the highlights for many, but the set was also a reminder of just how good a songwriter Anthony Meynell is. “September Gurls’, ‘Jesamine’, ‘Does Stephanie Know?’ and ‘B-A-B-Y Baby Love’ mod-pop gems one and all and a great way to get Modstock off to a flyer.

Next up, The Apemen from Germany. By contrast to Squire, The Apemen were full on rockin’, rollin’ R&B. They ripped through their set which included ‘Getting Closer’, ‘Mrs Applegate’ and ‘Desdemona’. At one point the lead singer decided to jump off the stage and join the crowd (which is not uncommon with The Apemen), all of which went down very well.

Then it was time for the headline act. I have seen Secret Affair many a time over the years and like all bands, I’ve seen them have good days and the odd not-so-good. This performance, however, was quite possibly the best I have ever seen from them.

There was Ian Page, all confidence and assured vocal delivery. Beside him, Dave Cairns, the electrifying bundle of controlled aggression on lead guitar. Backing them is a very fine and talented band.

Secret Affair’s set was effectively split in two. The first part included tracks from their most recent LP ‘Soho Dreams’ mixed in with a few covers, the crowd-pleasing ‘Do I Love You? Indeed I Do’ had everyone singing along.

As Page and Cairns left the stage, the band played an instrumental ‘Black Cat’ from the aforementioned LP and it served very neatly as an intermission before Page and Cairns returned to deliver the classics of yester-year. ‘My World’, ‘Time For Action’, ‘Let Your Heart Dance’, ‘Glory Boys’, ‘I’m Not Free (But I’m Cheap)’. It was a fitting end to a fantastic opening night of live music followed by Eddie Piller spinning discs until 2am.

After the show I spoke to Dave Cairns;

“We are very happy with the way it turned out. They were a great crowd and we were really enjoying it out there. I think everyone else did too.”

Friday 18 May was quite extraordinary in so many ways. I’ve seen queues outside 229 The Venue before, but not quite like this.

Neither had I ever met so many people, who had traveled hundreds of miles without a ticket, turning up an hour before opening to make sure they got one of the last remaining tickets for the Tamla Motown Night.

Once the doors opened and the main room filled very quickly, the atmosphere was something special. It was not long before the house band arrived on stage. Most of the band were made up from members of a cracking outfit called Speedometer. Joining them was ex-Style Council member Mick Talbot on keyboards.

The glamourous Brenda Holloway was next to arrive on stage, resplendent in her silver sequined dress and opening with ‘Just Look What You’ve Done’.

If there is one trait American entertainers have always been very good at, it is being able to work a crowd. They know how to establish a rapport very quickly and show a certain amount of class in the way they carry themselves on and off stage. They understand what being ‘a star’ means and what responsibilities come with that status. As Brenda’s set gathered pace with hits like ‘Operator’, ‘Reconsider’, ‘When I’m Gone’ and ‘Every Little Bit Hurts’, it was a joy to see a true professional at her craft enjoying the moment as much as the crowd were. She was in fine form and fine voice and she finished her set with an amazing rendition of a song she wrote with her sister Patrice, Frank Wilson and Berry Gordy; ‘You’ve Made Me So Very Happy’.

It was a huge hit for Blood, Sweat and Tears of course, but hearing Brenda sing it, the tune took on a new dimension. It was wonderful.

With barely a moment to catch our breath, the Velvelettes were on stage and more than matched the standard set by Brenda Holloway.

Polished without being corny. Professional without being kitsch.

Norma, Barbie, Cal and Millie gave the audience exactly what they wanted. ‘Lonely, Lonely Girl Am I’, ‘These Things Will Keep Me Loving You’, ‘Nowhere to Run’, Everybody Needs Love’ and of course, ‘He Was Really Saying Something’.

The Velvelettes again showed their presentation skills with a scintillating intro to the final song of their set. I hope the cameras were rolling because ‘Needle In A Haystack’ has to be heard to be believed.

They left the stage momentarily, but returned with Brenda Holloway to complete the finale with ‘I’ll Keep On Holding On’.

Afterwards I asked Mick Talbot for his views on the show?

“It was fantastic and a real privilege to play for these ladies. You know, they and Motown have been such a massive influence and presence in my life, it has been an honour. You never think for a second that one day you will be sharing a stage with people you have spent a lifetime listening to.”

I also managed to have a quick chat with Brenda Holloway. What did she think of the show?

“Oh it was wonderful! I love coming to the UK and singing for you guys. You never forget and you all seem to have such knowledge and appreciation of the music. It really is a special place and it has amazing fans. I would come back anytime to sing in the UK. It’s been just great.”

Saturday 19 April

229 The Venue was a hive of activity by midday as stall holders were preparing for an afternoon of trading in clothes, memorabilia and records.

The Beat Room was getting ready to host the Nutsmag Showcase session and outside, the Bar Italia Scooter Club was organizing the scooter rideout.

It is always an impressive sight watching well over 200 scooters moving off in unison to tour around London. When they completed their circuit, it was time to move into the Beat Room where yours truly was playing a selection of new sounds that have been reviewed on the Nutsmag website.

The two young bands on show have massive potential and Modstock was very pleased to present them. First was Alex Butler and The Opals. This was a rip-roaring set from the Geordie (plus one Italian) line up.

With songs like ‘Turn’, ‘Stole Her Away’, Come Out Of Your House’ and ‘***k it She Will Do’, it did not take long for the audience to warm to them, but Alex and his band got a well-deserved send off as they closed their set with ‘Bye Bye Love’.

The second band was The Turning. Where Alex Butler is more melodic new wave, The Turning are Beat and Rhythm and Blues, but in common with Alex Butler, there is a youthful energy and excitement about The Turning that has lifted their profile in recent months.

Their set included tracks from their debut EP; ‘Stand Clear Of My Mind’, ‘The Painful Art of Dreaming’ and ‘What You Think Is Right’. By the end of the set, the crowd demanded an encore and were treated to a red-hot rendition of ‘Gloria’.

A few hours break and it was back to the main room for the hotly anticipated ‘British Legends’ Night. Getting proceeding underway were the ‘house’ band Stone Foundation who played a selection of songs from their current album ‘To Find The Spirit’.

It is easy to see why they were chosen as the ‘house’ band. They are a very tight unit musically and with their brass section, they can produce an impressive wall of sound. Their brand of Northern, Jazz and Soul influenced tunes really left their mark and set things up nicely for the first of the legends.

Enter Eddie Philips, frontman of The Creation (with bow in hand) to take us through the classics; ‘Painterman’, ‘How Does It Feel’ and ‘Making Time’ among others. From my privileged vantage point, it was clear he was having the time of his life on stage and very humbled by the rapturous reception he received.

A short intermission was followed by the entrance of the one and only Kenney Jones at the drum kit. The man given the unenviable task of vocal duties was Jim Stapley. Having met him earlier in the day, I rather liked him.

However, his arrival on stage was met with some curious reactions as Jim’s appearance and stage presence was more rock than mod. After the first couple of numbers Jim spotted this dichotomy and made light of it with the audience who warmed to him afterwards.

That said, the set was a ‘greatest hits’ selection of Small Faces numbers and Mr Jones was clearly enjoying the experience. As the band left the stage at the end of the set, an encore was demanded and witnessing the discussions backstage was quite something. A reprise of ‘Tin Soldier’ brought the show to a close and the crowd seemed genuinely pleased. See another review HERE! with more videos.

Sunday 20 April

Another ‘early’ start for some of us! At 1pm I was at the entrance to the Pier on the South Bank to welcome those who had booked for the River Boat Party. The weather could have been better, but it didn’t dampen spirits one jot.

Once we were all aboard and underway, our DJs Lee Miller, Carlo Sesto, and Michael Wink got things going right from the get-go. The atmosphere was fantastic with a packed dancefloor throughout the afternoon and after we disembarked, it was nice to see the likes of Norman Jay MBE joining the fun.

With the Boat Trip concluded it was time to head back to 229 The Venue for the grand finale of the weekend.

That wrapped up the afternoon session, but it was not long before it was time to move to the main room for the Fashion Show curated by A Dandy in Aspic.

The assembled audience were thrilled by the show and gave all concerned a rapturous send off, see the fashion show article for in this edition for a in depth review. HERE!

There was a definite air of anticipation in the main hall as the room filled and I had the pleasure of introducing our first live act, The Mergers from Germany. As with all the bands across the weekend, The Mergers gave it their all playing tracks from their fantastic album ‘Monkey See, Monkey Do’. Their hybrid sound of The Remains, early Beatles and British Beat made quite an impression on the crowd. They loved them.

Following them on stage were the equally marvelous Les Cappuccino from Japan with their Hammond-heavy grooves and unique visual style. They did not disappoint either.

Within minutes the stage was set for the Crossfire Allnighter. The main room was packed solid for ‘The Story Of Northern Soul’ provided by a line up of specialist DJs that has rarely been assembled before. To say the night was immense is an understatement. The Beat and R&B rooms were equally packed out until the early hours. Crossfire really is one of the great events of the year and this night reinforced that reputation.

So that was the end of Modstock 3, 2014. It was memorable for so many reasons and the highlights were too many to mention. I’ve read many other reviews and comments about the weekend. A small handful pointing out a couple of minor grumbles, but the overwhelming majority were very positive and glowing in their praise about the event.

It was a great weekend, a fantastic effort by Rob Bailey and the New Untouchables Team. Stuart and his staff at 229 The Venue and all the bands, DJs and Bar Italia SC who provided the entertainment and rideout and A Dandy In Aspic for the fashion show.

We hope you had a great time too.

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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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July 4, 2014 By : Category : Bands DJs Events Front Page Music Reviews Tags:, , , , , , , , , , , , , , ,

Masters – Kenney Jones (Small Faces)

This entry is part 20 of 20 in the series Masters1

I managed to catch up with Kenney ahead of his performance at Modstock to talk about his life behind the drumkit with some of the biggest bands in the history of British rock and find out more about the new Small Faces boxset and greatest hits releases.

01. What got you interested in music and who were your early influences?

I was blown away after seeing Lonnie Donegan on TV playing ‘Rock on the line’. He was playing banjo. I just fell in love with the banjo! I remembered seeing a banjo in a pawn shop next to Bethnal Green Station. The next day I went to buy it but unfortunately the guy had sold it. A friend had half a drum kit with one and half drum sticks and that got my buds going. I was hooked. I bought my very first drum kit in a shop in East Ham on Green Lane call the J 60’s. It was a white Olympic old Jazz kit. My early influences were The Shadows; Jimmy McGriff and Booker T and the MG’s.

02. When and how did you first meet Steve and Ronnie?

I met Ronnie Lane in my local pub called The British Prince where Ronnie’s brother worked as a barman. Ronnie and I first met Steve Marriott in the same shop that I bought my drum kit where he worked on Saturday mornings.

03 What were the early shows like at Leicester square and the Marquee, and did you have a particular favourite venue?

The shows at Leicester Square and the Cavern were amazing. My favourite clubs at the time were ‘The Marquee’ and ‘The Flamingo’.

04. What was the original mod scene like and did you frequent any of the famous clubs like the Scene or Flamingo for example and do you have any fond memories you can share with us?

Well apart from my comments above it was a great place to meet up in a time when music and fashion were as one.

05. What other bands did you rate back in the sixties and are there any current bands you enjoy?

I liked ‘The Action’ in the 60’s and of course ‘The Shadows’ in the 60’s. I quite enjoy The Strypes and recently my 16 year old daughter Erin has got me into Plain White T’s.  She is great at playing me the most recent stuff and tries to keep me up to date! Some I like and other stuff makes me cringe! And of course I love the Red Hot Chilli Peppers – great drummer!

06. I have seen the Belgium TV footage from the early days at the marquee and also beat, beat, beat or maybe it was beat club in Germany which are both incredible, and did you prefer playing live or working in the studio?

I must say I like both. Live shows give you that buzz but studio work lets you be more creative and try new things.

07. Many fans claim the immediate era was the best small faces period would you agree with that?

It was probably the most creative and Andrew Oldham gave us more freedom to experiment. But I still think the Decca stuff is also great.

08. The manifesto of Immediate Records was a great idea trying to immolate the Stax and Motown hit factory in the UK, the Small Faces were and an integral part of that. What persuaded you to join Andrew Loog Oldham in the new venture and what was the atmosphere like at Immediate?

Immediate was like a family. We all looked out for each other and Andrew was boundless back then; his enthusiasm infectious. Most of us were. It was also the first independent label.

09. The infamous tour of Australia with the Who is stuff of legend, what were your memories on the crazy antics and any other humorous tales you can share with us on life with the Small Faces?

When the captain of the plane diverted the flight to Melbourne and had us arrested when we walked off the plane with our hands up. That was us, The Who and Paul Jones. My fondest memory of touring with the Small Faces and the Who was when Keith offered me a lift to the next gig in his white Rolls Royce and we ended up going down Edinburgh High Street.  Keith had a PA system fitted behind the front grille with a mike connected to this. As we drove down the high street he shouted “Rape, rape and dangled a set of blow up legs out the back window. A bus driver stopped his bus to come to the rescue. When we got to the other side of town a policeman arrested us. He was a mad man!

10. I have heard Macs account about Steve wanting Peter Frampton to join the band to create a heavier sound and eventually leaving as a result to form Humble Pie, however it seems to me The Small Faces were already heading in that direction?

That is a difficult question to answer. Our music was already taking a different turn from our earlier stuff but Steve was pushing for change too quickly. When he left and Rod and Woody joined our music took a different direction anyway.

11. The three Small Faces went on to form The Faces together with Rod Stewart and Ronnie Wood, did you know them both from the mid sixties London scene and did you ever perform with the Birds, Steam Packet or Shotgun Express?

Our paths had crossed from time to time Well Rod was on the Immediate label so we crossed paths then. We never got a chance to play on same bill as the Birds. There were times when the Small Faces were rehearsing when Rod used to sit on the amps watching us. When Steve left I asked him to join the band.

12. You also played alongside Pete, Roger and John in The Who after Keith died, how did the Who job come about?

I had just started a new band and was just about to sign a record deal when I got a call from Bill Curbishley the Who’s manager. He told me that they had had a meeting and they wanted me to join the band as the new drummer and they wouldn’t consider anyone else. I initially said no I can’t as I had just signed a new band and we are about to sign a record deal, but I would think about it. Later that day I went to get a haircut and when I left the salon I was stopped by a gypsy lady selling heather. I tried to avoid her but she was persistent. When I looked into her eyes I saw Moony’s eyes staring back at me. She was saying take it, I threw her a pile of change and ran away. It was so freaky. I called Bill up and said I would join.

13. The Small Faces catalogue has finally been done justice by Rob Caiger with the simply stunning boxset, when did the project start and how long has it taken to produce?

We have been gathering all the lost tapes for over 3 years and Rob has been working tirelessly to produce.

14. There are some fascinating moments of you working in the studio on the boxset how did it feel to listen to those moments again?

I got very emotional and lots of memories came flooding back. I could also smell the studio and feel every moment we spent in there. To hear Steve and Ronnie at their best was quite poignant.

15. As a big fan having collected all the original albums and singles listening to this boxset you really get to appreciate just how prolific the Small Faces were in such a short period of time, was that down to living together at Westmorland Terrace, the live shows or the recording sessions?

Most of the above but we had a magical telepathy between us. You can hear some of that on the studio outtakes on the box set.

16. How do you feel about the bands incredible popularity still almost fifty years after you first began?

I am completely blown away. The older, original fans seem to have passed down their passion and legacy on to their children. Lots of the Brit pop in the 90’s was influenced by the Small Faces and it has just been a slow steady growth of followers.

17. Considering you have played with three of the biggest British rock groups which band is your favourite and why?

Obviously the Small Faces as it was the most creative and the most fun. It was all new and we were breaking new ground. I loved my time with the Who as it was the most exciting by the sheer nature of their songs. The Faces were just one big riotous party!

18. What is your favourite Small Faces song and album and why?

My favourite song is Afterglow. My favourite album is Ogdens as it is so diverse and we were doing something that had never been done before.

19. We are honoured to have you perform at Modstock for our British legends show. What surprises have you got up your sleeve for the fans and who will be joining you on stage?

You will have to wait and see. My friend Jim Stapley is joining me on vocals along with Mollie Marriott who has an amazing set of pipes.

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I run The New Untouchables organization and events like the Brighton Mod Weekender, Le Beat Bespoké Festival (and compilation series of the same name) and I co-organize Euro Ye Ye with the Trouble & Tea crew. I have run many clubs over the last 20 years in London, where I live and current nights include Timebox, Zoo Zoo, Crossfire, 100 Club and Mousetrap allnighter which has just celebrated its 20th anniversary in 2011. I have been lucky to DJ all over the globe including Japan, Canada, USA and Europe and met some great people on my journey. I run RnB Records to offset my vinyl addiction: for rare vintage vinyl.

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March 27, 2014 By : Category : Bands Events Front Page Interviews Music Tags:, , , , , , , ,

Record Reviews – Feb 2014 (Part 2)

This entry is part 15 of 18 in the series Record Reviews

Small Faces

Here Come The Nice – Boxset

If there is any justice in the world, this boxset should do for the Small Faces, what the Anthology series did for The Beatles.

To say it is a magnificent piece of work is not really adequate, it is astounding.

Comprising as it does of a sumptuous 72-page hardback book featuring writings by Pete Townshend, Mark Paytress and contributions from the likes of Plant, Bowie, Weller, Frampton, Mason and Matlock to name a few. There are replica 45’s in coloured vinyl, an acetate from Olympic Studios, photos, memorabilia and four CDs all remastered from original master and multi-track tapes discovered, uncovered or literally saved from the rubbish skip from all over the world.

For me, the most compelling part of the book was Rob Caiger’s first-hand account of how the project began and its progress to the end result. This boxset.

If nothing else, there are a great many accountants, lawyers and incompetent idiots within the music industry who should be arrested for crimes against pop music heritage. So much great music made by this and many other bands was sent to landfill sites, it should be regarded as a national tradegy.

Heck!, If one of Her Majesty’s stately homes were be treated with the same distain we would have civil unrest!

That said, those like Mr Caiger and others who donned their ‘Indiana Jones’ outfits and saved these treasures deserve full recognition and unreserved thanks from not just Small Faces fans, but music lovers across the board. Be quick if you want to order this limited edition box set signed by both Kenney and Mac. HERE!

The 45’s


 It Ain’t Over b/w Devil Of A Woman

New Untouchables regulars at club nights such as Crossfire or the Le Beat Bespoke weekender will know that young up-coming bands will get an opportunity to ply their trade if they are up to scratch.

A certain band from Ireland made their debut at one such event and look at what happened to them! But, here we have the debut single by another highly rated and talented bunch of lads from Carlisle known as the 45’s.

Still only in their late teens, these young purveyors of classic British rock-based R&B were inspired by the style of ‘Quadrophenia’ having discovered it on DVD and have done their homework in the fields of Black R&B, Blues and their British heritage led by Dr Feelgood, Wilko Johnson and the like.

The A-side, ‘It Ain’t Over’ is a cracking piece of power pop, with just enough influence to make you think this could have been a ‘Feelgood’ track. On the flip, ‘Devil Of A Woman’ has more of a bluesy feel and comes at you in full attack mode. All in all, and excellent first and on this evidence, 45’s will be the ones to watch in 2014.

Sidney Barnes & Speedometer


Best Thing (That Ever Happened) b/w If I Could Only Be Sure

What a great little single this is! Now, we all know that ‘If I Could Only Be Sure’ is fast becoming one THE most covered Northern songs around right now, and this is as competent a version as you’re likely to get.

Sidney handles the vocals with all the skill and passion you would expect from a seasoned professional such as Mr Barnes. (I hope he doesn’t mind being referred to in such terms?) But, Sidney Barnes is not exactly a novice at this sort of thing.

Having crossed paths with Marvin Gaye, Van McCoy, George Clinton, Funkadelic, Denice Williams, Minnie Ripperton, Billy Prophet, Inez and Charlie Foxx and the Shangri-Las, Sidney has ‘earnt his chops’ in soul music.

‘Best Thing’ was written in 2002 by Mr Barnes after a chance encounter with Jorg at Recordshack in Vienna and a hasty recording session arranged.

However, the song was not completed until eleven years later when Andy Fairclough from the UK funk & soul outfit Speedometer wandered into the frame and within no time at all, and with Mr Barnes blessing, this single became a reality.

While it may be just a tad too fast for Northern fans and even a touch too funky, it is a really good song. If the right people in radio land catch on to this single, it could and should do reasonably well. Let’s hope so.

The Romley’s


Hey Diddle Diddle EP

The Romley’s are a Liverpool-based trio comprising of Garry Eager, James Walsh and John Currie.

They are most definitely at the pop end of the psych-garage scene and there is a very healthy scene happening in Liverpool right now. The lead track ‘Hey Diddle Diddle’ is a delightful Hammond-led jogger with hand claps a plenty and reminiscent of the kind of thing Gary US Bonds might have come up with way-back-when.

‘I Wanna Know You’re Mine’ is a steady R&B rocker, while ‘Et Moi, Et Moi, Et Moi’ will be familiar to the psych and garage kats and kittens and is a more-than creditable version of Jaques Dutronc’s original.

‘We Love Everyone’ is a joyful early ‘Merseybeat’ sounding, acoustic guitar-led dancer. This is a terrific EP and I will be watching out for the Romely’s in the future. Top marks.

The Royal Flares


Tales Of Sound And Fury Album

In keeping with the current trend for fuzz tone guitars with a driving Hammond organ backdrop in the psych/garage style, Royal Flares bring us this twelve track album released on Copase Disques.

Originating from Munchen, Germany, this five-piece outfit like to rock out as often as possible, from the opener, ‘Bad Part Of Town’ though the stomping ‘This Is Why I’.

The only time we get a real change of pace is the penultimate track ‘Mavis’ which is a very pleasant slower number. ‘Last Time Around’ closes the LP and this one really rocks and sounds to me like potential single material.

‘Tales of Sound and Fury’ is a good LP, but not what I would regard as outstanding. The full-on pace of each song gives the sense that once you’ve heard the first track, you’ve pretty much heard them all.

It is a shame, because I hear some real potential in this band. If they can find a little more variation in pace (which they are capable of – see ‘Mavis’) it would give the set more ‘texture’ and not come across as a relentless assault on the ears.

I hope that doesn’t sound too harsh, but the job of a reviewer is to be honest in their opinion, but try to be fair. Good work, but maybe take the foot off the gas once in a while.


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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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March 7, 2014 By : Category : Bands Front Page Music Reviews Tags:, , , , , ,

Book & Mags Reviews – Nov 2013 (Part 2)

This entry is part 5 of 7 in the series Book Reviews

Tadhg Taylor

Top Fellas – The Story Of Melbourne’s Sharpie Cult

This was a very pleasant and thoroughly enjoyable surprise when the postman dropped it into the Nutsmag office. It is the third edition of a book that came out in 2004 and is an in-depth look at the ‘Sharpies’. They were a kind of youth cult that was not quite Mod, nor Skinhead, but somewhere in between and was uniquely Australian. More specifically, it was uniquely Melbourne. Tadhg Taylor has done a brilliant job obtaining the interviews with the key characters from the early sixties when it all started, through to the late seventies and early eighties when it finally lost its appeal to new young recruits and fizzled out. Being something of a consumer of Mod and youth sub-culture history, I found this book to be hugely entertaining, but more importantly, informative and interesting. A book like this is important because of its historical value. It highlights the rise of mod due to immigrants from the UK arriving in the early to mid sixties and bringing their style with them.

‘Sharpies’ were the Australian interpretation with their own style and became almost a fore-runner of what we in the UK might liken to a Soulboy/Skinhead hybrid look. One thing is for certain though, these lads were as hard as they come and the gang rivalry is quite frightening, even on the written page. While it is true, there are not a vast number of photos in this book, the ones that are included are also of historical importance. ‘Sharpies’ had their own favourite bands as well. The Easybeats, Billy Thorpe, Max Merritt and the Meteors, Chelsea Set, Purple Hearts featuring Lobby Loyde. Then into the seventies Coloured Balls, Rose Tattoo and…. yes…. AC/DC.

‘Top Fellas’ is 121 pages of insight into a fairly unknown sub-culture and for that reason alone, it is well worth buying. Now, does anyone know where I can get an original Conny cardigan? BUY HERE!

Blues Magazine


Issue 9

If you like all things Blues, then this is the magazine for you. Packed full of great features and interviews, it also comes with a cd sampler. Of particular interest in this issue are the great pictures that accompany Claudia Elliott’s article on photography legend Gered Mankowitz, who has an exhibition and book of his career out now.

I also liked the comparison piece looking at three interpretations of the blues standard ‘Need Your Love So Bad’, the story of Howlin’ Wolf’s recording sessions in London in the sixties and a look at the life and times of Ike and Tina Turner. The mag does keep up with the current movers and shakers on the scene now, so you always know what’s going on.

Scootering Magazine


October 2013 Issue

I know I don’t review every issue of this ‘instituion’ because anyone with even a passing interest in all things Scooters or Mod will know about it and read it. However, there are times throughout the year when I do need to bring certain issues to your attention and October’s issue is one such. As well as all the usual features and Scooters, they have continued their wonderful ‘Scooter Sounds’ page with Bad Manners’ ‘Ska ‘n’ B’ in focus. Also of particular interest are the two reviews of both Euro YeYe at Gijon and the Brighton August Bank Holiday. Our thanks to Sarge, for the coverage.

Shindig Magazine


Issue 35

With Jon Mills and Andy Morton at the helm, Shindig never fails to produce the goods. The second part of the Nilsson feature is as superb as the first. Also included are interviews with Young Sinclairs (who I rather like), the venerable Mike Stax who has been a stalwart of the US scene and the man behind ‘Ugly Things’ magazine and a double-header of sorts: a terrific piece on the bands and LPs inspired and influenced by The Beatles, followed by an in-depth interview with Neil Innes about the career of The Rutles. In some ways I wish this mag was published a little more often, but you can’t deny the quality.

Ultimate Music Guide Magazine


Small Faces

The last time I reviewed an edition of this magazine was almost a year ago when they did one on Paul Weller. This time the Small Faces get the full treatment and again, you will not be disappointed. The premise is to reproduce original articles and interviews with the band from their earliest days and although it is titled as the Small Faces issue, the mag continues after Steve Marriott left the band, and looks at the careers of Humble Pie and Marriott after that band fell apart. It also examines The Faces, Rod Stewart, Ronnie Lane’s solo career and with Slim Chance. The photos are fantastic as are the original interviews which really put you at the heart of where the various bands and members were over the years. I wonder who will be next in the ‘Mod legend’ category to get the ‘Ultimate Music Guide’ treatment?

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Graham Lentz

AKA ‘The Baron’ - Like many of his generation, The Jam started Graham's love affair with all things mod back in 1977. He is the author of 'The Influential Factor - A History Of Mod' which was originally published in 2002. An extract from the book was re-printed in Paolo Hewitt's 'The Sharper Word - revised edition' in 2011. Being a self-confessed 'broad-church' mod, Graham's interests range from Modern Jazz to today's up-coming new bands and everything in between. Although he has a passion for mod history, he also has a passion for the new. Whether it's music, clubs, media of every kind, clothing, scooters or art and photography, Graham supports, promotes and encourages as much as he can, because that's how we keep going. 'Give it a chance' is his motto. If it's not for you, that's cool, at least you tried it.

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November 25, 2013 By : Category : Front Page Literature Reviews Tags:, , , , , , ,